Year 1971 - 256

Journey to the North Pole was the first film to be made about Cornelius Cardew's Scratch Orchestra. Cardew was an experimental English composer who founded the Scratch Orchestra in order to liberate avant-garde music from the control of the bourgeoisie.The orchestra had no restrictions to its membership and was an anarchic mix of amateurs, students, workers, professional musicians and composers. They wrote and performed graphic scores, group improvisations and deconstructed versions of the popular classics. Cardew sought, idealistically, to take the orchestra to the masses, and this tour captures them performing, predominantly outdoors, in North-East England.

Color UCLA Animation Workshop Student Film, Preserved by the UCLA Film and Television Archive. Dyal animates Navajo patterns overlayed on a photograph of an Arizona mesa, accompanied by a recording of the Yeibichai (Night Way/Night Chant) Ceremony.

Documentary captures the moving of the Holy Spirit in the hearts of youth who call themselves "The Jesus People." It tells the story of their changes lives.

Documentary short about the construction of a subway tunnel in Berlin, using the cut-and-cover method.

Destroy by the director in 1974.

A cinematic confrontation between old people, who are wandering around and are lost, and the youth, who are in a hurry to move on. (DFI)

Vertical Room Pan was made in Haxton's San Diego studio in 1971. A device was made that allowed the camera to rotate around a horizontal axis. The resulting film is a 360 degree rotation of the studio in a vertical direction. This is somewhat analogous to the way the film passes through the camera. The film was first shown in the 5th Avenue space in downtown San Diego. The installation forced the audience to view the film over a six foot wall. The film was projected near the ceiling on a wall at the rear of the space The film is about the way the camera describes space and the control of the way the viewer is oriented to the film projection.

Director: Anant Mane; Writer: Anant Mane, Amrut Gore, Vyankatesh Madgulkar, Jagdish Khebudkar; Producer: Shivaji Gaikwad, Ashok Gore.

Directed by Datta Mane. With Jayshree Gadkar, Jayamala Kale, Jaisingh Mane, Gulab Mokasi.

Directed by Datta Keshav. With Raja Gosavi.

Director - Datta Mane. Stars Madhu Gaikawad, Chandrakant Gokhale, Sumati Gupte

Janubhau and his wife Radha decide to get Janubhau's younger brother, Vinayak, married to the daughter of Tatya Khot. However, they feel dejected as Vinayak decides to marry Kusum instead.

Directed by Raja Thakur. With Mandakani Bhadbhade, Amol Palekar, Surekha, Sharad Talwalkar.

A group of teens try a ritual but soon after get freaked out. In the coming days, the ritual starts to unexpectedly complete itself putting them in greater danger.

Diving off the Old Bridge as a rite of passage for a boy in the city of Mostar.

About the Barguzin Biosphere Reserve, located on the northeastern coast of Lake Baikal, among the attractions of which are the unique Siberian pine pine, hot mineral springs, rare grayling fish, Baikal seals and, of course, the famous Barguzin sable.

A jewel of Italian artist cinema long considered lost, Echo by Gianfranco Pardi was presented for the first time in 1971 at Studio Marconi. The music from the film, created together with the artists Mino Ceretti, Carlo Ruffini and Davide Mosconi, will then flow into the album Uno zingaro di Atlante con un fiore a New York, released by RCA in 1973. As Franco Quadri had already noted at the time, the structure of the film unfolds in three moments which, although contrasting, blend into each other harmoniously, from a visual and musical point of view. The first is of an exquisitely conceptual nature and focuses on the constructive values ​​of the architectural measurement of space; the second is characterized by a convulsive explosiveness bordering on pop and, finally, the third brings the gaze back to the natural order.

Sue Ford was one of the first feminist photographers and filmmakers in Australia, initiating her practice during the early 1960s in Melbourne. An active member of many feminist film co-operatives, her works explore Australian identity and feminism, excavating the effects of Australia’s colonial past through playful, innovative and experimental films. In Low deposit, easy terms, Ford interrogates Australia’s obsession with car culture, but instead of open Outback roads, the viewer tours inner-city car dealerships, home garages and junkyards where life struggles to grow. — ACMI

1971 documentary about the concentration camp Sachsenhausen commissioned for the National Memorial and Monument Sachsenhausen (GDR).