“Peter Kubelka…was teaching at Staatliche Hochschule für Bildende Künste – Städelschule (Städel) at the time. His classes, filmmaking and cooking, were very unique, and this film was made around the time I was studying with him at Städel… This is a single-shot film, moving along the passageway using a handmade dolly. I used an Arriflex 16ST camera, and I changed the filming speed from 48fps to 4-6 fps while shooting.” - Yo Ota
This classic cartoon video teaches children how to protect themselves from potentially dangerous situations with strangers.
Performance video about a holiday romance at St Ives, Cornwall.
Two image strips projected side by side confront two types of passages: on the one hand the standard frame can be doubled or reduced and multiplied up to four; On the other hand, the image of the sugar that melts implies another type of fragmentation: the crystalline substance disintegrates into its hundreds of constituents before completely dissolving and then reassembling. The ambiguity of the "double screen" lies in the fact that it does not systematically involve twice as many images, but diversified spatial and temporal interactions.
“If there’s a film of mine that makes the case for multiple viewings, it’s (Reel #2). This has to be seen several times to be seen at all. The transition from filmmaking back into painting is here in the ‘props’ — 2″ clear tape strips of gorgeous debris (thread, film & petals) which later joined and grew into wall hangings, then eventually paintings. This is the level of metrics, the visual resonance I was always chasing.” (J.B.)
Kids build a donkey, a rocket, and a fortress out of snow.
A chronological look at the various manifestations of the presence and fight of Puerto Rican women as part of our history.
Frenetic and impressionistic, this nocturnal foray through San Francisco's streets (heightened by a stop at a nightclub) delivers a thrill-hit of ebullient adrenaline. The rush of excitement, of anonymity, of adventure, of being alive, of potentially meeting someone new is palpable. Somewhere in the middle of this burst of gorgeous black-and-white, the neon takes on a life of its own, squiggling into infinity. "This is about living fast and dying peacefully," the filmmaker said at the time, which adds another layer of poignancy. - Michael Fox
Sons of Shiva is a sustained attempt to film a four-day ceremony concerned with the worship of Shiva. Devotees of the God Shiva are shown from the initial taking of the Sacred Thread through gradually intensifying action to a culmination in a variety of ascetic and self denying practices.
Hyeran is from an orphan, but attends college with the care of the orphanage director. One day she has her body stolen by her manager, who has a black heart, and Hye-ran steals her manager's bankbook and she leaves the orphanage.
Documents the massive attendance of Puerto Ricans at Rafael Cortijo's funeral, one of the maximum exponents of Puerto Rican music. This experimental film is one of the few surviving records of his burial.
Koreans fight against the Japanese.
On the night of 8th February 1985, the main street of Melbourne, Swanston Street, was closed to traffic and converted into a Mall. 13,500 square metres of instant lawn transformed asphalt into park in an 'environmental art' and logistics operation of world interest. Two days later the city returned to normal.
Misaal overview.
A synthesis of documentary, dramatic, and experimental styles, this film follows two women recollecting their personal and familial experiences from World War II. One woman recounts the story of an aunt from story Hiroshima whose father had been a member of the peace party when the militarist government forced its way to power. Exiled from Japan they were then interned with Canadians of Japanese descent. The other woman recounts the details of her experience as a young nurse on the morning of August 6, 1945.
This is the theme of the film: The secret of objects in the huge space and time curve: the not-being-able-to-recognize, the not-being-able-to-grasp, the not-knowing. The curve is presented in the film as a miniature: 24 hours (morning, day, evening, night, morning) condensed into 40 minutes.
