Year 2001 - 450

Interested in architecture and in contemporaries landscapes, Bertrand Lamarche has designed several projects relatives to the site embracing the J.F.Kennedy viaduct site in Nancy. On this archetypal non-place with its unfinished look and chaotic images that were shot the Terrain Vague project, mounted as a long tracking shot that accompanies the circular sweep of the nocturne landscape by the beam of a lighthouse. The artist created a photographic panorama, referring to primitive cinema, that he used to shoot the movie. The video is in fact a tracking shot along a looped picture, which evokes the movement of an automatic security camera.

Recorded during their sixth visit to Japan in the autumn of 2001, Tokyo Blitz finds Ash on a high.

A man tries to win back his ex girlfriend.

This 40 minute DVD documentary presents the background, behind-the-scenes material and interviews about and with the hugely popular band Staind. No music is included.

A young woman is having nightmares. Her husband reassures her that there is a rational basis for her fears. But what is that noise in the closet? A ghoulish vision of a woman's place that doubles as a stylish homage to 1970s horror, THE FEAR wrings dread out of every camera movement and splash of color.

Short film release

Instead of riding off into the sunset, Dolven's two protagonists walk off, painfully slowly and in perfect step, into an impenetrable darkness.

Stone Temple Pilots at Westmoreland Fairgrounds, Latrobe, PA, USA 01 Coma 02 Vasoline 03 Big Empty 04 Sour Girl 05 Creep 06 Days of the Week 07 Interstate Love Song 08 Plush 09 Trippin' on a Hole in a Paper Heart 10 Hollywood Bitch 11 Down 12 Sex Type Thing Deftones 13 My Own Summer (Shove It) 14 Be Quiet and Drive (Far Away)

Documentary by Dan Winter. Warning various reports of this content being fraudulent and untrue.

Early Days Yet, directed by Shirley Horrocks, is a documentary about New Zealand poet Allen Curnow, made in the last months of his life. The poet talks about his life and work, and visits the places of some of his most important poems. It includes interviews with other New Zealand poets about Curnow’s significance as an advocate for New Zealand poetry. As Curnow famously mused in front of a moa skeleton displayed in Canterbury Museum: “Not I, some child, born in a marvellous year / Will learn the trick of standing upright here.

This is the story of Terenti, a reindeer hunter and chief of the brigade, and his family. His wife Maïa, daughter Anna, brother Vassia, and grandfather live in their balok. Anna’s cousin Konstantin is staying with them in the tundra. Early one morning, Anna awakens. The Trace of Moloktchon follows a family of Dolgans from sunrise to sunset. We meet the Tundra of Siberia, the last nomadic inhabitants of the Taïmyr. On May 9, 2000, the filmmaker set a camera inside a balok and another outside on a swivel to follow the sun. This allowed him to film on two screens, an intimate record of Maïa’s daily life and the means developed by this thousand-year-old culture for meeting its needs. At the same time, he captured a panorama of her environment, the Tundra of Terenti. We discover the way of life of these animistic nomads. They went about their usual activities without apparent regard for the camera. The resulting document is moving and informative.

In this work Smith explores symbols and landscapes in nature, and links these to the psychological hopes, fears and desires that exist in every culture. As she explains, "I want to show the relationship of the human psyche to the environment regardless of its physical location or form."

Áron is a happy child in his family. But at some point things take a different turn, and his mother starts to lose her health rapidly. As this happens, the man in charge decides what's best for Áron without consulting the young boy's opinion, and the boy finds himself thrown out of his warm home into an orphanage in the woods. He's utterly displeased by what's happening, without knowing he has yet to face much worse. After a hard time getting over the harrassment of his classmates and being accepted as one of them, another obstacle on the way to his peace of mind faces him: His obnoxious teachers. He has no intention of being bad, but it's beyond his ability to blend into the revolting place he's in. The nasty treatment of the teaching crew gets the better of him, and he's not all that calm and passive anymore. But that leads into unpleasant events which Áron himself wouldn't want.

Fredrik, age 16, from Askøy outside Bergen is an unassuming boy; until he sits down in front of a computer. There Fredrik dons his alias, Slayer, and becomes one of the world's best players of the computer game Starcraft. We follow Fredrik on a trip to Korea where the world's best Starcraft players meet in combat. Only the top 128 of over 100,000 applicants qualify to compete for the first prize of $10,000.

"You Are My World" is the 10th album from Hillsong. Recorded live at the Sydney Entertainment Centre and featuring Darlene Zschech and the worship team from Hillsong.

In Frances Stark's Cat Videos 1999 - 2002, the artist's cats are featured playing and lounging in her apartment. The videos are a result of Stark being inspired by the visual pleasure of watching her cats and the way their movement changed her perception of her domestic surroundings. By utilizing the soundtrack of one diegetic song per video, the life of the domestic cat - which usually involves no plans or action - is framed, and then elevated as a work of art. The videos, produced pre-Youtube in 1999-2002, predict our current extensive consumption and emotional responses to online cat videos, and unintentionally explore the rise of rapid attention span as a response to current technologies.

In Frances Stark's Cat Videos 1999 - 2002, the artist's cats are featured playing and lounging in her apartment. The videos are a result of Stark being inspired by the visual pleasure of watching her cats and the way their movement changed her perception of her domestic surroundings. By utilizing the soundtrack of one diegetic song per video, the life of the domestic cat - which usually involves no plans or action - is framed, and then elevated as a work of art. The videos, produced pre-Youtube in 1999-2002, predict our current extensive consumption and emotional responses to online cat videos, and unintentionally explore the rise of rapid attention span as a response to current technologies.

In Frances Stark's Cat Videos 1999 - 2002, the artist's cats are featured playing and lounging in her apartment. The videos are a result of Stark being inspired by the visual pleasure of watching her cats and the way their movement changed her perception of her domestic surroundings. By utilizing the soundtrack of one diegetic song per video, the life of the domestic cat - which usually involves no plans or action - is framed, and then elevated as a work of art. The videos, produced pre-Youtube in 1999-2002, predict our current extensive consumption and emotional responses to online cat videos, and unintentionally explore the rise of rapid attention span as a response to current technologies.