Lunch with Eddie 2002
A film about friends you thought you knew and the lover you will never forget. Three gay men, estranged friends trying to overcome their differences, meet accidentally on the anniversary of Eddie's death, a lover of all three.
A film about friends you thought you knew and the lover you will never forget. Three gay men, estranged friends trying to overcome their differences, meet accidentally on the anniversary of Eddie's death, a lover of all three.
When a pick-up in a NYC bar results in date-rape the young man who has been victimized must decide if he's going to take the chance again.
Two jewish lesbians hold a naming ceremony for their baby in a melding of old customs and new ideas.
The third part of Cokes's Shrink! trilogy in which he "shrinks" criticism.
A chronicle of the intersecting lives of four lost souls haunting the fringes of Coney Island's 60th Precinct. John Funn, a lonely Missing Persons detective at the frayed end of a once promising career, hitches his wagon to the rising star of a strange and impressionable young sergeant named Snookie. Computo, a World War II Army surplus robot, and Crazy Legs, an horrifically injured streetfighter, eke out a desperate living hawking mislabelled narcotics, while patiently awaiting happier times. Woven throughout the unraveling of these two dysfunctional partnerships is the story of a bizarre Missing Persons case involving a mysterious half-drowned man living one foot below the surface of the Atlantic ocean. A tale told in a cycle of interlocking absurdities--played almost alarmingly straight--MISSING PERSONS is an entirely CGI-generated 3D animated film, rendered in "toon-style" using custom software.
The Projectionist is an aural and visual narrative. Inspired by Rachmaninov's composition 'The Isle of the Dead' it threads together a story about an old cinema projectionist and an elaborate series of huge projected images which represent his memories. He is a 21st century Everyman, whose complex mind is burdened with too many overlapping memories. His individual suffering resonates, ironically because it is invisible to everyone but himself. The ghostly visions which appear in The Projectionist reflect his personal history and private pain.
Huwag mong takasan ang batas: Directed by Karlo Montero. With Rommel Padilla, Ynez Veneracion, Jorge Estregan, Sarah Gomez.
Mogens Elbæk travels across the Alps - from France to Slovenia. A cooperation between Danmarks Radio and Morgenavisen Jyllands-Posten.
Elva Hsiao HongKong Concert
A film that addresses the daily experience of feeling different. Interviews with people who fall in between the gender spectrum provide revelations about what it’s like to not feel 100% male or female.
Six young lesbians and gays tell their stories, from the difficulty of being oneself when one feels different, to announcing one's homosexuality to oneself and to others (coming out), to the social rejection (homophobia) and the deafness or even hostility of the families, schools and institutions with which the young people are confronted, this film, made during the Euro-Mediterranean Summer School on Homosexuality in July 2000, recounts the journeys of three young lesbians and three young gays.
This short documentary takes a look at the ideas and feelings of successful, black gay men on such issues as sexuality and masculinity, as well as their perception of, and their role within, the black community.
The small ethnic group of the Wana Wewaju live in Indonesia in the eastern part of Sulawesi (Celebes Island) among the dense equatorial rain forest of the Tokkala Mountains. The film documents the traditional healing practices of the Wana shamans. This film is the result of fifteen years of research and constitution of ethnocinématographic archives about the shamanism of Wana People from Sulawesi (Indonesia).
Mizuyoshi tries to highlight everyday landscapes through his camera. Capturing the movements of light on the water of a stream, or reflections through the grass, he seeks to render a certain cinematographic image quality.
The science and education film "Abyss - The Essence of Cults" produced by Beijing Science Education Film Studio, with rigorous and realistic scientific spirit, various artistic techniques, through a large amount of scientific knowledge, vivid strength, and detailed information, comprehensive and profound It thoroughly analyzes the nature and harm of cults, and is a shocking and thought-provoking work of caution. The film uses a large number of little-known materials to disclose the truth of "People's Temple", "David", "Sun Temple", "Falun Gong" and other cult organizations seeking money and killing people Various means and the evil nature of cults are anti-human, anti-science and anti-social. During the use of a large number of high-tech means such as three-dimensional animation, it is a perfect combination of science, art and education.
The film is about the encounter between tradition and modernity. In a small village of Papua New Guinea three exceptional men rival with each other in the field of rituals and artistic creation in order to win over their neighbours. They send a last letter to their dead who have abandoned them and who may have emigrated to a rich country from which the film-makers come.
Racing Through Time is an exceptional series entailing the sensational beginnings of much loved global sport. From the grease and glamour, to the danger and thrills, this is an action-packed, fact filled tour of the world of motor racing, featuring in-depth stories on the legends of motor racing, the high performance machines, the men behind the wheel, and the circuits that have made history.
Early 20th century romance in Périgueux. A woman separates from her young lover.
In this captivating film by Gerald Caillat, Elisabeth Schwarzkopf, at the age of 80, looks back on her musical life and tells the story of her glittering career. The documentary contains accompanying archival footage as she narrates her life story, in English, through the various roles and performances that have shaped the life of one of the greatest of all singers. Schwarzkopf was one of the finest sopranos of her time. She was an outstanding performer both on the concert platform and in the opera house, where she memorably characterized such roles as Donna Elvira (Don Giovanni), the Marschallin (Der Rosenkavalier) and the Countess (Le nozze di Figaro).