Being away for many years, Amir returns to Bosnia and Herzegovina in order to take custody of his parent's remains. They were murdered during the war but their bodies haven't been recovered so far. Amir also decides to visit the place of his birth. There, besides a ruined house, he also finds a forgotten friend and those who know about him more than he knows about himself.
Testament is a humorous and emotional story set in a Bosnian village and the industrial city of Zenica in the early 1990s. It portrays, in a uniquely local way, the importance of a will and the consequences of its absence within Bosnian culture. Through the lives of ordinary people, the film weaves together a series of small conflicts and misunderstandings over inheritance, tradition, and human relationships, where old customs collide with a reality full of human flaws: gambling, gossip, love, and petty theft. The main character, Asad, after losing his father’s inheritance, must navigate the world of industrial Zenica, local taverns, and everyday rural troubles, aided by his best friend Dževad, a charming man constantly facing his own challenges while seeking shortcuts to every solution.
The film points to the problem of the emergence of organised prostitution within a society that culminates in periods of economic and social crisis. After gaining their wealth, some of the leaders found themselves in high positions especially in state institutions and administrative structures.
Two married couples of different religions and social status decide to swap their wives so they could all emigrate to New Zealand in an easier way.
The armed conflicts of the 1990s not only visibly destroyed the land of the former Yugoslavia, but also left the deepest wounds in the memory of each of its belligerent nations. There are as many different interpretations of that bleak past as there are countries affected. It is therefore hard to expect absolute harmony when, less than two decades since the war ended, a diverse group of veterans gathers at a remote mountain hotel for a therapy session over several days. On the contrary, such a dangerously volatile situation can suddenly ignite by just one thoughtless word, or a seemingly dirty look. That’s because the former soldiers, obstinately holding on to their fundamental masculinity and their prejudices, refusing to expose the inhumanity of the atrocities perpetrated. However, this quietness is just about to be broken and hidden emotions are to be faced.
At the top of the rugged Bosnian mountain, young shepherd Mehmed patiently watches over his cows and lovingly carves the figure of a woman in a piece of wood. Almost on cue, a novice paraglider unexpectedly falls from the sky. Deborah speaks only French and he speaks only Bosnian, but they tentatively communicate, and she accepts the hospitality offered by Mehmed's mom: a bed and a meal of "mountain-style" tripe. Love soon bridges the cultural divide, and the story develops into a series of hilarious escapades showcasing the beautiful landscape and local sounds
Faruk Sego, a failed Bosnian writer facing deportation from Austria, must prove that he has made a cultural contribution to Austrian society. His last chance is an off-theatre troupe that can stage a play he wrote as a young man. Faruk's reluctant return to the theatre will force him to realise what is truly important in life.
A girl roams through the city in order to retrieve her heart and take it to her boyfriend. But there is one problem: the heart has stopped beating.
The history of Bosnian cinematography over 75 years of existence.
Film follows a woman walking this very route. She stops, hesitates, runs. She waits, calculates and bends down. Every crossing is a new challenge and new calculation.
A man, old, decrepit, terrified, in a house with his friend Goran. Outside he wanders aimlessly, seeing enemies in both neighbours and foreigners. Ena, a journalist, arrives in the village, to film a story on heritage guardians. Through her camera lens she discovers a strange Man, secretly watching. His „hiding place“ has been exposed. Ilness and reality clash. In the house a threat appears, a wartime lover, with the message that the devil has come to collect his due. A stormy night and fateful encounters. To run or to fight and face it all? And return?
What could be a beautiful fairy tale for some - boy meets girl - could also be the beginning of a horror film for Faruk. The young man is crushed between the dark world of his criminal cousins in Sarajevo and the discovery of love. The film powerfully visualises and contrasts a harshness and tenderness experienced and dreamed.
Riki works for a struggling catering company. Ado, his misogynistic colleague and brother-in-law, wants to fix the business by beating up Melisa, a former co-worker who is a top cake-maker, to force her to work with them again. All the rest of the employees dismiss Ado's plan as stupid and senseless. However, Ado is a stubborn savage, and his colleagues know he won't give up unless he is stopped. Riki is divided between a sense of justice, and the norms through which we tolerate family and friends no matter what they do.
At the traditional Muslim funeral service for his father Fikret Varupa, sixteen year old boy from Sarajevo, learns that his father owes money to Hamid, a man he does not even know. The debt is considerable and Hamid does not want it to go to the grave with the body, so the debt automatically passes from the father to the son. Since in Bosnia this way of collecting debts, at a funeral, is considered to be utterly humiliating, it is never, ever applied. Fikret and his entire family become subjects of ridicule. Fikret, who is practically still a child, is decisive to "redeem his father's soul". Wishing to repay his father's debt and to secure the forgiveness, Fikret wanders into the real world of Sarajevo, the world that is ruled by post-war chaos, misery and poverty and becomes an ideal target for two corrupted policemen who wish to "help" him: they plant the kidnapped girl on him.
A drug smuggling crew from Bosnia-Herzegovina faces chaos when a Syrian migrant's explosives attract ISIS terrorists into the country, forcing them into a deadly game of loyalty and survival on the Bosnia and Herzegovina-Croatia border.
Mirsad’s father’s village is evacuated due to dam construction. The village will soon be under water. Mirsad arrives from the city intending to move his father’s remains from the old village cemetery to a grave in the new village’s graveyard.
Six months after the genocide in Srebrenica and after the Peace Treaty was signed, the women still don’t know the whereabouts of their sons. Out of desperation, they organize protests and private investigations. Despite being emotionally fragile, often under-informed and lacking education, these women embody an incredible strength that overcomes all political and bureaucratic barriers. They demand their sons, the truth, and justice, and nothing can stand in their way.
Ivana, Clara and Marina are three women from different backgrounds living at the same time in Sarajevo. Ivana dreams about moving to the USA, Clara works during the night to save money for her studies and Marina is in love with her best friend who is moving to a different country. Each one fights to achieve her own goals, but most of the time society doesn´t accept what's not in accordance with its norms.
The plot revolves around a wedding party from Pavlikeni, a town in Bulgaria, heading to Sofia. The leader, Karaatanov, convinces the theater director to allow the party to stay during a performance, leading to a series of chaotic events.
Sarajevo, 1992. They are called Ahmed, Lana, Sado, Saba, Sahbey, Beba, Nemanja, Marx, Matan. They live in and between wartimes. They have "nafaka", the destiny which was bestowed on them by God Almighty. They have enough gallows humor and courage to believe in freedom and happiness.
