After his father leaves home for another woman, 16-year-old Martial has to move with his mother, Sabine, to a more modest apartment. Martial finds it difficult to fit in his new life. His mother offers to help him, but she only makes the situation worse. Martial then forms a bond with two twin sisters his own age, with whom he has a series of exciting and disturbing experiences.
Lemmy Caution is on the trail of a women who may or may not be mixed up in a blackmail scheme.
A television documentary directed by Marcel Ophüls examining the Munich Conference of September 28, 1938, when European leaders met to avert the outbreak of war. Through archival documents and interviews, the film reconstructs the political atmosphere surrounding negotiations between Britain and France on one side and Nazi Germany and Fascist Italy on the other, situating the agreement within the broader context of European appeasement in the face of fascism.
Documentary edited from testimonies on the torture of people who experienced the war. Some witnesses were tortured by Jean-Marie Le Pen. These testimonies will help defend the newspaper Le Canard Enchaîné in court against Jean-Marie Le Pen for defamation. The film was shown in 1985 during the trial and some witnesses also came to support the newspaper. But the 1963 amnesty law protects the politician, prohibiting the use of images that could harm people who served during the Algerian war.
Set in mid-19th-century France, this short follows Alexina, a trainee school teacher in a young girl’s convent, who suffers unbearable pains. After examination by a doctor who questions Alexina’s gender and subsequently decides that masculinity prevails, Alexina works to find their own path forward.
Ward and Bouchard must face an important car theft ring that turns out to be a lot more than they bargained for: one where the stolen cars will serve as bombs in a well planned terrorist attack.
The film consists largely of a series of interviews with female filmmakers from several different countries and filmmaking eras. Some, such as Agnès Varda and Catherine Breillat (both from France), have been making films for decades in a conscious effort to provide an alternative to the male filmmaking model; others, such as Moufida Tlatli (Tunisia) and Carine Adler (England), are relative newcomers to directing, and their approaches seem more personal and less political. The film as a whole manages to cover some important topics in the feminist debate about film -- how does one construct a female gaze, how can one film nude bodies without objectifying the actors (of either sex), what constitutes a strong female role -- while also making it clear that “women’s film” comprises as many different approaches to filmmaking as there are female filmmakers.
An unsuspecting student thinks that the wife of an arms dealer is unhappy, but in reality she appears as cynical as her capitalist man.
Commissioner Maigret rushes to the Quai d’Orsay with Lieutenant Janvier. There, they find Mademoiselle Larrieu in a state of shock. That very morning, she discovered the bullet-riddled body of Mr. Berthier-Lagès, a renowned former ambassador whom she had served as a housekeeper for 46 years. While searching the victim's apartment, Maigret and Janvier uncover hundreds of letters. The diplomat had maintained a fifty-year-long love correspondence with a certain Princess of Vuynes, whose husband - by a strange coincidence - had died just a few days earlier. As he confronts the various members of the two families and the suspicious silence of Mademoiselle Larrieu, Maigret finds himself faced with surprise after surprise, watching his certainties crumble - until the solution to the mystery finally hits him in the face at the very last moment...
The story of the documentary The Sorrow and the Pity (1971), directed by Marcel Ophüls, which caused a scandal in a France still traumatized by the German occupation during World War II, because it shattered the myth, cultivated by the followers of President Charles de Gaulle (1890-1970), of a united France that had supposedly stood firm in the face of the ruthless invaders.
When his long-time disappeared father is entering his life again, Jean-Luc, a successful doctor, has no option but to face his own life story. Will he ever be able to forget and forgive?
A collage film, a dialogue between mother and the unborn child, the film can be seen as a personal self-analysis by René Paquot, who dreamily delivers his conflicts with maternal, medical and religious authority. revolt.
They knew each other long ago: a man and a woman whose dazzling and unexpected romance captured in the now-iconic film revolutionized our understanding of love. Today, the former race car driver seems lost in the pathways of his memory. In order to help him, his son seeks out the woman his father wasn’t able to cherish but whom he constantly revisits in his thoughts and dreams. Anne reunites with Jean-Louis and their story picks up where they left it…
An aspiring tennis player is taken under the wing of an established player as his family life falls apart.
My name is Arnaud. I'm going to play in the Trio show with Baptiste and Jérémy. I've been asked to write the pitch for the show. As I write these lines, I don't know anything about it. But basically, this is how it's going to happen: we're going to write a show and it shouldn't go as planned because of one person. Apparently me. Thanks to my great experience, I'll save the evening. Baptiste will follow me with his eyes closed because he loves me. Jérémy will yell at me because he's an idiot. But what's certain is that you're going to laugh a lot. And so will we.
Documentary about freedom defense movements on Internet.
1944 : Occupied France. Juliette (Vice) is Wehrmacht General Bamberg's mistress and enjoys a privileged life. Her younger sister Justine (Virtue) is about to marry Jean who is in the Resistance and come to Juliette for help. Both sisters end up at "la Commanderie", where Juliette becomes SS Colonel Schonberg's mistress and Justine is detained with other pretty girls who must satisfy the sexual needs of high-ranking nazi officials. Inspired by "Justine ou les infortunes de la vertu" by the marquis de Sade
