פאָלקס פון Kuwait

Free and a multi-talented artist, Habiba Msika was one of the brightest stars of her time, the twenties. Inspired by the real-life of the artist, the film evokes the last years from 1927.
 Punctuated by the jolts of a changing time, this tumultuous stage in Habiba Msika's life was branded by the love that Mimoun, a wealthy landowner, and Chedly a young poet from a good family, both dedicated to her. In Berlin, during a triumphant tour, she meets the oriental music star, the Iraqi Baghdadi, and is introduced to Parisian life by Peter, and a dandy of disconcerting charm. Back in Tunis, Habiba Msika's life is carried away by the frenetic whirlwind of success, controversies, and thwarted passions until the final tragedy of her death.

Haroun is an old bachelor who has lived in Oran for several years. A retired civil servant, he leads a reclusive life until the day he meets Kamel in a bar—a journalist to whom he tells an incredible story dating back to 1942. He claims to be the brother of ‘the Arab’ killed in a story told in one of the most famous novels of the 20th century, ‘The Stranger’ by Albert Camus. An Arab with an erased name: Moussa. Through anger, assertions, details, and confidences, Haroun finally convinces the journalist to listen to his story. His confession is a cry of freedom and distress—but above all, a cry of revolt: against an abusive mother, against a country that failed to achieve true independence, against a book, and against a famous French writer.

Najib, who lives in Morocco, envies his brother, an architect living in France for twenty years. For lack of money, he decides to join the hexagon, but clandestinely. During his journey, he meets Attila, a Turk on the run that will drag him into his shady business. His arrival in France will be far from being as idyllic as he hoped!

Six strong-willed women whose adventurous streak changed the face of film industry in early twentieth century Egypt – a time when the country was, despite the liberal ripples, still steeped in conservative tradition. The film shows how these women, different as they were in class and social background, broke taboos and dismissed conventional wisdom to fulfill their overpowering passion for filmmaking. Women Who Loved Cinema takes us to the past and brings us, seamlessly, to the present day. Aziza ... Fatema ... Behidja ... Amina ... Assia … Mary... theirs is a story that will remain indelibly etched in the memory of Egyptian cinema.

Trapped in an underground pit during a storm, three students from an all-girls school must confront their personal conflicts as they fight to survive.

Interpol agent Khalid Al-Azzazi joins forces with Ghali Abu Dawood from the 7 Dogs crime syndicate to fight drug trafficking.

Alone and far from home, The Kid makes his way through a strange city looking for the means to get through his day. Surrounded by predators he is forced to make compromises merely to survive, his life of exile grows one day longer.

Amin Pasha is a wealthy villager who lives lavishly, while his son Hamdy fools around in the city. As for Hassanein, he works for them to raise his daughter Fatima. Amin's wife escapes to the city and her husband chases her but the two die in an accident. Fatima tries to persuade Hamdy to return home.

'Zinzana' is a psychological thriller set in a prison. Our hero finds himself locked in a cell with no I.D and no memory of what happened the night before. But being unable to make bail is the least of his problems when he's forced to play a madman's twisted game in order to save his family's lives.

This is a detailed personal account of one of the worst incidents to take place during Israel's 2009 invasion of Gaza. Ten-year old Amal Samouni lost her father, brother and 48 members of her extended family. She spent three days trapped under the rubble and still suffers from fifteen pieces of shrapnel imbedded in her head. Her shocking story is brought vividly to the screen by director Anne Tsoulis who examines the events and the cost to those affected.

"Omar" is back from abroad to divide his fortune to his family of nine members equally, but he tells them that his money is cursed, and the curse haunt who get the money wherever he goes, and has already convinced his cousin "Emad" about it after the occurrence of the victims in a strange way between family individuals in a row, trying to uncover the mystery behind the curse

A documentary about famous actor Adel Emam, compiling a series of interviews with him and other actors talking about his career and character.

Memories of Hani Shenouda, is a concert in honor of the musician Hani Shenouda, which was held in Saudi Arabia in the presence of a group of stars

Hajj Kamel picks up a little boy from the street, whose family and relatives refused to shelter him after the death of his father and mother, and he takes him into his home, so he lives like his son next to his young daughter and son. The real son, Mahrez, grew up with an unknown enmity towards the poor boy, Ghareeb, while the little daughter, Yasmine, loved this boy. When the father dies, the poor boy takes over his work. He continues to take care of Yasmine until the rich young man, Anwar, enters her life.

A young man is shunned by his friends after he starts an affair with a dancer.

An Egyptian goes to Germany to work in a factory and become a boxing legend called black tiger.

Block 13 is a Kuwaiti animated series that follows four boys navigating humorous adventures in their neighborhood and school. Blending South Park-inspired visuals with local culture, the show tackles Gulf societal issues in a lighthearted, family-friendly way.

Set in the fictional City of Storms, "Al-Ghorbaa" is a Kuwaiti heritage drama that follows the lives of citizens under the oppressive rule of Kamel Al-Awsaf. With injustice and fear spreading through the streets, a masked knight, a courageous woman named Hind, and a resourceful ally named Morjan emerge as symbols of hope. Together, they quietly resist the regime in a fight to reclaim their city's freedom and dignity.

كنة الشام وكناين الشامية، مسلسل كويتي أنتج بعام 2012، كتبته هبة مشاري حمادة وأخرجه جمعان الرويعي.

Fajr feels resentment and hatred toward her siblings because of the oppression and revenge she had to go through all her life. Her brother Barak tries to bring the family together, calm the situation, and fix what can be fixed.

Within the framework of the social drama, the events of the series revolve, where the family (Abdullah Al-Afour) lives in one house in the light of interdependence and unity, but with his son Ghazi assuming the position of a minister, things change, and many problems and personal interests appear, which affect the interdependence of this family.

A controlling mother who spies on her children and their spouses by installing cameras in their rooms is caught in a web of problems when one of her daughters-in-law finds out.

The story revolves around the famous story of (Ali Baba) and his discovery of the cave of thieves, and the conflict between good and evil continues in the city, where corruption is spread at the highest levels, even in the governor's palace, and the gang of forty thieves spreads corruption and thefts in society, and Ali Baba works in the service of his rich cousin, then escapes from it and discovers the cave and becomes the masked knight who works to spread good, and tries to thwart the gang's plans

1980s, Kuwait. One daughter’s “mistake” tips a family’s world off balance. Fear of shame turns a father ruthless, the women bear the blame, and marriages become punishment—until a once-fragile mum rises to fight back.

In the framework of the social drama, the events of the series revolve around Noura, who sacrifices for her brother Faisal, and enters prison instead of him in a drug case, and when she serves the punishment and comes out, she is surprised by Faisal's repudiation of her, threatening to expose his matter if he does not compensate her the years of imprisonment.

A woman diagnosed with alexithymia, a mental condition stopping her from feeling emotions, refuses to accept her sister died by suicide. Now, she embarks on her own investigation in parallel to the police’s official one.

A Kuwaiti young man marries an Egyptian girl while studying in Egypt, and when he finishes his studies, he divorces her and marries his cousin, and travels without his knowledge of her pregnancy and after giving birth, Desouki marries her and raises her daughter. But after years, the father returns to Egypt and discovers that he has a daughter.

Five female students gathered in a residence in one of the Gulf countries, where they live a life full of excitement, adventures, and happy and sad surprises, and they went through a semester that cannot be forgotten. So the question they want remains: Will they achieve the goal of this study mission?

The Kuwaiti comedy series حاور زاور, produced in 1972, features a series of humorous and socially reflective scenarios centered around everyday challenges and misunderstandings in Kuwaiti society. Each episode presents a standalone comedic plot that draws on interactions among neighbors, friends, and family, using humor to highlight social issues and relationship creating an engaging viewing experience that resonated with audiences of the time.

The events revolve around the grandmother (Hababa), who tells her granddaughter Lulwa and Nadia every day a story from the stories of the Thousand and One Nights, so that the scenes follow between the grandmother and the events of the story she tells, and the stories shed light on human values and social issues.

The events of the series revolve around “Abu Ibrahim” (Saad Al-Faraj), whose house burns and loses all his family, after which he lives a stage of schizophrenia and a painful and poignant life because of his feeling of guilt for what happened.

Married to Rasheed with whom she runs a school, Hela thinks she has the perfect husband. Only because she doesn’t know his secret…

"Darb Al-Zalaq" is a classic Kuwaiti TV series that offers a window into Gulf Arab culture through the comedic and often poignant tale of two brothers, Hussein and Saad. Driven by their desire for quick wealth, they embark on a series of ill-fated business ventures, only to find themselves repeatedly caught in the traps of their own making. Set against the backdrop of a rapidly changing society, the series explores themes of greed, family ties, and the unpredictable twists of fate that are central to Arab storytelling. Through humor and satire, "Darb Al-Zalaq" reflects the challenges of balancing tradition and modernity in the Gulf, making it a cultural touchstone that resonates with audiences across generations.