Fabrica de ciocolată și produse zaharoase Regina Maria 1939
The film is a classical process-film that describes the making of commercial products, from initial manufacturing of raw material to final selling.
The film is a classical process-film that describes the making of commercial products, from initial manufacturing of raw material to final selling.
The film didactically exemplifies a few police and coroner procedures, from gathering clues at a crime scene to doing autopsies.
There's disagreement between heart and reason. While trying to find common ground, they quarrel like blind.
A young mother raises her son alone, supporting him by working at the village pub. The tender and close relationship between the two largely compensates for the fact that they have difficulty managing money, and Andrei tries at every opportunity to cheer up his mother. In the absence of his father, the boy idealizes any male figure who comes into contact with his mother, be it the pub owner Ilie or the policeman Gică.
Counterintelligence film from communist Romania.
An actress remains stuck in Bucharest due to travel restrictions and clings to online conversations with her friends like a lifeline.
A young couple takes a cab ride to the countryside, however things start to become tense.
Night after night, two friends keep getting in a fight over which movie they are going to watch.
A happening made by students from the Art Academy, inspired by one of Michelangelo Pistoletto’s sculpture-objects. The sculpture crosses the city of Bucharest and enters into dialogue with its inhabitants, against the backdrop of the 1990s.
In early XVII century, a talented young silversmith from the Transylvanian city of Baia Mare, immersed himself in alchemical studies 400 years ago and came into conflict with the most powerful man in the area. In a parallel act in the present time, an entrepreneur from Baia Mare is investigating after he accidentally found the unknown alchemist in his hometown.
Blurring the line between memory and imagination, the film tells the story of a girl and her father, who have embarked on a wintery voyage. As the girl loses her sight, she reminisces about a strange encounter with a baby flamingo, while her father questions her experience.
A movie about chickens and kids. The film was made in 1985, but screened only in 1990 for reasons that even Communist censors found hard to explain. A chicken farm that was very modern for its time included a kindergarten reserved for the employees’ children. The film uses the parallel between raising chicken and human babies as the starting point for a meditation on human nature.
Two young guys are drinking alcohol, smoking weed and making prank calls. Little they know that their fun night is about to take a whole different turn when they get an unexpected visit from two complete strangers.
B.EX. falls in love with a random guy he just met. From that moment, his life will change forever. B.EL, his psychologist, talks to him in an unusual matter. He is not happy that his patient felt in love with a guy. Because of that, B.EL. tries to psychologically abuse B.EX. and make him suffer.
The villages of Vadul Rașcov and Rașcov (Transnistria) are separated only by the waters of the Dniester. For years, people communicated with each other without obstacles: getting married, visiting each other for baptisms or other family celebrations, and sometimes even for a glass of wine. Things have changed since the Dniester became a border river. A check in point appeared on the left bank, which controls and authorizes crossings from one bank to another. Ever since the bans were imposed, people go out on the shore and communicate by shouting because the "screaming" is not subject to prohibitions and does not involve any costs. Ana and Vasile Manea lived in their youth on the left bank, then moved to the right, while their children chose to live on the other side. Such twisted connections are plentiful in these two villages.
Two people who seem absolutely typical meet, befriend and find themselves in their similarities... Or at least their legs do.