On the verge of Kosovo’s declaration of independence, MARIA, a teenage girl from a poor family in Northern Albania is sold off as a bride to MILAN, a 50-year-old Serb from a remote village in Kosovo. Maria must decide if she will accept this new life or fight back and choose her own fate.
During their residency in Kosovo, directors Meray Diner and Dafina Daka uncovered harrowing accounts of sexual violence used systematically as a weapon of war. More than physical assault, these acts were aimed at breaking families and silencing generations. Na Thojshin Lutko Moja draws on the testimonies of Kosovar women survivors to explore the hidden emotional aftermath shame, isolation, and the cost of breaking the silence. The film reclaims a collective memory often denied, offering a powerful portrait of resilience.
A year has passed since Blin mysteriously vanished without a trace. His girlfriend Dea, urged by her best friend Rrita, decide to travel together for the first time in Berlin to party for one night, hoping to find closure amidst strangers. Their desire to blend in the rave scene quickly turns into a nightmarish encounter of haunting familiarity. As the lines between reality and illusion blur, Dea comes face-to-face with a drag queen who bears a striking resemblance to someone from her past. In the midst of this surreal encounter, Dea is facing a life altering decision to break free from the past or remain trapped in its shadows.
Din unfortunately, like many others, was sexually raped during the war, the truth had already begun to emerge and this condition was weighing on him emotionally, having difficulty facing his wife and the society regarding this tragic reality.
Vlora, an acting student, is chosen for the lead role in Sophocles’ play Antigona. The premiere receives significant attention, but less for Vlora’s portrayal of her character as for her undressing on stage. Vlora’s father is ashamed and forbids her from continuing with the play. Living in a conservative society the only person who supports Vlora is her younger brother. Vlora finds herself caught between her career and her family, and as she fights to defend her acting role, she learns she is fighting for her future.
A documentary about migration.
A documentary that deals with the topic of migration and migrant workers. This topic is explained through the people who are interviewed. Among the interviewees is muslim priest, a French researcher who talks about Albanian emigrants and migrant workers, and four migrant workers who are pensioners.
When his car breaks down in a desolate rural area, Noir, an emotionally lost actor, accidentally meets Anna, an enigmatic girl who walks through the landscape as if he doesn't exist. Following her, he is drawn into a strange and poetic journey, where Anna's pauses and the landscape awaken hazy memories of a lost love. As reality and memory intertwine, Anna leads Noir to an old cemetery, where he discovers that she is long dead. Confronting her grave becomes his moment of awakening, realizing that the journey was a spur to accept the pain and restore meaning to his life.
In a small village in Kosovo, Flora and Venera are two inseparable friends who spend their days playing. Their lives change when Venera receives the news that her father has decided on her marriage. Flora, who dreams of a different future, sees this as a threat to her life of freedom and the special bond with her friend. While Venera faces pressure from family and tradition, Flora tries to dissuade her from the decision, while preserving the friendship and dreams they share.
A film about one of the most famous Albanian writers, Ismail Kadare. "Literature is born and develops in every time, in every regime, regardless of its sharpness." Kadare's life path is depicted, from his native Gjirokastra to the streets of Paris, where he lives today.
This documentary shows high school students in the place where they poof their problems away, the place where they enjoy breaking the school rules.
“Six More Days of Bread” is a conceptual short film that revisits Albania’s centennial celebration in 2012, when a 500m² cake was placed in Skanderbeg Square, causing a surreal and chaotic public spectacle.
Fahrije, an elderly Albanian woman in Kosovo, shares her life story through a conversation with her granddaughter, the director. She recalls her childhood, the abrupt end of her schooling, and her arranged marriage.
Pirlo, a boy in the bloom of youth, wants a prostitute for his birthday. Unfortunately, Pristina is not the best place for these kind of things, since it is not a metropolis. Do not worry, Pirlo will save Pristina
In a crumbling Balkan home, The Attic offers a nostalgic farewell to forgotten treasures. This intimate documentary explores the memories hidden in dusty books, flickering TVs, and mysterious relics, revealing how ordinary objects quietly connect generations. With warmth, humor, and a touch of sadness, it shows that even forgotten places hold meaningful stories.
A young artist and her mother share a candid conversation in their studio, a space where art, memories and unspoken emotions come to life. Through their dialogue, they explore the bond that unites them, the peace they find in creativity and the moments that shape them.
“Her” follows the life of Donjeta Krasinqi, a soldier in the Kosovo Security Forces (KSF) in Prizren. The film tells the story of a strong woman navigating and thriving in a male dominated field.
When Erza, Erenik and Andi's ideas get rejected, they discuss how their films could play out through Betmeni, Ketwomeni and Ridlleri. Through humorous tones and playful settings, their film accomplishes to portray three very special narratives.
Trapped in a vicious cycle of personal disappointments and unfulfilled fantasies, a man-the head of a household-suddenly decides to give up everything: his job, responsibilities, and social life, to pursue a long-abandoned dream of becoming a boxer. Convinced that this is the way to reclaim control over his life and the respect he's lost, he embarks on a solitary and difficult journey toward a dream that no longer recognizes him.
