Gbajumo Lati Cuba

Seventeen years after their separation, Ernesto reunites with an old friend, only to realize he might be facing a complete stranger.

He and she have been married for 40 years in constant happiness. What no one knows is that she is obsessed with death. Her days are filled with unusual practices, rehearsals of what it will be like when they find her body, and conversations about coffins with her husband. He finds it strange, but he loves her so much that he supports her in everything, especially now that their anniversary is approaching.

A sinister legend comes to life when a ghostly figure haunts the countryside, spreading fear and chaos. The Black Whip confronts the supernatural threat head-on, battling both earthly enemies and a terrifying phantom.

In 1939, Ramón was a young man, caught up in his Barcelona family's involvement on the Republic side in the brutal Spanish Civil War. He and his family fled into exile ahead of Franco's troops. Now it is many years later, and he has come back to see how his old homestead fared in the intervening years. The only person he can find who is able to remember those years clearly is his family's old butler Claudio.

Two friends walk together through the city and through their moods, ignoring everything that happens around them; the universe closes for each one in her lament, in her monologue of love. In this recurrence the reason for the pain is emptied and only the trace, the desolation, remains.

Through real footage, wrestler interviews and a fictional storyline about "Black Angel," viewers discover the human essence of Mexican wrestling and its deep cultural impact beyond the ring.

Lara is harassed by a boy without name or reason. As if in a nightmare, Lara notices his gaze in every step she takes and his presence in every place she visits.

Clotilde dies, and her god-daughter has promised to carry out a final wish for her. Two gangs of thieves and the cops interfere with her fulfilling the promise.

When the Rebolledo accountants' children finally leave their home, their lonely parents, feeling abandoned, come up with the crazy plan to win the lottery in order to regain the interest of Pali and Marcelo. Posing as millionaires works wonders, so much so that their children give up their personal ventures in order to be close to them. But things get out of control when they demand the same luxuries.

Through dances and games, migrant boys and girls who live in a shelter in Reynosa, on the US-Mexico border, shared their dreams and stories of hope with us.

Carlos Acosta (Carlos Gardel) watches fate work out a solution that allows him to return to his real love after trips to Paris and New York City.

In her own words, over the years, Almudena Grandes shared her way of seeing the world, understanding life, and approaching writing. But Almudena is no longer here. The aim of this film is to keep her memory alive: to celebrate her life and work without forgetting the painful void left by her passing. Luis García Montero, her husband, steps into that void and, in doing so, completes the intimate portrait of a writer who, like few others, has been able to tell the story of our lives.

Mexican feature film

Susana is an unappreciated, naive and somewhat clumsy orphan who has lived since she was a child at doña Engracia's house, because her mother died a few days after she was born. In this house, which also houses three nephews of doña Engracia without a penny to one's name, Susana is the maid of all. Economic necessities lead Engracia to rent a room. Felipe, a handsome man with a bad reputation, will reply to the ad.

In the 80's, Pocholo and Borjamari are kings in the disco "Aguacates". Twenty years later, nothing has changed. Only now, the two brothers are nothing in "Aguacates" disco. Now they are object of derision and mockery. His cousin Pelayo, who used to laugh and abuse in adolescence, reappears in their lives and come to the old cruelties and Pocholo Borjamari announcing that Mecano will meet in a surprise concert...

The audience witnesses Jeroom's (played by Jacques Dufhilo) holiday adventures on the Spanish Costa Brava which are reminiscent of burlesque, silent movies and the slapstick world of Jacques Tati.

While touring the towns, two revelers meet a beautiful woman who awakens greed and passion in both.

Plutarco Satan returns, this time he's pitted against a rival evil organization intent on owning the very formula rumored to turn any metal into gold! Dr. Satan must go toe to toe with the vampiric black magician Yei Lin, in order to keep it out of their hands. The cost of failure? His eternal rest!

Pioneering Spanish filmmaker, actress and producer Margarita Alexandre (1923-2015) reminisces about her life and career during a trip to Cuba, where she worked during the early years of the Cuban Revolution.