1912年4月10日，号称 “世界工业史上的奇迹”的豪华客轮泰坦尼克号开始了它完工后的首次商业航行，从英国的南安普顿出发驶往美国纽约。富家少女罗丝与母亲及未婚夫卡尔坐上了头等舱；另一边，放荡不羁的少年画家杰克也在码头的一场赌博中赢得了下等舱的船票。罗丝厌倦了上流社会虚伪的生活，不愿嫁给卡尔，打算投海自尽，被杰克救起。很快，美丽活泼的罗丝与英俊开朗的杰克相爱，杰克带罗丝参加下等舱的舞会、为她画像，二人的感情逐渐升温。1912年4月14日，星期天晚上，一个风平浪静的夜晚。泰坦尼克号撞上了冰山，“永不沉没的”泰坦尼克号面临沉船的命运，罗丝和杰克刚萌芽的爱情也将经历生死的考验。
在未来，人类可以随心所欲的操控时间，改写年龄。在人类社会，不管这个人活多久，他的年龄被永远定格在25岁。因为没有了自然死亡，为了避免人口膨胀。人类社会抛弃了以往的货币，改用时间作为货币流通。一个人的时间用完之后，这个人就会死亡。一个名叫威尔（贾斯汀·丁伯莱克 Justin Timberlake 饰）的穷人，却意外获得了一笔巨大的财富，拥有了用不完的时间。但是却因为此事被锁定为一场谋杀案的嫌疑人，由此走上了逃亡之路。在逃亡过程中，绑架了时间银行的女继承人（阿曼达·塞弗里德 Amanda Seyfried 饰）。在整个逃亡过程中，他们之间迸发出了感情的火花。而且两人都对现有的时间管理机制都非常不满，进而联手起来对抗这个统治机构。仅凭两人之力能够推翻成熟的权力机构吗？
这部定义时代精神的惊世之作，将全球范围内对阶级不平等的审视浓缩为一场流行电影的反叛风暴。奉俊昊导演以这部打破类型桎梏的黑色喜剧惊悚片，奠定了其世界顶尖电影作者的地位。故事聚焦首尔的两个家庭——一户在低洼社区潮湿半地下室里挣扎求生的底层家庭，另一户则居住于可俯瞰城市的现代建筑奇观中尽享奢华。当两家人的命运因危险关系交织在一起时，资本主义的黑暗裂隙以惊人之势被彻底撕裂。影片凭借导演精心构建的戏剧场景、出色的群像演绎与震撼的视觉设计，成为一部技艺卓绝的典范之作。从戛纳到奥斯卡，横扫几乎所有国际至高奖项，更以首部非英语片问鼎最佳影片的历史性突破，宣告韩国新电影已成为不可忽视的世界力量。[标准收藏公司]
Happy Gilmore是一名狂热的冰球爱好者，从小由奶奶抚养大。由于他实在离一个冰球运动员的要求实在太远——他有严重的暴力倾向，而且最要命是他不会滑冰——Gilmore被教练赶出了冰球队，与此同时女朋友也离他而去，而Gilmore的奶奶因为无法承受高额税款，住了几十年的老房子被收回作抵押。一个偶然的机会，Gilmore发现自己在高尔夫球方面天赋异禀，在业余组比赛[1] 一鸣惊人后，Gilmore有机会参加有巨额奖金的大师赛，与此同时，Gilmore的火爆性格和球风也为他赢得了fans，爱情以及一位退休老球手的指点，自然也使一些对手产生了嫉恨……
作为当代影坛首屈一指的记录者，肖恩·贝克始终聚焦那些在美国资本主义幻梦边缘挣扎的追梦者与投机客。在这部大胆的反灰姑娘故事中，他的导演技艺臻至新境——这部融合新现实主义与神经喜剧的旋风之作，内核却饱含刺痛人心的力量。米奇·麦迪逊以电力四射的“巨星诞生式”表演惊艳银幕，饰演野心勃勃、脏话连篇的布鲁克林艳舞女郎兼性工作者阿诺拉。她的“不太白马王子”竟是一位俄罗斯寡头的纨绔之子。这段破碎童话就此展开——卡伦·卡拉古利安、尤拉·鲍里索夫与瓦切·托夫马相亦贡献了精彩演出——影片以颠覆性姿态撕开阶级之间的残酷现实。荣获2024年戛纳电影节金棕榈奖，再次奠定了贝克作为当代杰出作者导演的地位。[标准收藏]
一个名叫丹尼·诺能（Danny Noonen）的年轻人，为了赚点钱来贴补家用和上大学，到一家高尔夫球俱乐部当球童的故事。情节并不复杂，但却笑料百出。尤其是由比尔·穆利（Bill Murrey）饰演的园丁卡尔（Carl）。这是个有点歇斯底里的老兵，他声称曾与西藏喇嘛（Dalai Lama）打过一年半的交道。片中，他一直试图用塑料炸药来消灭讨厌的田鼠。当卡尔为了消灭几只小老鼠而亲手毁掉了自己的花园时，那种浑然不觉、沾沾自喜的表情更是令人忍俊不禁。难怪这部影片受到了如此广泛的欢迎。
影片由知名导演乔纳森·列文（Jonathan Levine）执导，丹·斯特灵（Dan Sterling）担任编剧。 罗根在片中饰演男主角弗雷德·弗拉斯基，一位在生活中屡遭不幸、屡受打击、甚至有着自毁行为的记者，追求自己的童年女神成为他唯一的人生目标。然而他童年的保姆和暗恋对象如今已经成为美国国务卿，她显然是这个地球上最难讨得欢心的女子。这样的屌丝形象显然是罗根所擅长的，查理兹·塞隆则将饰演他高高在上的女神。瑟金斯饰演弗拉斯基的老板、一名媒体巨头。
年轻且企图心旺盛的纽约恋爱顾问Lucy（达科塔·约翰逊 Dakota Johnson 饰）发现自己在完美的另一半（佩德罗·帕斯卡 Pedro Pascal 饰）和不完美的前任（克里斯·埃文斯 Chris Evans 饰）之间犹豫不决。
弗朗西丝（詹妮弗•格雷 饰）与家人到了凯勒曼山区度假。17岁的弗朗西丝对男孩子、舞蹈和家庭游戏都不感兴趣。 一次偶然，她来到了一家旅馆，里面的男男女女非常缠绵地在一起跳舞。弗朗西丝马上觉得这样的舞蹈不堪入目。舞蹈教练约翰尼（帕特里克•斯威兹 饰）来到了她跟前，他为弗朗西丝解开顾虑，并教她舞蹈的基本步。学习过程中，弗朗西丝也发现自己爱上了约翰尼。因为害怕被解雇，约翰尼不敢与弗朗西丝发展下去。 这时约翰尼的舞伴怀上了大学生罗比的孩子，弗朗西丝让自己的医生父亲帮忙检查，但弗朗西丝的父亲误以为孩子是约翰尼的，继而阻止女儿与约翰尼交往，他们俩只好暗中见面。因为被诬陷，约翰尼失业了。
拉克尔对隔壁邻居暗恋已久。当这位邻居不顾家人反对开始对她产生感情时，事情开始变得复杂起来。
当查理·卓别林决定突破短片形式、创作其首部长片时，他已是国际巨星。本片不仅展现了卓别林职业生涯的转折点——证明了自己是一位严肃的电影导演，它本身亦是默片时代一部极具感染力的杰作。片中，他再次扮演那可爱的流浪汉角色，这次他收养了一个从街头救下的孤儿。卓别林与库根在这部情感与滑稽绝妙融合的作品中缔造了一对奇迹般的搭档。正如影片开场的字幕卡所言，这是“一部带笑——或许，也带泪的电影”。[标准收藏]
洋溢着青春浪漫气息的哈佛大学校园中，富家子弟奥利弗（瑞安·奥尼尔 Ryan O'Neal 饰）遇见了聪敏可爱的女生詹妮弗（艾丽·麦古奥 Ali MacGraw 饰），他被女孩的机智俏丽深深吸引，两人迅速坠入爱河。然而，当有权有势的奥利弗家族得知——儿子的未婚妻竟然出身于一个烤甜饼的家庭，他们极力反对这桩婚姻。深爱着詹妮弗的奥利弗不顾家庭反对，毅然与爱人成婚，并不惜与家族断绝关系。婚后生活虽然拮据而艰难，但是充满了爱情的甜蜜。奥利弗在爱妻的支持下完成了硕士学业，顺利拿到律师执照。正当生活向着美好的未来走去时，病魔选中了詹妮弗。为了治疗爱妻的绝症，奥利弗低头向父亲求救。然而，一切哀求都无法阻止无情的病魔，詹妮弗最终离开了人世。然而，这段真挚的爱情故事却获得了永恒。 本片获得第43届奥斯卡最佳配乐奖，以及其它6项目奥斯卡提名奖。
拉克尔和阿瑞斯都有了约会对象，但仍无法忘记对方。他们能够在三部曲的最终章中冲破家庭压力，重新走到一起吗？
维斯康提后期喜欢以贵族家庭内部的矛盾纠葛为主要题材，毕竟他自己也出生贵族家庭。本片属于这类题材，但却是他最不为人熟知的一部。他的老搭档兰开斯特扮演一个住在罗马豪华公寓里的收藏绘画的美国退休老教授，电影通过他的角度审视了一个贵族家庭内部的种种状况。该家庭搬进了艺术家的楼上，家族里充满了堕落、仇恨、妒忌等不为人知的内幕，老教授与他们产生了不可调和的矛盾，也使自己陷入疯狂和混乱之中。
独具一格的电影哲人泰伦斯·马利克创造了上世纪最具视觉震撼力的影像诗篇，其中由奥斯卡获奖摄影师内斯托尔·阿尔门德罗斯掌镜本片，以其恢弘的时空悲剧气质尤为耀眼。1910年代中期，芝加哥钢铁工人意外杀害工头后，携女友与小妹逃往德克萨斯狭长地带，在一位沉默寡言的农场主麦田中谋得收割生计。三角恋情、蝗灾肆虐、地狱烈火——马利克以如梦似幻的真实感捕捉这一切，既铸就永恒的美国田园牧歌，亦成为世纪之交劳工境况的粗粝写照。[标准收藏]
庄严肃穆的法庭之上，险遭杀害的大法官拉贡纳特（普利特维拉·卡浦尔 Prithviraj Kapoor 饰）义正言辞，道貌岸然。被告席上，神色颓丧的青年拉兹（拉兹·卡普尔 Raj Kapoor 饰）无依无靠，听天由命。拉兹自幼在贫困的环境中长大，后被拉贡纳特当年的仇家引诱赶起偷盗抢劫的营生。按照这位大法官的说法，他就是一个天生的坏蛋与堕落者。美丽的丽达（纳尔吉丝 Nargis 饰）是拉兹童年时代的好友，同时师从拉贡纳特学习法律。她自高奋勇担当拉兹的辩护律师，在她紧追不舍的诘问之下，拉贡纳特不得不在庭上讲述他于24年前将妻子赶出家门的经过。 谁知这看似毫无关联的供述，竟与本案有着极深的渊源……
描写伦敦下层社会的一名青年吉米，通过勾引朋友的妻子，向社会发泄不满。而剧中女主角艾丽森整天帮丈夫吉米要熨一大堆的衣服，一天到晚听他倾诉战后的知识分子的不得志，艾丽森只是默默地顺从这一切，继续清扫着一地的废物。
乔凡尼和莫妮卡是地表上最南辕北辙的人；乔凡尼住在罗马市中心，是个知识份子，深信社会上各个族群一定能顺利融合；莫妮卡住在市郊，原本是超市的收银员，每天都在应付多元文化和族群產生的种种问题；要不是儿女交往，这两个人根本不会有交集。没有共通点的他们只有一个共同的目标：儿女这一段恋情，就像误闯高速公路的猫一样命不久矣，一定要彻底斩断！
An exclusive group of privileged teens from a posh prep school on Manhattan's Upper East Side whose lives revolve around the blog of the all-knowing albeit ultra-secretive Gossip Girl.
Amid the stark discord of twin cities Piltover and Zaun, two sisters fight on rival sides of a war between magic technologies and clashing convictions.
A group of young adults will spend their adolescence at the Elite Way School, where they will learn about love, life and live their passion for music.
A brave, poor young girl is welcomed into a rich family and develops a romance with their misogynist youngest son, driving a woman already in love with him to go to great lengths to destroy their relationship.
The realistic chronicles of a working class group of Hispanic youth, with heavy subject matter like sex, drug dealing, teen pregnancy, abuse, drinking, rape, deception, and heartbreak.
Cuidado Con El Ángel is a Telenovela distributed by Televisa starring Maite Perroni and William Levy. The telenovela, a production of Nathalie Lartilleux, premiered on June 9, 2008 and finished its broadcast March 6, 2009. It had millions of viewers worldwide, and broke records in America.
Set in England in the early 19th century, Pride and Prejudice tells the story of Mr and Mrs Bennet's five unmarried daughters after the rich and eligible Mr Bingley and his status-conscious friend, Mr Darcy, have moved into their neighbourhood. While Bingley takes an immediate liking to the eldest Bennet daughter, Jane, Darcy has difficulty adapting to local society and repeatedly clashes with the second-eldest Bennet daughter, Elizabeth.
A story of revenge and ambition, seduction and betrayal; all told from the perspective of an offended and abused woman named Altagracia. Altagracia represents the hundreds of thousands of Mexican women who have been victims of the violence by faceless men who are protected by impunity. But Altagracia, transformed into a strong-willed, ruthless man-eater known as La Doña, will seek out each and every one of these men to bring them to justice.
A rich and comic drama about the people of Cranford, a small Cheshire town on the cusp of change in the 1840s. Adapted from the novels by Elizabeth Gaskell.
Asfur is an Israeli television series, which is broadcast on the channel HOT3. Its title, which literally means "bird" in Arabic, is the main protagonist's "good luck bird" – his late grandfather believed that its arrival symbolized a positive turn of events. Hot had already started working on two additional seasons even before the television pilot was aired. Season two began airing on October 17, 2011. Savyon and Amir sold the format to John Wells in October 2011. The adaptation, named "Hard Up", will air on FOX.
Wrongfully accused of a crime she didn't commit, 13 year old Guadalupe Santos is sentenced to 30 years in jail, while in jail she gives birth to a baby girl who is taken from her by her older sister Milagros. 15 years later she escapes jail and meets with Daniel Moncada who turns out to be the brother of the man she was accused of killing.
Mañana es para siempre is a Mexican telenovela that began airing on October 20, 2008 on XEW-TV, also known as Canal de las Estrellas. It is produced by the Televisa television network and is a production of Nicandro Díaz González. It stars Silvia Navarro as "Fernanda Elizalde", Fernando Colunga as "Franco Santoro and Eduardo Juarez" and Lucero as "Bárbara Greco" the main villain of the story. Its was one of the most popular soap operas in the history of Univision, its finale having been watched by over 11 million viewers, faring well against US mainstream shows. It is a remake of the 2007–2008 Colombian telenovela by RCN Pura Sangre, which starred Rafael Novoa, Marcela Mar and Kathy Saenz in the antagonic role.
Would you trade your poor but loving family for a life of riches? When Seung Cheon gets his hands on a magical spoon that allows him to switch lives with his rich best friend, he thinks it’s a no-brainer. But life-altering decisions are always accompanied by a sense of doubt, and with only three chances to change his mind, Seung Cheon has to decide which of his two possible futures is worth keeping.
Determined mother Mrs. Garcia strives to give daughters Valeria and Mar a better future, shielding them from poverty. She'll fight to see her dreams reflected in them and provide the highest standard of living.
Two sisters discover disturbing family secrets after a string of mysterious deaths occur on a luxury ship traveling from Spain to Brazil in the 1940s.
In a swanky New York City apartment tower, the earnest young handyman, who lives in the basement, loves the shy heiress who lives in the penthouse. Separating this couple, more than just 20 stories of plush co-ops, is a slew of oddball relatives and millions of dollars in social prestige.
Un refugio para el amor is a Mexican Spanish-language telenovela produced by Ignacio Sada Madero for Televisa. It is a remake of the Venezuelan telenovela La Zulianita, written by Delia Fiallo and adapted by Nora Alemán and Georgina Tinoco. Zuria Vega and Gabriel Soto star as the main protagonists, while Jessica Coch, Humberto Elizondo, Laura Flores and Frances Ondiviela star as the main antagonists.
Set in 1936, the show takes viewers, old and new, back to the lavish world of Belgravia, London. A new set of occupants reside at 165 Eaton Place and viewers see how external and internal influences of the tumultuous pre-war period shape and mould the lives of this wealthy family and their servants.
Epic drama set in the summer of 1932 where India dreams of independence, but the British are clinging to power. Set against the sweeping grandeur of the Himalayas and tea plantations of Northern India, the drama tells the rich and explosive story of the decline of the British Empire and the birth of modern India, from both sides of the experience. At the heart of the story lie the implications and ramifications of the tangled web of passions, rivalries and clashes that define the lives of those brought together in this summer which will change everything.
Sense and Sensibility is a 2008 British television drama, based on Jane Austen's 1811 novel of the same name. The screenplay was written by Andrew Davies, who said that the aim of the series was to make viewers forget Ang Lee's 1995 film version. As such, this series was more overtly sexual than previous Austen adaptations, and Davies included scenes featuring a seduction and a duel that are suggested in Austen's novel but absent from the feature film. A story of two sisters attempting to find happiness in the tightly structured society of 18th century England. Elinor, disciplined, restrained and very conscious of the manners of the day, represents sense. Outspoken, impetuous, emotional Marianne represents sensibility.
