关键词 Congo

一家公司派人到刚果寻找纯度极高的钻石，并将发现进行卫星传送。但从寻像上看，那里似乎发生了突发事件，似乎还看到某种体形巨大的动物。公司只好继续派人到现场查明真相。灵长类动物学家彼得.埃利奥特带着艾美——一只8岁的大猩猩前往。但是，热带雨林是另一个天地，在那里主宰一切的可不是这些城市人的意志。这是一个表现人类和动物复杂关系的故事。影片借助电脑栩栩如生地表现了艾美的动作，情节惊险曲折，激动人心。

爱德华·威尔森(马特·达蒙Matt Damon 饰)因童年的悲剧在心底根植入荣誉的情愫。1939年，正在耶鲁大学就读的他被秘密社团“骷髅会”看中，将他招募为会员，随即他又加入了二战期间的战略情报局。威尔森成为了情报局的核心成员和创建者。然而，长期的尔虞我诈让他多疑的天性与日俱增，在冷战的进程中，威尔森青年时期的最初理想已经被消磨的面目全非。而职业惯性已经把威尔森推离了正常的生活轨道，他与妻子玛格丽特(安吉丽娜·朱莉Angelina Jolie 饰)之间的矛盾日益加深，两人的婚姻名存实亡。为了国家，威尔森不但牺牲了个人理想，连家庭和亲情也因他的蜕变而陷入绝境...... ©豆瓣

第一次世界大战期间的非洲，一位终日畅饮金酒的河船船长，被一位古板拘谨的传教士说服，驾驶自己的船只袭击一艘敌军战舰。

　　《修女传》由四度夺得奥斯卡金像奖的导演弗雷德·金尼曼执导，是奥黛莉·赫本的代表作之一，曾荣膺奥斯卡最佳影片等八项提名。 　　女主角嘉比雅（奥黛丽·赫本 Audrey Hepburn 饰）投身修道院，学习教会的戒律变成璐克修女。其后被送到医学院学习当护士，毕业后派到非洲的比属刚果服务。在那儿她认识了无神论的医生福图纳提，引起了她对宗教信仰的质疑。不久璐克生病，病后被送回比利时，当时正值二次世界大战爆发，医院旁炮声隆隆，修女们却不顾个人安危继续工作。比利时沦陷后，璐克参加了敌后工作，爱心使她无法保持修道者的沉默和自制。当她听到父亲被杀害的消息时，撤去了她修女的誓愿，请求还俗退出了修道院。

本片改编自威伯史密斯的小说，一名佣兵受雇护卫一辆行经战火正炽的刚果的火车，去解救一群难民，取得价值连城的钻石原石…还救了一位美丽的传教士。

一部地缘政治动作惊悚片。本片根据1961年由帕特·昆兰指挥官率领的150名爱尔兰籍联合国维和部队在刚果执行维和任务的真实围城事件改编。1961年，亲西方的莫瓦塞·冲伯将军控制了加丹加省地区，并暗杀了当时刚果的民选总理帕特里斯·卢蒙巴。昆兰率领他的部队与由法国和比利时雇佣兵指挥的当地3000人部队展开激战。詹米·多南在本片中饰演帕特·昆兰，一位爱尔兰籍联合国维和部队指挥官。

六十年代初，东非独立，老非洲在杀戮和破坏中消逝，白人离开的同时，少数黑人取代了他们的统治成为新的独裁者，在坦桑尼亚，黑人似乎要打破所有白人的规则，他们雇佣白人保姆，分割白人资产，宣扬黑人的脑功能比白人优异。反白人的组织“矛矛”被阿敏将军庇护，对立到处存在。同时针对野生动物的疯狂捕猎从未停止，少数人为自身的短暂收益让野生动物尸横遍野，部分政府组织军队与偷猎者直接对抗。各地的叛乱与种族屠杀亦未停息，整个东非成为了穆斯林的地狱，雇佣军在刚果同反政府游击队激战正酣，他们最大的兴趣是对方的钱箱。从南非到苏丹，黑人不断学习白人的生活方式，古老的非洲在变革中喧嚣不止…… 本片获1966年大卫迪太罗奖最佳制片奖，是Gualtiero Jacopetti的“残酷纪录片”系列的第四部。

　　戴安（西格妮·韦弗 Sigourney Weaver 饰）是一位专门研究大猩猩的野生动物专家，为了能够更好的观察和接近大猩猩，戴安只身潜入了位于非洲卢旺达弗朗山脉的原始森林中。大猩猩性格十分凶猛狂野，这也就意味着，待在它们身边的每一分每一秒，戴安的性命都有不保的可能。 随着时间的推移，戴安和大猩猩之间的距离越来越近，通过模仿它们的叫声和习性，戴安渐渐获得了大猩猩群体的信任和肯定，亦发现了许多珍贵的信息和资料。在原始森林中，偷猎者们十分猖獗，戴安毕生都在同他们做着不懈的斗争，因此结下了许多仇家，某日，人们在戴安的房间中发现了她的尸体，证据显示这位伟大的科学家死于谋杀。

《恐龙计划》一群探索者隐藏在森林深处，雄心勃勃的希望能找到水生物，影片的主要叙述一个年轻的科技怪胎他有他自己的目的，他们最终发现了一些特别的动物，这是一些65万年前灭绝的物种恐龙，大家以为他们早已经灭绝......  探险队在刚果丛林发现巨大生物足迹，循着足迹他们发现恐龙栖息地，更深入地探索事实并非如同他们所想，一群未知的恐怖生物正虎视眈眈地等着他们...这是一些6500万年前灭绝的物种恐龙，大家以为他们早已经灭绝。 恐龙还存在吗？科学家会很肯定地告诉你，恐龙已经绝种了。但是当全世界都以为恐龙已绝种时，《The Dinosaur Project》却发现已经绝种了6500万年的生物，还存活着！ 伪纪录片在搞了恐怖片、科幻片、僵尸片之后终于伸向了恐龙片。 《The Dinosaur Project》打着的主题就是“当全世界都以为恐龙已经绝种的时候......”，以伪纪录片的方式，让观众犹如身如其境，和一批摄制队进入到刚果森林的心脏地区，寻找恐龙。 随着世界著名探险家，乔纳丹.玛尔尚带领的摄制队在森林里消失了以后；两名刚果籍渔夫发现了漂在河面上的背包。在背包里，装载着超过100小时的影像资料，而这些镜头将揭露远征团队消失的故事...... 作为一名纪录片制片人Sid Bennett，利用自己的特长，使用“真实发现”手法来描述这一部以家庭为主的恐龙冒险记。但导演强调，这将不会是一般所看到的纪录片电影，观众也不会一直看到摇摇晃晃的摄影画面，因为它使用的拍摄技术是不一样的

1960年，联合国：全球南方掀起政治地震，音乐家艾比·林肯与马克斯·罗奇闯入安理会现场，赫鲁晓夫用鞋敲桌怒斥美国的种族隔离政策，而美国则派遣爵士大使路易斯·阿姆斯特朗前往刚果，试图转移世界对其在非洲策动首次后殖民政变的关注。

老杨是集团的物流主管，负责将设备、建材和食品（主要是鸡肉）运抵与世隔绝的中国预制板房营地。这些物资本该由刚果政府提供，但团队至今未收到任何补给。迫于建材短缺可能导致道路工程停摆的压力，老杨只得在精通汉语的刚果人埃迪协助下离开营地，与当地商人周旋。由此展开了一场漫长、艰难却荒诞滑稽的谈判拉锯战——在无数文化误解的漩涡中，老杨逐渐领悟了"刚果式交易"的奥义。

Hybrid docuseries offering an expansive exploration of the exploitative and genocidal aspects of European colonialism, from America to Africa, and its impact on society today.

A woman's search to uncover the mystery of the disappearance of her husband leads her to the Congo, where she's forced to seek the truth about what happened to the man she loved.

In this filmed version of Flemish author Jef Gheeraerts' novel, Robert 'Robbe' Parain, an arrogant Antwerp police detective who operates at the limits of illegality and is in personal debt, tenaciously traces but also gets personally entangled in the dark, ruthless, criminal sides of the publicly so glamorous trade in diamonds, notably in his native Antwerp, Hong Kong, Brussels and Congo.

Guy Moeyaert is a well-meaning colonial official in a jungle district of the Belgian Congo in the last years of white colonial rule, after the Second World War, a paternalistic system where the state, unable to be properly present all over the vast, sparsely populated country, collaborates systematically with the Roman Catholic missions -in his post, father Alexis- and private enterprise, in case mainly the mining company -locally represented by engineer Lenaers- which also helps out with money and labor for such public tasks as road building. Even his grip on the natives is weak, as they live under hereditary tribal leaders, which must take from its people what they are legally obliged to deliver to the state in taxes and labor; coercion is done by force, including whipping on the bare buttocks, which Guy hates. Guy also starts a love affair with Hélène Vermarcke, who gets estranged from her husband Luk (the three were already friends in Belgium) as he devotes all his efforts the their plantation, leaving her alone with the native staff and their son, or is it Guy's? The adultery makes his position in the white community far weaker then is compatible with his position of theoretical authority without sufficient independent means. He also depends heavily on his educated black clerk Gabriel Ndazaru and ambitious white deputy Arthur. It all gets worse for everybody as the call for 'dipenda', black independence as in Ghana, gets stronger, in time even accepted 'in principle' by the Belgian government which plans a gradual transition which the idealist Guy supports but all other whites oppose, while the natives have neither patience nor insight and start attacking every symbol of the old regime, regardless of its objective value, and soon white people and 'collaborators' too- it gets physically dangerous, but Guy won't budge or flee...

We have been colonised by the machines we have built. Although we don't realise it, the way we see everything in the world today is through the eyes of the computers.

The Congo: more powerful and dangerous than any other river, yet a sanctuary and home for some of the most wonderful creatures on our Earth.

On his toughest journeys yet, Simon Reeve travels through some of the most remote landscapes on Earth in search of the people and the wildlife of the planet’s greatest wildernesses.

A look into the Belgian colonisation of Congo through interviews of both colonials as Congolese people that lived it.

Exploring the remote rainforests of the Congo and meeting the tribes that live there. Ben Fogle experiences the vibrant culture that makes the country the 'beating heart of Africa'. Ben arrives in the capital Brazzaville where he prepares for a two-day journey into the wilderness to visit one of the longest-surviving cultures in the world, the Mbendjele BaYaka tribe living deep in the jungle in traditional huts made from leaves

Congo is a 2001 BBC nature documentary series for television on the natural history of the Congo River of Central Africa. In three episodes, the series explores the variety of animals and habitats that are to be found along the river’s 4,700 km reach. Congo was produced for the BBC Natural History Unit and the Discovery Channel by Scorer Associates. The series writer/producer was Brian Leith and the executive producer was Neil Nightingale. Series consultants were Michael Fay, Kate Abernethy, Jonathan Kingdon and Lee White. Little filming was possible in the Democratic Republic of the Congo which encompasses the vast majority of the river's watershed. The reason for this is that the Second Congo War was underway during filming. The series forms part of the Natural History Unit's Continents strand and was preceded by Andes to Amazon in 2000 and Wild Africa later that year in 2001.