A Syrian doctor and her daughter flee Aleppo, setting off a chain of events that binds five strangers together. A smuggler, a soldier, a poet, and a coast guard captain collide in a crisis that tests their courage, their choices, and their humanity.
Between the years 1950-51 close to 130 thousand Jews left Iraq. The most ancient community in the world ceased to exist.
A 1951 Egyptian film directed by Goffredo Alessandrini and starring Assia Noris, Youssef Wahby and Rushdy Abaza.
January 29, 2024. Red Crescent volunteers receive an emergency call. A five-year old girl is trapped in a car under fire in Gaza, pleading for rescue. While trying to keep her on the line, they do everything they can to get an ambulance to her. Her name was Hind Rajab.
Film is in the form of satire, movie review the crises facing the Egyptian people, particularly the suffering of the popular classes . Belongs "Haitham Daboor" Ahmed Mekki, a rich family, cares about trivial matters Fashion and multiple love relationships, but it is exposed to a variable in his life and his father is an entry prison on charges of false tries to save his father, Haitham, which leads him to shift from one person to another measly serious and committed and engaged seriously with life, and in the context of the events is in love with Haitham "Aroah", the daughter of his driver, a girl from the popular
Mahdi, 28 years old, an architect who is involved in a stunt of trafficking by a gang of manipulators orchestrated by Si Lamine, who forces Mahdi to impersonate a businessman who owns the wealthiest bank in Africa, while using his own daughter as bait to force him to play the game.
Reda seemingly has a life of privilege in Algiers, in his late twenties still living at the family home, with a father who has arranged a job and a fiancée. Reda is eager to please, yet the more he tries the more he veers off course.
Ramzi, a straight young man, works as a corporate account manager with his fiancée (Madiha). He discovers the embezzlement of the company and informs his fiancée of his intention to inform the authorities. Madiha informs the president of the company, and Ramzi is charged, arrested and imprisoned.
Tamara, with a child from a marriage that did not last long, is from an impoverished aristocratic family. To save her family from bankruptcy, Tamara is to marry Hassan Al-Dabbah, owner of one of the largest meat empires in the Middle East. Despite his wealth, Hassan comes from a nouveau riche family. Shortly before the wedding, the families spend a week together to oversee the wedding preparations. The differences between the families becomes apparent, and behind the fake smiles, all parties supervise the final wedding details. These details are overseen by Omar, Tamara's old love, who has created a rock sculpture to give a unique character to the wedding. This sculpture will become the source of several disputes during the wedding.
Interpol agent Khalid Al-Azzazi joins forces with Ghali Abu Dawood from the 7 Dogs crime syndicate to fight drug trafficking.
A sprawling, masterful depiction of a day in the life of Algiers by arguably Algeria’s greatest living filmmaker, Merzak Allouache.
Wolves That Do Not Eat Meat is an Arabic narrative film from the adventure and suspense films produced in 1973, represented by Izzat Al-Alayli in the role of "Anwar", Nahed Sharif in the role of "Thuraya" and Mohsen Sarhan in the role of "Saleh", and from Kuwait Muhammad Al-Mansour in the role of "Al-Saffah" Khaled Al-Saqabi in the role of “The Officer” and Ali Al-Mufidi in the role of “Al-Akhras”, and from Lebanon Silvana Badrakhan in the role of “Linda” and Les Sirkisian or actress Iman as she was known later in the role of “Nihad”. And directed by Samir A. Khouri. All the movie clips were shot in the State of Kuwait.
Trapped in an underground pit during a storm, three students from an all-girls school must confront their personal conflicts as they fight to survive.
Story of Omar, son of a wealthy business man, who was in a relationship with a model, Farah, and decided to forget her after a fight with her manager in a club with whom she cheated on him. His friend introduces him to Salma, a new colleague who recently moved to the university, she had a hard past when her ex boyfriend who cheated on her with her mother and he has to do his best to win her heart
Hatem is a corrupt police officer, who loves his neighbor Nour, who in turn loves the prosecutor, Sherif. Hatem tries to win Nour’s attention even if by force.
A social drama set in the 1920s in Damascus. It highlights Damascene life, noble values, and ancient customs and traditions represented by the people of Harat al-Dabeh who fled to Harat al-Salihiyah after the French bombed Harat al-Dabeh. The events take place after the gold is stolen from the house of the cloth merchant Abu Ibrahim, and the guard Abu al-Samu is killed. The men of the neighborhood try to find the thief.
Mukhtasar Mufid" is the title of a 1992 Syrian series starring Abbas al-Nouri and others. It is also the title of a seventeenth-century Persian geographer, written by the Iranian administrator Mohammad Mufid Mostafi Bavghi. The series was produced in 1992. It starred a number of prominent Syrian actors, including Abbas al-Nouri, Nadine Khoury, and Abdel Fattah al-Muzayin. The series deals with various social and political issues, and carries with it a lot of events and suspense
When a corpse drops from the top floor during a grand party, officer Rami questions all witnesses to find the murderer but uncovers a past filled with betrayal.
On the run from his past and his community, Jaber becomes a fugitive and assumes the identity of a sacred heir—setting off a ruse in a forgotten village awaiting a saviour to revive its will to endure.
Maraya is a well known satiric multi-season Syrian television series, created by the comedian Yasser al-Azmeh.
The series goes into details of the events that Syria went through between the years 1955-1959, including the tripartite aggression against Egypt in 1956, the establishment of unity between Syria and Egypt, and the revolution against the monarchy in Iraq, through the Qishani neighborhood, where its people work as merchants, lawyers, doctors, intellectuals and other works.
Ayam el Derasa or School Days is a Syrian Series created by Talal Mardini.
Fed up with his wife’s distancing from him, Hadi goes on a business trip to Turkey where he meets a special woman, an encounter that changes his life forever.
The series tells the story of the people of Karkh in Baghdad and focuses on the jurist and scholar Abu Wahb bin Omar, nicknamed Bahloul, a man who solves the problems of the city, Caliph Harun Al-Rashid asked him to be chief judges, but he was loyal to the Imam Musa Al-Kadhim, so he pretended to be insane and took from a reed a horse that he rides in front of the people, but doubts swirl about the reality of his madness.
Separate connected episodes about events and situations taken from the reality of daily life, and Aisha solves them, and each episode also presents the methods of making dishes from Damascus cuisine, in the framework of comedic situations between the life of Aisha and those around her.
Chronicling the Basus War between two Arabian tribes and their allies, the drama follows the emergence of renowned Arab figure, Al Zeer Salem.
Betrayed by his friends and the woman he loved, Majd is imprisoned but not broken. After escaping with a new face and name — Aser — he’s back with one goal: revenge.
The series examines the change in the composition of the Syrian family, through the life of a number of Damascene families that are connected by a number of intertwining relationships, as love blossoms between the lawyer Riyad El Emary and the interior designer Riad El Merady.
In one of the slums, a group of intertwined stories revolve around residents whose movement may extend outside this neighborhood due to work or study, and their fates intersect with the paths of some characters from other neighborhoods of the city.
In Al-Nuwayati Alley, simmering with struggles over power and money, a tale unfolds where reality intertwines with myth. The Diver returns from behind the bars of a prison once described as a graveyard, coming back with a mysterious identity and an unfamiliar face to penetrate the alley once more. He seeks not only revenge against those who betrayed him, but also the trail of a “lost treasure” said to be guarded by an ancient talisman. Amid these harsh circumstances, his path collides with the schemes of blood merchants, where a false identity becomes the only shield in the battle for survival.
The story of a Syrian family and their daily interactions including the father (Kareem), the mother (Nabila) and the aunt (Jamila). Kareem and Nabila have 5 daughters (Faten, Laila, Majeda, Shadia and Nadia), each of them with different aspirations and lifestyles.
An ambassador’s daughter and a farmer’s son share a love that defies class and time. When she vanishes, his world shatters – until her return years later with secrets that turn their love into a haunting reckoning.
When an extremely wealthy family loses everything, the patriarch is forced to sell all his properties to pay off his debts to the merchants. He pushes his family to take on mundane tasks like washing carpets and cleaning vegetables to make ends meet.
The show tells the story of a playwright, Jalal, who holds secular views, and his close friendship with Michel, his childhood friend. Michel initially worked as a lawyer but later transitioned to journalism, founding his own magazine in which he boldly addresses societal issues, drawing significant criticism. Additionally, the narrative explores themes of separating religion from civil and political life through a love story between a man and a woman from different faiths: Jalal (a Muslim) and Hanan (a Christian). Their relationship culminates in a secret marriage, which lasts until Jalal’s sudden passing. Throughout the story, the work focuses on two major issues related to secularism: the demand for a civil personal status law that permits civil marriage, and the call for a secular education system that allows students the freedom to seek their own truths instead of being indoctrinated with a predetermined "absolute truth." It also tackles issues of political and social corruption.
