Populaarne Alates Romania

The movie illustrates a down town chase of a trained parkour runner that apparently holds a package of somewhat importance for some local mysterious men in suits.

Dir. Leonard Hentiu, Catalina Femoaga, Comel Mihalache, Elefterie Voiculescu, Vivi Dragan-Vasile, Stefan Gladin.

" The Department of Applied Electronics at Bucharest's Polytechnic Institute created and tested a computer-based image-processing installation. The ways in which the discoveries could be used are presented. "

An odd night at a strangers home.

In the context of the war in Ukraine, two friends discuss the possibility of being drafted. They start challenging each other to prove that they’re not capable of killing anyone.

In a post-apocalyptic world, a survivor discovers love amidst the ruins, only to find himself alone in our world, facing a deadly disease and the hope of finding the same person in this uncertain reality.

Gestures of Resistance connects the personal testimonies of some of the last survivors of the Holocaust from Romania, Czech Republic and Slovakia through their presentations of antifascist resistance - chapter 1: Armed Resistance, chapter 2: Civil/Political Resistance, chapter 3: Resistance through Art, chapter 4: Resistance through Solidarity.

"Life is a Bitch" is a sci-fi video-novel which finds its set in a possible future where the Left has the opportunity to build its project on Europa, moon of planet Jupiter. The short film follows the struggle of a left-minded couple which couldn’t afford the flight to the “Socialist Moon”.

The first ever presidential debate in Romania

The film explores sites and practices of memory in post-socialist Bucharest, twenty years after the fall of Romanian communism. It was shot in Cismigiu Gardens, one of the oldest public parks in Bucharest. This central, urban space attracts people from all walks of life. It is a place for social interaction, solitary reflection, reverie, and memory. Interweaving recollections of the past with present-day scenes from the park, the film presents a montage of stillness and motion, images and voices, landscapes and people.

A split-screen animated film that explores the complex nature of memory in contemporary post-communist Romania. Using a collection of everyday, household objects as windows into the past, it features 16mm stop-motion animations of these artifacts, projected alongside selections of interviews from the ethnographic research with the objects’ owners.

"Aflați despre mine..." stands as a quintessential social documentary from the perspective of 1980s filmmakers, delving into the effects of labor migration from agriculture to urban industry. Filmed in bachelor accommodations, it captures the intimate confessions of residents, offering faces and voices to the societal shifts in socialist times. The documentary, set against a backdrop of dormitory life, features a nuanced soundtrack blending informal interviews with the monotony of daily routines. Panning from window to window, the camera reveals the aspirations of temporary dwellers dreaming of a future beyond provisional living and aiming to settle into homes of their own.

Madame S. is about to give her daughter in marriage to Dr. Gluand, a rich old doctor. What she does not know is that Madelene is in love with the doctor's protégé, Marcel. The two begin a clandestine affair, but the doctor discovers their secret and, seeking revenge, decides to unite the two lovers... body and soul.

A handful of young documentary filmmakers have to make a report on a lathe machine enterprise. Only that Documentary About… is also a playful, almost cheeky film about its own making.

A landscape is a landscape is a landscape. But in her view of the ambiguity of reality, Wanda Mihuleac composes an infinite landscape of reflections and lights.

Up in the sky, the sun, and another sun, the other’s double. A simple superimposition invokes with all its strength the imaginary and poetics of anticipation, raising, at the same time, the problem of the double. What does the supreme singular represent for our culture of mass reproduction?