سال 2001 - 448

Experimental film based on old Mexican movies.

Overview of some of the most important early electronic musical instruments to shape music as we know it.

The day the Film-Makers' Cooperative was forced by loss of lease to move from their offices at Lexington Ave and 31st Street in New York City.

Playing a part or stepping outside it. Lisa, who looks like Friedl vom Gröller´s sister, practises looking into the camera. She adjusts her gestures according to a vocabulary of expressions that has more to do with pain than joy. Only when the filmmaker joins her in the picture does the inscribed sadness disappear, and a loving, to an extent passionate warmth fills the space.

After discovering that his beloved cabbage was kidnappoed by a criminal gang asking for ransom (two 16-ampere fuses!), the Boaro brings on his killing rampage. The village priest seems to know something...besides, he starts killing people too!

100% violent amateur trash shit!

A naive filmmaker. A faithful friend. An unforgettable trauma.

An educational film about gender equality in society in the 21st century.

Documentary film.

A domestic incident during the Cirio de Nazare, the huge religious event from Belem, Brazil.

"He stole her girlfriend, and never said thank you for that. super self centered I will pay for that. I did it all. No I won't pay for that. To you NEVER. You did nothing. It's all your fault. I told all my friends how shitty you are. And no, I won't pay for that. You really didn't do nothing. I didn't like your films. Same things over and over again. Label starts walking by itself. You always talk about drug. Stupid shouck value vs. scummy elite attitute. Expressing bullshit psych. You ended up saying the words that you know; society, culture, people and art, ya, fuck sake. Then, closer always gets used, and you act like an asshole, whole equally wasted, isn't that big anyway..." (Stom Sogo, 2002 NYUFF program notes)

A Monster's Calling is a humorous animated film about the nature of personal anxieties, and body image. An "under-the-bed" monster wanders through a slumbering household, wreaking typical monster havoc. First a little girl, then an older brother, and finally the teenaged big sister. It's surprising, to both the monster and to us, what frightens each of them. A film without words.

The title written in Chinese means the way to reach true knowledge. I tried to depict my own realization of the circle of life in this animation, the destined suffering since the birth, the paralyzed salvation after the death and the voidness of meaning. The only way to escape from the circle of life is to see it and to realize it, although the realization evaporates in a moment. I wanted to see it to show it. Software:Adobe After Effects, Phototshop, Boris FX, Avid Xpress, Protools.Hardware:IBM

An homage to the majestic effects of light projected through celluloid. Luminous captures the projected image in its altered form; reflecting back into the projection booth, after passing through the glass and onto the screen, bleeding, breaking and flickering on the surfaces of spinning reels, old posters and the machinery itself.

A frame narrative about a curious bunch of Rotterdammers and the 'fairy-tale' of their lives. This is the story of two women and the people and things they encounter. Interviews with a high percentage of nonsense, credibly acted scenes, coincidence, dry humour and erotic elements: this Rotterdam does not bore for a moment!

Using contemporary on-location footage, re-enactors, photographic and portrait stills this PBS production gives the viewer a glimpse of Robert E. Lee the man.

Four armed police soldiers who work guarding an embassy in Beijing have ended their term of service. These four young men, ranging in age from 20 to 25, all worked as film projectionists for the squad, and after the final outdoor screening, each soldier marks leaving the squad in his own personal way. Ren Yong goes to Tiananmen to give blood, while Fang Lei resolves to lose his virginity. Rou Quan stands sentry one last time at his former place of work, and Cai Fengcai sings at a party for ex-servicemen. The four then leave the squad behind them, with three boarding trains back to their respective family homes, while one remains to work and be with his girlfriend in Beijing, a city which still feels unfamiliar after nine years.