Time passes by quickly for a young, small family: soon it will no longer be that small, the children grow up, the parents get older, and this reality in constant motion, erased and diffused, sometimes stops itself in front of the camera.
A landscape is a landscape is a landscape. But in her view of the ambiguity of reality, Wanda Mihuleac composes an infinite landscape of reflections and lights.
A playful study of cinematic perspective x 3: three cameras, three screens, I, You, Witness.
A man in his 40s comes home one night, and finds an unknown woman in his apartment.
What if as a result of the Original Sin, God didn't cast out both Adam and Eve from Paradise? What if the actual punishment were more sinister than that? If you had to wait an entire life just to see your lover, could you endure it?
In an unusual spaghetti western setting, a man - played by Ilarion Ciobanu - returns to his home village after spending time at the front. He finds his wife in the company of another man - played by Anușavan Salamanian - who is also raising his son. The confrontation between the two is at its most intense when they exchange glances that, in Ciobanu's case, seem to be a textbook study in Clint Eastwood's taciturn protagonist from Sergio Leone's famous trilogy. In many ways, People Aren't Goats stands out among all the other student films of the period. But the point where it proves most particular is its belonging to a genre - spaghetti western - at that time still new worldwide, whose national exponent will remain Ilarion Ciobanu, through the roles he played in the singular western trilogy, released a few years later, in which the people of the Ardennes go through all sorts of adventures.
One of the very rare Romanian abstract films. Rhythms presents concrete objects that break down into all sorts of colours, shapes and shifting substances.
The life of Mara, a teenage girl from rural Romania in the 1950s, is turned upside down after her parents arrange a marriage for her with a wealthy young man from a neighboring village. Mara finds herself in a situation with no escape, and her romantic feelings for her friend, Ioana, upset her completely.
An industrial documentary that shows the whole process of clothes and shoe making, from cutting animal skin to final selling of the finite products in the factory shop.
The film is a classical process-film that describes the making of commercial products, from initial manufacturing of raw material to final selling.
This anonymous film shows a series of standard procedures involving treating various illnesses, for the future nurses.
There's disagreement between heart and reason. While trying to find common ground, they quarrel like blind.
On the banks of Ozana follows the lives of children who dedicate their time to agricultural work.
Misha, a 17-year-old boy, spent the last three years of his life in Goian, the only penitentiary for minors from Moldova. On the last day of his conviction, he gathers some of the things he can take „home”. His plans for life after-prison look promising. Misha intends to find a job, to start a family and to recover what he missed from his relationship with his parents and two younger brothers.
Traditional Roma-communities of Romania are culturally rich communities, ruled with complicated rituals and customs. Marriage is maybe the most set in stone such custom, with everything about it being under very strict community control. What keeps everyone alert is Roma marriage’s highest stake: fertility and conceiving boys.
"Portavoce" (Megaphone) traces back the evolution of a culture of protest in Romania, developing in recent years, through the voices and opinions of key actors involved in social mobilization, in direct actions and in the development of a cultural scene favorable to political involvement.
Two young guys are drinking alcohol, smoking weed and making prank calls. Little they know that their fun night is about to take a whole different turn when they get an unexpected visit from two complete strangers.
After Marc and Vlad discover a mysterious artifact, they must face an ancient force returned from the darkness seeking to reclaim its rightful possession.
