Popolare A partire dal Montenegro

Hazira survived Srebrenica. She saw the war, it corroded her life. She has been stuck in a refugee camp in her own country for 29 years, working hard and unceasingly to make ends meet and keep the trauma at bay.

April, 2015. Tradition is the ground on which we walk, the solid, impenetrable and tired. The method has remained almost the same or not?

An overview of three stylistically separate, but emotionally connected episodes relating to the nature of identity of a young woman and an artist.

Lonely self-conscious girl spends her days drinking wine on the roof and waiting for her boyfriend to come home. She can sense that something is wrong - he suddenly got cold. Lack of sex and his friendship with another woman worsens her body image. We watch what happens to them that "one more day" that they stay together.

Composed of archival footage of his friends' travels, the director creates a special view of the spaces he did not physically visit.

As many parents are, Sara's are divorced. As few parents are, Sara's dad is a professional clown. After a major life event, Sara has the opportunity to finally spend quality time with her dad and meet the person behind the clown.

Documentary about the Beatles cover band from Belgrade.

After 7 years since “Tokyo-Morava”, Moku and Bekim were filming at Brčko. Based on “Tvoj sin Huckleberry Finn”.

Forgotten old partisan leads a lonely life. His only interests are watching neighbors and sumo. One day something he sees with his WW2 binoculars makes him set out on the last guerilla mission.

“Duran” is a story about the reality of the Bosnian-Herzegovinian society, about the forgotten workers and the peasants, about abandoned generations who get fired in their 50s, about dreams, love and friendship, crimes and punishment.

After begging her to come back, Azra gets her daughter Lejla back at the airport. In the car, she tells her a surprising news and takes her to an unknown place where mother and daughter will revisit their roles.

In august 2010, during the repair of the turbines of the hydroelectric power plant Bajina Bašta, body remains of more than 250 incomplete skeletons were found in the mud of the artificial lake Perućac; the remains belong mostly to the Bosniaks killed by members of the army of Republika Srpska in Višegrad and its surrounding area in the period of 1992/95.

The Balkan war of the 1990s was the cause of the disappearance of thousands of people. Their mortal remains are in danger of remaining lost forever. Bereaved families and survivors place their hopes in excavations and in the work of science.

Batan is the goalkeeper of the Zanatlija football club from Visoko, competing in the lowest-level town league of Bosnia and Herzegovina. Their opponent in the game is the local rival which holds the top position and has the ambition to move to the next league, which would be secured with a victory over Zanatlija. The atmosphere is blazing hot and any silly move on the field is received by the supporters as a life-or-death event. However, although he's been keeping the goal of his team for 10 years, Batan, the hero of this story, doesn't find the result of the game all that important.

A young writer living in a hotel room, in the midst of a crisis of superficial relationships with multiple women, calls an old friend to reconnect and talk about the one real connection he had prior.

An actress prepares for the theatrical adaptation of Hitchcock’s Vertigo. One of the technicians who works at the same theater becomes obsessed with her, because he is reminded of his dead wife.

Almir is a closeted gay man struggling with self-acceptance. Left high and dry by his married lover, Almir decides to spend New Year’s Eve with his dying friend Militsa. As the city celebrates, the two talk about their lives and loves, but does Almir dare to tell his closest friend his deepest secret?

The sequel of the film “Mujo Is Looking at Pretty Nizama”.

In 1993 Sarajevo was under the siege. Against all odds a small group of enthusiasts managed to open the First War Cinema in Sarajevo. For them this cinema was a distinction between surviving and being alive. Twenty years afterwards the marks of being alive resurface.

A reflection of author's inner thoughts, fears and fragility, and the constant wish to have absolute control.