A well-known actor, Bogumił Kobiela, appears on the beach in Sopot, where he does various strange and funny things for sunbathers, incl. changes into winter overalls and goes for a walk in skis, pretends to be a lifeguard controlling the possession of swimming cards, says goodbye to accidentally met sunbathers as a departing vacationer.
It is a parable about the inhabitants of Przechwałków. They could not come to terms with who was doing the most important work. Their quarrels shattered the unity in the city, which led to a threat.
In the film Warsaw 88-89 we observe the city on the eve of the coming changes, captured on VHS tape. Tomasz Dominik and Piotr Rozbicki capture interesting, distinctive details - an unusual balcony, inscriptions on the walls, beautiful but dilapidated architectural details - from the gray reality of shabby tenement houses, blocks of flats, squalid courtyards. In the background we can observe the political, economic and cultural context of the period: lifestyle, cars, clothes, texts on walls. In the public space the sphere of the sacred mixes with the profane.
On January 27, 1952, the draft Constitution of the People's Republic of Poland was announced. The history of over a hundred years of popular struggle is illustrated by paintings, from Artur Grottger to contemporary artists of socialist realism.
Maciej Sienski's film is an extensive panorama of life in occupied Poland. The documentary focuses on the existence of civilians, their living conditions, and above all, the constant and periodically intensifying Nazi terror.
Poland. A young writer is doing research for his new book, when his brother returns home early with a mysterious box - an unforeseen event that will force the boy to come to terms with himself and his family.
Typical situation on the subway. Plasticine grotesque. Social satire.
The enchanted town hides many attractions at night, but not all of them are here to amuse the guests. So beware because once you plunge into madness, there will be no going back.
The comic book culture in Poland, shown through the prism of an iconic store in Warsaw which brings together graphic novel enthusiasts. Kuba and his father run the oldest comic shop in Poland - "Centrum Komiksu" - that has long been recognized as a legendary address. Through their eyes, we invite you to experience stories about loyal customers, hardships of independent publishing and problems faced by comic book creators themselves.
My project shows an attempt to cope with everyday existence and give it meaning. In the chaos of events, thoughts, issues, routine and everyday rituals become a safe haven that protects us from asking ourselves questions about meaning, etc. Treatments around the body, obsession with beauty and youth, excessive health care give us the illusion of controlling time and body. Bursting, splitting, striking out, alienating is not the result of a symptom, a disease manifestation of its existence. This is just because there is a crack, split, alienating fission in human nature.
A short story about struggling with lack, emptiness, loneliness.
An animated poetic etude with dry pastels. Empty beaches, peace, the sound of waves and contact with nature - time for reflection and silence.
The Krakow climbing scene has always been full of personalities from the edge of science, culture and art. For many, sport was a window to the world. The invisible force that draws you into sport is like a drug. Sometimes it doesn't seem to make any sense, but without it everything else loses its meaning as well. Whether you represent the country internationally, climb rocks, or do it just to push your boundaries – it sets the rhythm of your life.
In Great Zimbabwe, the Rozvi Empire attempts to steal the Moon from the sky because it looks like a plate. The country suffers a severe famine, but the Moon is a magical woman who wants to go down her own way
A short film about family.
The expression of the fascination of a problem of the ANGLES existance as of its kind intuitive geometry. The imaginary "MODEL" became the main subject of my artistic activity since many years. I am wondering, how the geometry, whose intentions are only practical purposes, can exist in art. I decided to create ANGLES as the energetic, cultural, sign in a form of a personal fetish, in order to make this problem important. I have a feeling, that having three angles at disposal, I will be able to put them, in any way, on the so called REALITY, but also on my biological motivity. Thanks to this operation, I want to cause a kind of the energetic tension. This TENSION should be an essence of this absurd work, i.e. the way of taking on its own articulation to the selfdependent existing matter.
