When the circus leaves town, Zygmunt and Marysia unwittingly adopt a camel into their home. The couple quickly forms a close bond with the nameless camel, but as the bond grows stronger, their neighbors slowly begin to ostracize them.
A man with OCD is paid to find dogs.
Ogrodowa Street in Lódz - just opposite a crowded shopping center, a state-of-the-art museum and a posh hotel - is where some of the city's poorest live, completely forgotten by the world. A heart-warming and funny portrait of people excluded from the mainstream of social life; people who might be more capable of sacrifice and love than those who pushed them to the sidelines of society.
Jerzy Stuhr scripted, directed and plays four roles in this Polish comedy about four men -- an army officer, a college instructor, a priest, and a drug dealer -- and their relationships with four females. An attractive student puts the teacher in an awkward spot when she reveals her love for him. An 11-year-old informs the priest that she's his daughter. The army officer is pleased when confronted by a past lover. The drug dealer, taken prisoner, must decide whether or not to trust his wife with his hidden loot. In the wrap-up, the elderly accountant passes judgment on all four men. Stuhr acted in films by the late Krzysztof Kieslowski, who had some input here by offering advice to Stuhr on this screenplay.
A zany and ribald farce about a machismo-fueled, philandering president, who strongly detests homosexuals and any other threats to his masculinity. His wife spends her days in utter misery, bemoaning her rapidly advancing age and counting her husband's lovers. One evening, when Mr. President beds his sexy female assistant, it wreaks a level of change that the man never could have foreseen.
Julek doesn't want to work, he prefers to sing on the street and marry his beloved. His family doesn't want to hear about it, to which Julek sings in the voice of Eugeniusz Bodo: "That's just how cold-hearted I am..."
The main character - a man who suffers from alcoholism - wants to change his tumultuous life. The day before Christmas Eve he receives a gift from his son - a yellow scarf. A gift is a kind of talisman he receives from loved ones, and every time he loses it. When after another banquet he falls into delirium, his ex-wife and secretary bring him to his mother. She helps him to sober up and arranges holiday celebration for two of them. She gives her son another yellow scarf, in belief that it will help him break the pernicious habit.
A renowned surgeon, abandoned by his wife and daughter, gets robbed and loses his memory. Wandering around the countryside, he becomes a village healer and performs operations.
A group of teenage altar boys, frustrated by the indifferent attitude of adults and the Church towards social injustices, decides to implement their own unconventional plan for moral renewal of their neighbourhood. Armed with youthful rebellion and their personal interpretation of the Bible, they set up a wiretap… in the confessional.
Anthropology professor Michal develops two overwhelming obsessions. The first one is a mummified, 3,000 year-old, perfectly preserved body of a shaman he and his colleagues have recently dragged out of a swamp. The second is an enigmatic student he meets by chance at a railway station.
Every night, a young eagle named Iggy dreams of flying alongside his imaginary brother, Felix. In reality, Iggy lives in a technically advanced society of birds so civilized, they all forgot how to fly. Iggy is being raised by his highly responsible Mom and a slightly rebellious, oldschool Dad. When Iggy meets his new aviation-crazy classmate Eve, he finally gets the courage to confront his dreams, discovers the true nature of Felix… and spreads his wings in the real world for the very first time.
Kuba attends an art opening with his girlfriend of two years and bumps into Mikal. The connection between these two young men is instantaneous and intoxicating, and despite opposition from all sides, he allows Mikal into his life. The results go beyond anything he could have imagined. This intimate and bold second feature from Polish director Tomasz Wasilewski captures the often-complicated consequences of finding love where others do not want it.
The manager of a small provincial cinema finds her lost son, and he tries to save the movie theater.
A group of students of the last year of the local motor technical school is slowly entering adult life. An atmosphere of emptiness and hopelessness reigns around them. Young people have no idea for their future, but they do not want to duplicate the pattern of a poor existence according to which their parents live. One of them, Arek, had a chance to break out of this vicious circle for a moment. The possibility of a brilliant career, fame and a lot of money was opening up to him, the Polish Junior Champion in Kickboxing. Serious heart disease shattered these plans. Arek dreams of renting a flat and freeing himself from his alcoholic father. Together with Lalka, Panicz, Mucha and Renata - his closest friends, he often visits the Kosmos pub, owned by the local mafioso Marsel. One day Marsel offers Arek and Mucha a jump: they are to break into the apartment on the top floor of a skyscraper.
Diver Antoni Barnat is falsely accused of causing an accident underwater that almost led to his fellow diver's death. Interestingly enough, they are both in love with the same girl, Teresa.
The story follows a young scientist in the contemporary world, who actually came from the world of dwarves, thanks to a magic potion, held by the Big Eater, ruler of the dwarves. The dwarf kingdom, Shuflandia, exists in a cellar of a library, and only the most obedient get the chance to grow to king size and inhabit the larger world. Once there, nobody wants to return to Shuflandia. Also, there are no women in Shuflandia.
A biology professor, Adam enters a hospital for observation. He is a loner and a serious-minded man, who dislikes any display of emotions. He spends three months in the hospital while being tested. After observing patients and hospital routines around him from a distance, he learns that he will need a kidney transplant. Meanwhile his personal and professional life is falling apart: he refuses his wife's offer to donate the kidney for him; the scientific problem he was working on has been solved elsewhere. In the end Adam cracks under the prolonged pressure, waiting for the sound of an ambulance bringing a moribund patient whose kidney may be used for the transplant.
Mikolaj and Ada, a middle-aged, middle-aged couple, happy slightly above the Polish average, with one daughter, Mela. Their stabilized life is complicated by the appearance of a second child, the fruit of a slip-up. How will the characters cope in the face of the new challenge?
During a pogrom in Poland on the eve of World War I, a group of Jews seek refuge from the Cossacks. The fugitives hide out in a rural inn, terrified that they may be given away at any moment.
"Emilia" is a parody of Jean-Pierre Jeunet's "Amelia". The title heroine was brought up in very specific conditions. Her parents could not transfer enough affection and knowledge to the growing child. Therefore, the girl created her own inner world in her mind, to live in complete isolation from the environment. One day, 19-year-old Emilia finds her life goal - she decides to do good around her. Unfortunately, bad luck means that people who meet on their way do not really need any help from her ...
