Joer 1971 - 248

Bulgarian animation film

Documentary captures the moving of the Holy Spirit in the hearts of youth who call themselves "The Jesus People." It tells the story of their changes lives.

16mm film. Satire out of TV’s THE GREAT AMERICAN DREAM MACHINE series has Marshall Efron comparing the food costs of brand name products as to which are better. Then he discusses the confusing method of grading the various size of olives by the U.S. Dept. Of Agriculture.Summary:Via a humorous game show format the host, Marshall Efron, demonstrates how consumers can be misled by brand name packaging and advertising to pay more for less, underscoring the usefulness of checking labels against prices. Comprised of two segments, the first comparing brand to non-brand items and the second comparing similar-but-unequal volume packaging involving buzz-word marketing terms such as "Jumbo" and "Supreme". Educates the consumer on the value of comparison shopping, reading labels, and being aware of common packaging and marketing practices

An animated cartoon of the Greek legend, which interprets the mood and style of Robert Garioch's poem.

Ukrainian American artist Jacques Hnizdovsky demonstrating the process of creating his classic woodcut “Two Rams” – from sketching the concept to producing the artist’s proof print.

About how a girl believed in a miracle, and it happened.

Director - Datta Mane. Stars Madhu Gaikawad, Chandrakant Gokhale, Sumati Gupte

Directed by Raja Thakur. With Madhu Apte, Madhav Avchal, Mohan Choti, Vatsala Deshmukh.

Diving off the Old Bridge as a rite of passage for a boy in the city of Mostar.

A fluid line-art composition that integrates ABCs with evolutionary images.

The boring life of a bourgeois housewife.

Self-portrait

Newsreel of the third Festival of the Arts in the Nigerian city of Ife, launched in the city’s university. A celebration of the arts (traditional music, photography, sculpture, handicrafts, cinema) confronting the continent’s anglophone and francophone hemispheres. Among others, the report features the Nigerian Nobel Prize-winning playwright, poet, writer and essayist Wole Soyinka, the Senegalese filmmaker Ousmane Sembène and the Martinique playwright Aimé Césaire, who premiered the English version of The Tragedy of King Christophe in Ife for the occasion.

Yulian Dorosh's film "Near the Sources of Folk Art" was shot in Kosiv region between 1963 and 1971. The film, done mainly on black-and-white, but with color inserts, tells out the masters of folk crafts of the Hutsul region. The film is dedicated "To the memory of Lev Dolynskyi and Danylo Fihol - my childhood friends." In the credits of the film it is clearly indicated that the author of the film is Yulian Dorosh and the film was shot in Kosiv region and Lviv in 1965-1971. There is no sound track on film stock. Documentary was rediscovered in March 2020. Since no later films of Yulian Dorosh have been found, there is every reason to believe that this film was the last in his cinematic career.

"What is most powerfully effective in FALL is the extraordinary sophistication of DeWitt's visual techniques, his graphic eye, and his complex designs. Because each unit of the exposition is so painstakingly conceptualized and nurtured, an audience is afforded a unique kind of purview on the elements as they are reconstituted in the more complex overlays. Thus the early, Magritte-like compositions of eye and sky establish basis for later more complicated efforts .... Color changes worked on given images (the bird, the sky) avoid the oversimplifications of hues/cues. Certain effects, as when clouds pass through the falling body which is outlined in flaming orange, can only be described as awesome. ... [A] work of immense dedication and exceptional skill." – John Fell

Film made up of four short films that have social criticism, poetry and humor: Good feelings, The devil without a lady, The visit and Life, passion and death of an irate filmmaker.

In this interview given soon after the completion of Forman's first American film, Taking Off, we are treated to a candid, humorous and lively portrait of one of Czechoslovakia's most reputed filmmakers. Forman, a roguish, entertaining character, explains his reasons for using non-professional actors, tells anecdotes about his talent discoveries and provides interesting insights into the artistry of performers. The interview is interspersed with filmclips from Taking Off, Loves of a Blonde and The Fireman's Ball.

The world seen as a vast carnival, in which the clowns imitate the greed and avarice of human beings. Experimental animation film, using cut-out figures to reflect and symbolise human traits.

People's Video Theater (PVT) documented historic public demonstrations by liberation movements in 1970-1971. Sampled here are the first Women's Liberation March in New York, the first Gay Pride March, the Young Lords' (a Puerto Rican liberation group) protest occupation of a Manhattan church, and an action taken by Native Americans at Plymouth Rock on the 350th anniversary of the pilgrims' landing.