Joer 1971 - 254

Aboard an airplane, a man remembers the stations of his equally sweet and painful love for a young woman. Will she be waiting for him on arrival?

A family comedy-drama involving Dolphy and Gloria Romero.

This was the the first film I made with the camerahelmet, after I had meditated for a long time on aggression in the kitchen. – M.R.

In Seymour’s only fiction film, Jessica Lange makes her screen debut as a diner waitress who flirts with a restless junkie (played by her real-life boyfriend Paco Grande). Reckoning with his own demons, Seymour himself appears as an ever-obliging friend who lends the junkie some scratch to score some heroin. — Museum of Modern Art

In this courageous and lyrical story about war and love, written by screenwriter Kim Seul Yun and director Min Den Shik, one can feel both the rich plastic culture of the Koreans and the peculiar authenticity of folk melodies.

"This film", says the director Matondo Kamanka, "can be seen from both the political and socio-psychological perspective. Politically, because the film is about the liberation war. Socio-psychologically, because the war divided the families: close relatives live on different sides of the border and know nothing about each other. We interviewed those who lead the Resistance, ordinary partisans, and volunteers. The interviews are rarely shown on screen, but we hear them: these conversations comment on what viewers see in the frame. Together with the cameraman, I spent a long time in the liberated areas, we brought a lot of film, and the film, in essence, was born at the editing table. The world did not know about the heroic struggle of the people of Angola, full of hardships. That is why we made this film, so that the world would know the truth about Angola."

Color UCLA Animation Workshop Student Film, Preserved by the UCLA Film and Television Archive. Dyal animates Navajo patterns overlayed on a photograph of an Arizona mesa, accompanied by a recording of the Yeibichai (Night Way/Night Chant) Ceremony.

Documentary captures the moving of the Holy Spirit in the hearts of youth who call themselves "The Jesus People." It tells the story of their changes lives.

Documentary short about the construction of a subway tunnel in Berlin, using the cut-and-cover method.

A cinematic confrontation between old people, who are wandering around and are lost, and the youth, who are in a hurry to move on. (DFI)

About how a girl believed in a miracle, and it happened.

Vertical Room Pan was made in Haxton's San Diego studio in 1971. A device was made that allowed the camera to rotate around a horizontal axis. The resulting film is a 360 degree rotation of the studio in a vertical direction. This is somewhat analogous to the way the film passes through the camera. The film was first shown in the 5th Avenue space in downtown San Diego. The installation forced the audience to view the film over a six foot wall. The film was projected near the ceiling on a wall at the rear of the space The film is about the way the camera describes space and the control of the way the viewer is oriented to the film projection.

Director: Anant Mane; Writer: Anant Mane, Amrut Gore, Vyankatesh Madgulkar, Jagdish Khebudkar; Producer: Shivaji Gaikwad, Ashok Gore.

Directed by Datta Mane. With Jayshree Gadkar, Jayamala Kale, Jaisingh Mane, Gulab Mokasi.

Directed by Arun Vasudev Karnataki and Dinkar D. Patil. Starring Shammi.