Popolari Minn Estonia

A philosophical reflection on the nature of cycling.

The film tells a story about the relationship between two young people who see each other as friends. They have no idea that a summer day spent having fun with their close group of friends will be a breaking point for this relationship. Because this summer, the boy falls in love with the girl. The girl cannot respond to these feelings in the same way and is afraid of losing their friendship until a silly game ruins everything.

An evening in Tallinn's variety shows.

Two old couples make their dull lives more interesting through cheating and deception. Everything is going well till their web of lies is destroyed by fate.

Lost film. Evi is a typist coming from a simple family. Gustav is the son of a businessman. They meet by chance on a train and fall in love. Gustav's father happens to be Evi's employer and he is categorically against their relationship. Since his business is on the verge of bankruptcy, he wants his son to marry a rich bride. Suddenly, Evi receives an unexpected inheritance that will turn everyone's social positions upside down.

As a result of the initiative of the youth programme of Estonian Television, a phenomenon known as "Hometown" was born in Estonia in October 1975. Tens, hundreds, even thousands of schoolboys and schoolgirls gathered in the Tallinn old town on Sundays in order to work, explore the miracles of old town, to edit their own newspaper, to organize meetings, excursions etc.

A celebration of the multitude of the forms, textures and colours of nature through 527 autumn leaves.

Documental film about Estonian Equestrian Sport. The last 100 years of equestrian sport.

Itelmen Stories is a poignant tale of the social and personal significance of a language that is near the end of its existence as an orally transmitted means of communication. The film presents both the speaking of the Itelmen language, as it exists today and the meaning of using it in the past and the present. The action in the film revolves around an ancestrally used practice of hunting sable by net. Set in rural Kamchatka in the Russian Far East, where fewer than 20 speakers of Itelmen remain, the film goes beyond its original aim to recapture a language and a hunting practice that are remembered but no longer in use. Two hunters encounter the wild environs and villages of Kamchatka as a history laden homeland and memories, nostalgia, resignation and hope echo throughout the film.

The octet Laine and some gymnasts are on an outing to summery nature

Jaan Rahumaa, an old boat master living in Soomaa, makes a dugout canoe from an aspen tree, an irreplaceable vehicle during the spring high water.

Vera just broke up with her girlfriend. She has never been with a guy before and she feels that she would want to try, which scares her friend Ksyusha, because she thinks that it might be a traumatic experience for her. They meet a guy at the beach and it could have been vera's chance, but nothing comes out.

Tallinn after the March bombing, filmed in April and May 1944.

Peeter Tooming's photofilm about the history of photography in Estonia.

People who got acquainted with Uku Masing in 1950s and grew stronger in time, either in Tallinn Institute of Theology of the Estonian Evangelical Lutheran Church, Estonian Museum of Literature in Tartu, or in Masing's apartment in Vilde (now Hurda) Street help to recollect memories about the acknowledged poet, theologian and teacher. Among others, Jaan Kaplinski, Vello Salo, Kalle Kasemaa, Hando Runnel, Andres Ehin, Ave Alavainu, Viivi Luik, Jaan Kiivit, Toomas Paul and Jaan Tooming share their memories and contemplate.

Uku Masing (11.08.1909-25.04.1985, born in Raikküla parish, Lipa village) was a theologian, Orientalist, philosopher, poet, folklorist and ethnologist. The residents of Masing's home village recall their memories about Uku Masing and his family.

While there are fewer and fewer World War II veterans among the living, the battles of this war keep reoccurring on different battlegrounds on the Eastern territories of contemporary Europe. Two young Estonian men, Andrey and Reimo, have been killed several times in these fights. Each time they resurrect, because those are the rules of the game they play along with their comrades in the Frontlinemilitary club. Enthusiasts of different nationalities join such clubs because of their appreciation for the memory of World War II as well as their love of reconstructing the 'soldiers' lifestyle of the era-in detail. SS-Untersturmführer Reimo leads the 20th division of the Waffen SS, Sergeant Andrey marches in advance of the Red Army's 11th Rifle Division. The fight for history goes on, with arms in young men's hands.