Vera just broke up with her girlfriend. She has never been with a guy before and she feels that she would want to try, which scares her friend Ksyusha, because she thinks that it might be a traumatic experience for her. They meet a guy at the beach and it could have been vera's chance, but nothing comes out.
The filmmakers follow composer and conductor Gustav Ernesaks before and during the final concert of the 20th Song Festival.
A film about the relationship between real life and art in photography, photo as the capturer and interpreter.
How to live carefree and without money.
Fifteen years ago, the Union of Estonian Architects commissioned a film about its birth, history and activities. It was supposed to premiere at the gala celebrating the Union’s 85th year of activity, but after a few minutes the equipment started to malfunction, the film ended up in a drawer and was since forgotten. However, on the eve of the Union’s centenary, the film was dusted off and a fresh section on the activities of the past fifteen years was added.
Andres Sööt's portrait of the legendary radio man Feliks Leet, a long-time Pärnu correspondent of Estonian Radio. A lifelike, comic depiction of a tireless newsman in his daily work - conducting interviews and reports on current events and mentoring young reporters.
The film about Merle Karusoo, the Estonian stage director and collector of local biographies, takes a look at the stories of her own life, reflecting on her personal beliefs and the role of remembering throughout life.
A cat's happy childhood takes an unexpected turn when she falls into a river.
A couple - the lord and his wife - have successfully committed a murder and are too excited not to discuss the details at the dinner table. But changing the languages doesn't seem to help - the butler appears to be able to join in, whatever language is spoken. Will he be able to solve the crime before the dinner is over?
Documentary about Estonian rock music as a birth-story of a fresh thought in the contradictional Soviet cultural space. A world of contrasts – pioneers placing flower chaplets to Lenin’s monument and Scott McKenzie “If you’re going to San Francisco, be sure to wear flowers in your head”. First Estonian beat-bands were born already in the early 60’s. Names like “Juuniorid”, “Rütmikud”, “Optimistid”, “Mikronid”, “Kristallid”, “Virmalised” and a lot of others, not so well known, performed almost every week on youth dance-nights. The repertoire was mainly acquired by listening and recording music from foreign radio stations with the static noise of the radio. Radio Luxemburg and a lot of other radio stations playing new music, like Radio Caroline and Radio Sweden, became windows to the music world. On 28 April, 1968, the Puhkeparkide Direktsioon and Tallinn Beat Club organized the first festival-like youth music event in Estonia and in whole Soviet Union.
Mr. Notakiwi wants to merge into the community. Is society ready to embrace him and his song?
After ten years in a Soviet labour camp in Karaganda, the Estonian artist Ülo Sooster (1924‒1970) didn’t return to his homeland but settled in Moscow and became the most influential trend-setter for a whole generation of Soviet non-conformist artists. Narrated by the artist’s son Tenno-Pent Sooster, this film features rare footage and interviews with Sooster’s contemporaries in the 1960s, as well as leading experts from the Kumu Art Museum, the Tartu Art Museum and The Tretyakov Gallery.
The film's narrative is based on a traditional Estonian fairytale, telling the story of a group of mosquitoes that challenge a horse to a contest of strength. As the film begins, it evokes an almost documentary sensibility, in part through its use of voice-over narration (in English). Though the film might at first seem to be a relatively traditional work, it is not long until this impression changes, and drastically. The character design and voice recording, along with fantastically unrestricted cinematography and editing, combine with folk songs (sung in Estonian, with English subtitles) that might be described as 'quirky' or maybe just 'really odd.' Some dialogue is presented in 'word bubbles' printed on the film as well. So much is going on, on so many levels, that the film defies its viewer to look away -- and who would want to? It's all wonderful. The Mosquito and the Horse clearly demonstrates how successful a film can be operating outside the classical Hollywood model.
"Teet Härm - Maniac or Victim?" - suspected of killing a prostitute, Teet Härm became as famous in Sweden as Hannibal Lecter on the cinema screen. At the end of September 2003, the long-running murder scandal took a new turn as Anders Agell, emeritus professor at the Uppsala University, one of the most authoritative legal experts in Sweden, filed a new petition seeking annulment of Teet Härm and his accomplice Thomas Allgén. In the summer of 1984, an accidental passer-by found a black plastic bag containing a young woman's cut body under the motorway in Stockholm's Solna district. A little later, two other similar packages were found nearby.
Canned Tales investigates the relationship between the city and its residents by recreating the personal stories and dreams of 12 ordinary people. In the film, the stories of the living and dead, memories and city legends, children and skeletons meet. All these diff erent stories are connected by a five-hundred-year-old murder story that occurred in old Tallinn. This old story a story about justice and equality is recreated for our camera by 12 ordinary Tallinn residents. This is story about a city that has attracted peasants escaping from serfdom, girls from small towns dreaming of jobs at the Tallinn Department Store, dropouts who trying working on construction sites during the real estate boom, and vulnerable artistic souls that felt stifled in their home villages.
The world is in every person. Microcosms have no boundaries.
"Sunrise" delves into the depths of the human soul, where traditional notions of good and evil dissolve into the infinite diversity of subjective perception. The film tells the story of a young girl, Iris, who grew up in a 20th-century Estonian Christian family. Driven by a thirst for love and a longing for material beauty, she commits a minor crime that becomes the catalyst for an internal struggle and a reevaluation of her former moral principles. This act inevitably leads to a profound conflict: as she reflects on everything she knew about Christianity, God, and morality, a question arises… What place do her desires hold within the dogmatic frameworks she once accepted? The second important character, a boy named Knut, grew up in a troubled family under the tyranny of a cruel father. Yet, despite retaining love for his mother, he is tormented by emotions accumulated from years of endured brutality. Upon encountering Iris’s impoverished family, he finds a way to release his anger…
