Fatbardha 2025
An elderly couple next door is facing the ultimate challenge: old age & death.
An elderly couple next door is facing the ultimate challenge: old age & death.
Katërmbëdhjetë vjeç dhëndër (English: A Bridegroom at Fourteen) is an Albanian play by Andon Zako Çajupi. The four-act comedy was written in 1902 and published posthumously in 1930. The work, which was considered a critique on the custom of arranged marriage, was adapted to film in 1987.
“Wires Crossed” follows the story of two girls, reunited after a complicated past. This intimate phone call reveals their emotions, thoughts, and journey during the time when one was struggling with addiction, and how they reached forgiveness and formed a new friendship between them.
The adventures of an Albanian who landed in America.
Life of my grandfather, an elderly man living with dignity in post-communist Albania despite his troubled past.
Three different women talk about their relationship with makeup, its mundaneness, what it reflects, and how it affects them.
Conceived as a political pamphlet, developed in a rhetorically grotesque vein, the film deals with the activity and the shameful end of the traitor organization of Balli Kombetar during WW2 in Albania.
Aleksandra is in constant conflict with society's norms and her own self. Every day, she rethinks how she ought to act in the modern world and what sort of impression she makes. I AM NOT JUST A… is an honest portrait of our reality.
In the summer of 1987, Tonin Gjini swam from Albania to Yugoslavia, in search of freedom. Three decades later, he revisits the locations and recreates the events of that unforgettable experience.
“What if women could move a house?” In “As If Biting Iron” (2019), Rizaj uses the medium of film to challenge this very question as we witness the walls of a brutalist building, situated in the forests of Kosovo, being moved by the forces of over 100 anonymous women. Pushing against the deadweight of the concrete, the burden of oppression literally and figuratively comes undone.
Four female voices interweave a polyphonic narration of the tragic story of “Katër i Radës,” the boat that sank in 1997 due to the naval blockade imposed by the Italian government on migration flows from Albania. The relatives of the victims that were amongst the first to die, in their attempt to cross the borders of “Fortress Europe,” sail along the Strait of Otranto following the route of the doomed ship only to pose the questions ignored by the media and the judicial authorities.
The Albanian transition has obliged Loro Shestani to give up: his wife is dead, his daughter is a refugee in Italy and has forgotten her roots, the sea does not offer fish any more. Loro has passed over the middle of his life and he has understood that his life is in vain, he is not prepared to accept this new world. He shares his solitude with his pigeons.
Documentary film from 1986.
Documentary about the building of the Durres-Tirane railway.
Din unfortunately, like many others, was sexually raped during the war, the truth had already begun to emerge and this condition was weighing on him emotionally, having difficulty facing his wife and the society regarding this tragic reality.
When his car breaks down in a desolate rural area, Noir, an emotionally lost actor, accidentally meets Anna, an enigmatic girl who walks through the landscape as if he doesn't exist. Following her, he is drawn into a strange and poetic journey, where Anna's pauses and the landscape awaken hazy memories of a lost love. As reality and memory intertwine, Anna leads Noir to an old cemetery, where he discovers that she is long dead. Confronting her grave becomes his moment of awakening, realizing that the journey was a spur to accept the pain and restore meaning to his life.