مشهور له Estonia

A documentary about the multitude of insect, bird and animal species in the nature.

The Old Man is tired.

Gardener Arnold Treumuth's life in the summertime expresses the ups and downs of amateur gardeners during the 1970s in Estonia. The documentary is a continuation to Vello Aruoja's documentary "Gardener's Spring".

Horsepower is a unit that has dropped behind in time. Also dropping in time are the machines using fossil fuels, and even human relations, at least in the way that the older generations see them. In the 1920s, vehicles with combustible engines began to take over the work done by the horses. Just a hundred years later, virtual reality is in the beginning of its triumph, as is physical solitude that comes with it. Risto Kappet is a professional e-athlete who spends his work days in the corner of his room, turning the steering wheel of car simulator. Turning the wheel in front of the computer used to be his hobby, but in the recent years he's been earning an average Estonian salary, competing as a professional with the world's best on the virtual circuits of the world.

In a barren dystopian landscape, a remnant of a human searches for sources of oxygen. In it's journey it finds mind altering experience.

The story of an ordinary park bench where the lives of different young people intersect.

A plane is leaving for abroad tomorrow morning. A young man, who has just graduated from high school, spends his last day in his hometown and says goodbye to his old life.

A conversation with Liina about the different people inhabiting her.

A floating bed and a woman carefully - and gently - holding a mouse close to her body. Gazing into the void, she is carried by a train of (sub)consciousness. Chimes and (human and animal) voices punctuate this windy, grassy journey. Like in a possible (sleep) paralysis, the terrain of the real and otherworldly are in permanent tension. She fails to close her eyes.

Original Estonian underground rave generation video art – it's cheap, it's loud, it looks like a home video, it's a manifesto against the male-dominated, post-Soviet art world. Created for the exhibition "private views. space re/cognized in contemporary art from Estonia and Britain" (curated by Mare Tralla and Angela Dimitrakaki in the Estonian Art Museum, 1998) Kiwa was the only male artist on the show and chose, quite pertinently, to focus on the space most associated with male creativity. The mythology of the artist's studio as the protected sanctuary of freedom and self-expression par excellence has risen across diverse techniques of visual signification. Access to the studio means access to a celebrated subjectivity.

Mirror on the wall, camera on the ceiling: fast tracked images of waves of an influx of movement inside a women’s bathroom. Entering, waiting, using, leaving: this is a surveillance-style depiction of the transitory life in a non-place filled with possibilities.

An encounter between two men in a club in Riga. A stagnant, distant but carefully observant capturing of a hypnotising pole dance to Frank Sinatra’s New York, New York, that ultimately leads to a personal/closer connection, with general introductory questions about life (and its expectations).

A documentary that follows possible steps and rules of the hookup culture game in a club in Tallinn. A sociological portrait that documents different mindsets and attitudes from men and women on the dance floor and in (night)life, accompanied by hit clubbing tracks of the time.

1. Catherine's Ring 2. Body Rider

How to cope as a fish-headed man in human society?

Luulur’s art form is sound poetry which is linked to Dadaism and Surrealism. The film examines Luulur’s biography, her performances at international experimental poetry events, and interviews with well-known authors who discuss “meaningless” art. Does art always have to have a clear meaning?

A student animated film by Mikk Rand

View to Lake Viljandi. A family strolling by the lake. People with rowboats on the lake. Swimming competition in the lake pool. Boat harbour. A man with oars. Landscape of Viljandi county, a horse carriage moving along the road. Ruins of the Viljandi fortress. Farm yard and a mare with a foal in Viljandi county. The main building of the University of Tartu at the end of summer 1940 when the building already bears the Soviet symbols.

The documentary explores the origins and influences of Subbi’s painting through the recollections of his closest friends.