Let's Fight 2024
It’s a road movie about young people who have nothing to do at night, so they drink in the car and accidentally get into a neighborhood “fight”.
It’s a road movie about young people who have nothing to do at night, so they drink in the car and accidentally get into a neighborhood “fight”.
Dima is preparing to leave his hometown to join the national boxing team. But his dreams clash with the strict beliefs of his Jehovah’s Witness community, and the girl he likes refuses to say goodbye.
The film is a portraiture of an old farmer at work doing his daily chores in an area that is completely flooded. The situation is catastrophic, but for the man it is only one of the many floods he has experienced in his life.
A movie about used car dealers in post-Soviet Lithuania.
Human beings are the kings of all animals, at least if you ask us humans. Our vanity is given something to mirror itself in, but does not escape without a scratch or two in this documentary, which observes a taxidermist, a deer farmer and a museum curator at work. Three jobs that have one thing in common: turning animals into aesthetic objects, alive as well as dead. When the work is done properly, it is impossible to tell the difference. Dead pets are mummified. At the zoological museum, the animals' glassy eyes stare back at us from the showcases. Even a plastic alligator has its natural place in the human master plan.
As people approached the 100th anniversary of Mikalojus Konstantinas Čiurlionis, all people, though somewhat related, became important. The film's heroines are the artist's sisters Jadvyga and Viktorija Čiurlionytė. The verbs were usually concerned with revealing the man, he did not even emphasize the difference between a celebrity and an unknown person in the village. And in "Sisters", the director is interested in the communication between the two sisters of honorable age, their states, relationships, insignificant, seemingly replicas, rather than building a monument to the brother.
Audrius Mickevičius puts the horribly disfigured face of his murdered brother at the start of his film. It is almost a meditation about the question whether a final act like murder can be atoned for in a temporal order – and whether the passing of time allows the victim’s family to forgive. Mickevičius uses the example of two lifers (one of them gets married and wants to have children, the other pours his whole passion into an idea of craftsmanship) and a philosopher with prison experience to make that strange state of suspended life comprehensible.
Another short film montage.
The Druzhba installation explores the cultural, political, and geographical territories that unfold in a fictional journey along the world’s longest pipeline. The project’s psycho-geographic readings of this massive oil infrastructure reveal mechanisms of power and submission that rightfully belong to the past but persist even today.
Vaiva dreams of living in Spain with her Spanish boyfriend. Before leaving for the foreign country, she needs to save up some money for her new start and begins working as a nurse for a bedridden man in a remote village of Lithuania. Time passes by slowly here, and the Spanish lover doesn’t pick up the phone for days.
Conversations On Serious Topics is a film without exterior action, props, landscapes or special effects. Its main characters are children and teenagers with a special ability to describe the surrounding world. Intimate conversations with them reveal the picture of the modern world -- at times melancholic, at times comical, at times dramatic. Shot in a minimalist fashion, the film raises questions about loneliness, love, God, the world and human relations. "The world is people." "Don't you believe in God? I can teach you how to start believing..."
Director Jonas Vaitkus speaks boldly, openly and politely in front of the cameras. This is how he talks about his long career. It dares to expose itself, without missing the creator's suffering, nor the endless doubts, nor the indescribable joy of success. Fights with actors and Shakespeare remained side by side in the memory of the 70-year-old Maestro. This is his story. From the first premiere to the last performance.
It is possible to find friends even in an alien time; one has only to fall in love with somebody quite different from oneself.
About the feelings and responsibilities of people, about the attitude towards life of the older and younger generations. About the conflict between Dmitry Nikolaevich, who lived in dreams and letters and respect for the woman he met, and Igor Mikhailovich, who used someone else’s name and took advantage of the situation, about a intricately intertwined love story...
Young man is unable to take care of himself, his dog escapes at night. The man wakes up in the morning chained to a radiator. Only a stranger who found his dog can help him escape from an even greater tragedy than chaining.
A Story About 'turning Death Into Life' - Icons on Ammunition Boxes Transform the Military Rubbish Smelling of Death Into Life-Affirming Art.
The first part of the film – Island of Crete – was created in 2007, as an independent work. The second part – “Confession" – is like an other half of the Island of Crete, which reveals the reality of it as evidence of a rather cruel creative mechanism occasionally opens up even coercive elements. The author is trying to take a good look in the episodes that are often destroyed in the name of the film illusion creation.
By casting its gaze to the periphery of Vilnius, Užupis, the film follows the tradition of the first generation of independent filmmakers. The result is the mute portrayal of a furnace caretaker, Jonas Valeiša, and a graphic artist, Šarūnas Leonavičius.