Belarus, Vileika district of Minsk region. Lonely elderly people are leaving for winter to the home of seasonal residence. Each of them carries their own experience and beliefs, but they will have to stay the winter together. The days pass in sicknesses, conversations, watching TV... In mid-winter, there appears a new resident of the house, and the life inside changes.
A film about dreams and ambitions in the Belarus through the eyes of the younger generation. An insight into the recent history of Belarus and the growing movement for change in 'Europe's last dictatorship'.
About the love of a Belarusian peasant girl Pavlinka and a village teacher Yakim, about the obstacles that stood in their way, about how they fought against them and defended their happiness.
Deeply religious Sima lives in the shadow of her parents' strict guidance but seems content with her choices. She turns down an unexpected offer to work as a model. On her nameday, Sima is overtaken by a vaguely familiar nightmare: she pulls her hand away from her mother's touch, as if from a flame, and when her father calls her "a pure angel of God," she storms away from the festive table. Rosary. Icon. Meat. A candle. Rosary. Hands. Not hers. Cross. Scream. Meat. Fire. But not here, just not here. This cannot be happening.
A bitter twist of fate: during the drawing of demarcation lines between the Soviet Republics in 1939 nobody dared remove Stalin’s pipe from the map, consequently the borders were drawn around it. It was thus that the Belarusian village of Narvilishky ended up being allocated to Lithuania. At the time nobody foresaw the implications of this decision.
Intrigues are growing in the research institute...
One of the five-part documentary series by Belarusian writer and director Viktor Dashuk, which recounts the horrors experienced by the Belarusian people during World War II, through firsthand accounts of survivors and newsreel footage.
KGB officers present junior schoolchildren with a golden ticket granting a tour around the magical KGB building. There, kids are shown the supernatural working methods of the most important and patriotic agency in the country: non-contact fighting, blindfolded shooting, and telepathy. At the end of the excursion, the KGB employees give the most resilient students the opportunity to feel like real patriots and personally get a confession from the traitors to the country with the help of electric shocks.
Based on an old humorous Belarusian song. A peasant hired by a lord receives his well-deserved pay: for the first summer — a hen with chicks, for the second — a duck, for the third — a goose, for the fourth — a turkey, for the fifth — a calf, for the sixth — a ram, and for the seventh — a beautiful girl. But the gifts received from the lord's hands do not only bring joy: the girl got drunk and fell off the stove, and the ram broke the lord's legs.
A musical film in the style of Belarusian vycinanka based on the song of the folk band Troitsa. The old man and woman have become quite old and would like to marry their son before they die. So they send him to find a bride.
The story of a guy named Yura from the Minsk suburbs, who loves sucking locally-flavored soapy beer, staggers in search of work and tearfully sings while playing his guitar: "Chemistry, chemistry, you little wait for me and remember me." Having accidentally appeared on an opposition rally dispersed by police, Yura meets an activist of the "Beaver Youth" movement, which exists due to Western grants, and steals a cell phone from their office. And it falls into history, and more precisely, into the field of state interests of the Belarusian state. First, an American spy, and then A.G. Lukashenko himself, begin calling Yura. As a result, “Beaver” nominates a homeless president who has become the next owner of the ill-fated mobile phone, and Yura returns to his “little one,” drinking unbearable domestic beer and watching stupid TV shows.
Victor Asliuk's contrast of rural and urban life in Belarus examines the tangible differences between the young in the city and the elderly in the village and between modernity and tradition, interspersing modern images with archive material depicting the countryside as it used to be.
n 2003, Studio Tatyana was shut down by the Lukashenka administration, but the filmmakers' work continued: this is the studio's final manifesto, completed after the closure using the archival material that managed to escape confiscation. Investigative and unsettling, the film documents the rise of the dictator and the political repression – including political assassinations – from the perspective of Russian and Belarusian politicians and citizens attempting to resist.
Over 50 animators from 19 countries collaborated to support Belarusians in their peaceful protests for fair elections and freedom. The animators offered their interpretation of the recent events in Belarus, creating the animated chronicles of these dramatic events. The white-red-white flag is a historical symbol of Belarus and has become a symbol of peace, protest, and hope for the people of Belarus. The youngest animator who participated in the project is only 12 years old.
Yakov Deryabin returns from prison, where he ended up thanks to his wife, and suffers in search of work and housing. No one takes part in the fate of a kind and unfortunate man. And while he sleeps in the entrance of an apartment building under the stairs...
Structured as a series of vignettes drawn in stark black and white, and to a soundtrack of mournful jazz, the film is a set of confessions anchored in fear, confusion, numbness, and anxiety.
Belarus, 11 passengers from a provincial town go to Minsk, the capital,each with their own purpose. Lightning strikes the bus and something unusual begins,it drives in a circle and is unable to stop. The passengers are complete strangers and are forced to cooperate and try to find a way out of the bus to survive.
Namskyi Velikden is the widespread Day of Dead in the Polesie. According to the old legends it is believed that souls of the dead ancestors come back to earth.
My sister Angelina is sitting on the swing and thinking: ‘What is the purpose of my life?’ She has already encountered unrequited love, the death of a guinea pig and a friendly betrayal. Angelina considered herself cute two years ago, but now she is not confident in her appearance. Her hair is greasy, her breasts are not growing, her teeth are crooked. Everything is as it should be for a girl in her early teens. But my sister does not despair and does not want to change for someone.
