The film is dedicated to the Belarusian first printer and educator Francysk Skaryn. In a mysterious and magical atmosphere, whether it is a dream or a reality, Francysk Skaryn meets an inquisitive lion at night who can talk. Skaryn answers the intelligent animal's questions, and in this way tells about his life.
Radiation came and changed a lot. The last villagers live as in another reality, but it doesn’t seem to be as gloomy as it might appear.
A group of students finds themselves in an academic environment, which hides a terrifiying danger. Should they stay? Where to expect a menace from? What would happen if they try to leave? Students are forced to find it all out by themselves, without getting any hints.
One of the five-part documentary series by Belarusian writer and director Viktor Dashuk, which recounts the horrors experienced by the Belarusian people during World War II, through firsthand accounts of survivors and newsreel footage.
The young man Denis Dashkevich is the director of the rural House of Culture in the agricultural town of Pobolovo, Rogachev district. In an attempt to find new aspects of the work of the cultural center in the village, he plans to create a computer class for elderly people. But in reality, this idea faces many difficulties due to the psychology of the villagers and age.
Godforsaken places where people live detached from society are still present in the world. But Belarus, a country integrated into civilisation processes, can hardly boast of their existence. The authors tell the stories of two families residing in Rasony district, in a forest close to the border with Russia. Having gone bush they do without electricity, communication and other habiliments of civilisation. Being eager to start a new life they came back to the native country from big cities – Moscow, Saint Petersburg... But their dreams and expectations confronted Belarus's reality...
There are 36 days left before Russia's full-scale military invasion of Ukraine. On another Baptism of Christ holiday an ice hole was made in a pond in a bedroom suburb of Kyiv. Church bells are heard on the shore, people are undressing, standing in line... In this short observational film, closeups of people of different ages, lines of naked bodies and short conversations tell us about the fragility of life, the contradictions of human faith and the joy of existence.
Yanka Kupala, Belarusian poet and writer, is one of the spiritual symbols of Belarus. He did everything to make Belarusians feel like a full-fledged people. This is a figure that cannot be reduced by anything from the height of modernity. But the weight of recognition, inclusion in the ranks of the classics leads to petrification of the face. The authors of the film remove this petrification - verses sound throughout the film. Patriotic songs that sing the praises of Belarus and our people, awaken them from historical apathy and eternal longing. Mystics who whisper about the revival of the past that sleeps in the mound. And intimate and lyrical, filled with intimate beauty, eternal sensuality and lust for life.
Valery Liashkevich is a homeless artist who lives at a railway station and for over twenty years has painted pictures in the streets of the town of Gomel in Belarus. For the natives he is no more than a local attraction. For art critics he is a phenomenon worth close attention.
Set in a small, typical Belarusian village – granny Sima’s only concern is for the future of her alcoholic son, Vanya. Accompanied by her best friend, a white goat called Manya, she starts a war with her neighbor, Glasha, who happens to be the village Vodka maker…
Grand Duke Algerd sees his beloved son Jogaila as his successor. His brother, Samogitian Prince Kęstutis, also has six sons, including his beloved Vytautas, but he swears an oath to his brother that Jogaila will become the Grand Duke. And so it happened. Jogaila inherited a powerful state that stretched from the Baltic to the Black Sea. However, his own eleven brothers and six sons of Kęstutis do not promise a peaceful life. Jogaila decides to strike first.
Slowed down, blown up and newly scored 1930's footage depicting daily life and religious rituals of villagers from Bryansk Polesia on the border between modern Russia and Belarus.
The woodcarver Mikalai Vasilevich Tarasiuk, a folk craftsman of Belarus, lived in Pruzhanshchyna. Near his house is a unique museum "Memories of the Fatherland", which has no analogues in the country. The self-taught master carves figurines from wood, decorates them with vines and straw, and arranges them into scenes from peasant life and everyday life. Specialists call this kind of activity instinctive art. That is, his creativity was formed naturally and such is free from the sphere of any professional influence. Through the personality of the hero and his wooden people, the film provides an opportunity to join the ancient way of life of Belarusians, which is gradually disappearing.
Except for one family with a small child, only old people live in this half-empty village. A mobile shop comes there once a week, only immobility of time is left, covering however correlation of complex inner and outer actions.
Vasil Granouski is 58. He's living in a village, where he leads a local choir. It consists of only elderly performers. The harmonic Vasil plays is also old, and it lacks a couple of keys. His car, in which he drivers the singers around, is faulty and doesn't always start.
