A submarine coming into port is seen gliding smoothly on the water and the little rowboat which is to bring the captain of the vessel to his post is seen leaving for shore. We see the dashing young officer bidding his love adieu, and then seating himself in the frail craft is soon once more on duty at the wheel. Away they go, and reaching the wide sea the ship gives a lurch and disappears under the water.
The film documents the course of events taking place during the Sokol Festival Gathering of the North-Bohemian District held in the town of Prostějov. We can see the busy square and the adjacent streets, a parade marching through the town, and parts of individual exercise pieces performed near the Prostějov Sokol hall.
Created by the young but obviously ambitious French production company Lux Film, founded just two years before by pioneer Henri Joly. The film was released in the United States with the title Love and Fortune, in a version which sought to mellow the character of the male protagonist, at least judging by the synopses in the period press: the American Ascanio was always in love with Graziella, and he only lets himself think of wealth in his dreams.
Hélène, the daughter of a wealthy shipowner, receives a letter from Jean, her lover, who wants to see her to find out her father's answer about their marriage. The father refuses and Jean must embark. The father goes to the boat and sabotages it.
Robbers wait by the roadside ready to spring upon a series of passing travellers, gleefully hiding their stolen plunder in a hollow tree. When a Jewish man comes along with a bag full of gold, the villains treat him worse than the others and tie him to the tree.
Two rag-pickers enter their hovel with their bags of scraps. After a little preliminary comedy they set up a white sheet. One of the rag-pickers now takes a handful of scraps from the bag and throws them in confusion on the sheet. They immediately begin to dance and hop about on the white background and when they stop they have made a complete likeness of the King of England. The scraps are taken off and another handful thrown on, which in some manner resolve themselves into the likeness of the President of France.
A early German Piccolo-Duett.
A couple of performers perform the big love number from the Oscar Strauss operetta.
Rempailleur is the French word for the person who repairs the wicker seat in chairs, and that's the central joke in this short comedy. A rubber-legged clown carries around more chairs than he can hold, has them stolen and steal other chairs.
Sigmund Liban sings forty second from the prologue to PAGLIACCI in this early sound film.
A dancer enchants a leacherous king but rebuffs his advances, resulting in his vengeful anger.
A proud father takes his many children to an outing.
These extraordinary views of life and landscape in Beijing were filmed during the last years of China's Qing dynasty, before the 1911 Xinhai Revolution overthrew imperial rule. The focus is on everyday life, and the views of hawkers, laborers, traders, and artisans reveal the city’s vibrant street culture. Especially striking is the shot of a barber preening his client’s 'Manchu queue' hairstyle.
The beauty of the rose unfolds in all its aspects. A wonderful example of the virtuoso techniques of coloring, such as stencil coloring, in early cinema.
A drunk dreams that he is carried off to Hell.
A woman attorney is seen in her apartment with her poor henpecked husband, who is more like her man servant than her better half. She is so taken up with her studies in law that she finds no time to bother with household duties, thus putting the burden on her husband who is compelled to take care of the baby, clean the house, do the cooking and be on hand, ready to answer whenever the wife calls on him to attend to her wants. Things do not run very smoothly, however, which is not at all surprising, so she finally decides to take a hand in the domestic affairs herself. (Moving Picture World)
Compilation of actuality footage and short films capturing public and royal scenes from the life of King Oscar II of Sweden — including arrival at Expositions, jubilees, parades, naval activities, and official receptions. Serves as a visual tribute following his death.
Traveling by boat to film Copenhagen from a different angle.
A workers meeting with folks showing the popular attires of the time.
