Tringa, Jeta, and Atdhe have never left Kosovo. In their twenties, they’ve spent their lives imagining the world through screens, grounded by visa restrictions. When they finally board a plane for the first time, the reality they encounter is far from what they imagined. Yet something shifts. In the space between departure and return, they begin to understand that growing up isn’t about where you go, but who you become along the way.
The journey of a young man, trying to find himself.
Moving, personal doc captures the filmmakers fifty-four year old immigrant Kosovo mother as she attempts to pass an all-important German language test. Painter and video artist Zeqiri frames a cold and unforgiving Austria through the window of his mother’s apartment as she struggles through the difficult words and phrases.
A group of young people decide to go camping in a deep mountain area where they come into contact with an evil stuck from the past, as a result they fall prey to it and are involved in a carnage where many of the members of the group lose their lives. Group leader Tony leads the survivors on an impossible revenge.
Flora, a journalist in a Western country, comes to her homeland to trace the early life/identity of Mother Teresa or Anjeza Gonxhe Bojaxhiu, to produce a feature. But soon she will face the surprise of her own identity. Two different lives, in search of their identities, so badly effected by the past, during the communist system.
During their residency in Kosovo, directors Meray Diner and Dafina Daka uncovered harrowing accounts of sexual violence used systematically as a weapon of war. More than physical assault, these acts were aimed at breaking families and silencing generations. Na Thojshin Lutko Moja draws on the testimonies of Kosovar women survivors to explore the hidden emotional aftermath shame, isolation, and the cost of breaking the silence. The film reclaims a collective memory often denied, offering a powerful portrait of resilience.
Vlora, an acting student, is chosen for the lead role in Sophocles’ play Antigona. The premiere receives significant attention, but less for Vlora’s portrayal of her character as for her undressing on stage. Vlora’s father is ashamed and forbids her from continuing with the play. Living in a conservative society the only person who supports Vlora is her younger brother. Vlora finds herself caught between her career and her family, and as she fights to defend her acting role, she learns she is fighting for her future.
A documentary that deals with the topic of migration and migrant workers. This topic is explained through the people who are interviewed. Among the interviewees is muslim priest, a French researcher who talks about Albanian emigrants and migrant workers, and four migrant workers who are pensioners.
When his car breaks down in a desolate rural area, Noir, an emotionally lost actor, accidentally meets Anna, an enigmatic girl who walks through the landscape as if he doesn't exist. Following her, he is drawn into a strange and poetic journey, where Anna's pauses and the landscape awaken hazy memories of a lost love. As reality and memory intertwine, Anna leads Noir to an old cemetery, where he discovers that she is long dead. Confronting her grave becomes his moment of awakening, realizing that the journey was a spur to accept the pain and restore meaning to his life.
Primary school student Lani knows the value of money, but he values education above all. As part of the Roma minority, he tries to follow his own path, apart from the community around him. When the petty gangster Balja refuses to pay him and his friend Keno for their labour at his scrapyard, they take matters into their own hands, forcing Lani to confront his morals and choices.
When people asked me about my trip to Tirana and the situation in Kosovo, I was drawn to explore more. Arriving in the city, I was intrigued by a Funeral Home and wanted to understand its significance and religious background. Tirana is home to three major religions living side by side, and I wanted to capture this coexistence. In my search for answers, I found that the feeling of loss is universal. Despite our differences, the shared experience of mourning connects us all, and this common thread is at the heart of my work.
Berna, a young woman weighed down by unspoken trauma, moves through the neon-lit streets of Prishtina, haunted by a menacing spectre from her past. As she attempts to navigate her bleak existence, a series of violent encounters forces her to confront her deepest fears.
Pirlo, a boy in the bloom of youth, wants a prostitute for his birthday. Unfortunately, Pristina is not the best place for these kind of things, since it is not a metropolis. Do not worry, Pirlo will save Pristina
Trapped in a vicious cycle of personal disappointments and unfulfilled fantasies, a man-the head of a household-suddenly decides to give up everything: his job, responsibilities, and social life, to pursue a long-abandoned dream of becoming a boxer. Convinced that this is the way to reclaim control over his life and the respect he's lost, he embarks on a solitary and difficult journey toward a dream that no longer recognizes him.
A journey through childhood memories brings nostalgia full of pain and love. Nothing is as it was in childhood; only memories roam freely and illuminate in retrospect. The environment and everything of that time has been violently ruined and altered by someone. Seasons have settled in the ruins of troubled memories.
Garip, a 40-year-old doctor leaving in Germany faces the depth of his imagination and subconciousness.
A film that remained unfilmed because the patient lying in the department of Hematology in CUCK affected from Leukemia gave up. A conversation about this film between a tutor in a Film School and a student.
The documentary consist a series of 7 shorts, illustrating each day of the week and features personal stories of ordinary Kosovo citizens about the positive impact of European Union in their everyday life.
Kosovo in 1990. Two Serb policemen terrorize an Albanian rural community by forbading them to paint red color elsewhere and obstruct their gatherings.
A journey over time. Depicting different states of mind. Making visible, the invisible. Giving voice to the voiceless. A journey through the mind.
