Based on a real story that took place in Shkodër, a German captain who returns to Albania and is given his clock back from a local watchmaker (sahatçi) after 30 years. The film takes place in modern days, where an Austrian boy (Anton) goes after an Albanian student (Teuta) to Albania after being refused by her to spend the holidays together. The boy is supported by his grandfather, who gives him an envelope to read only after arriving in Albania.
A passionate puppet-maker and his sick son live in a remote house. The boy can hardly sleep because he is afraid of the King in Black. The father is convinced that these are just fever dreams – until locked doors suddenly burst open.
A group of young people decide to go camping in a deep mountain area where they come into contact with an evil stuck from the past, as a result they fall prey to it and are involved in a carnage where many of the members of the group lose their lives. Group leader Tony leads the survivors on an impossible revenge.
Home is a feeling, they say, but where is home, when you are not allowed to feel at home even within your own body and mind? As I Was Looking Above, I Could See Myself Underneath unveils intimate stories of LGBTQ persons from Kosovo, going through their unceasing search for a safe place that allows them to be.
Found footage compilation of Albania’s turbulent 20th century history is also a bitter and telling essay on the nation’s worship of personality cults and a warning of false prophets to come.
A short documentary focusing on the narratives and lives of 5 different women of different generations, offering an anthropological overview of traditions, customs and gender relations in Kosovo.
Perhaps the most chilling testament to the ruthlessness of Albania’s communist regime, this documentary presents a public trial in a packed cinema: four young men accused of industrial sabotage and listening to foreign music. In the finale, replicating the Stalinist show trials of the 1950s, the audience applauds the death sentences for two defendants, and long prison terms for the other two who absurdly also lose their voting rights. The ice cold Poshnja is a rarely-screened, forbidden film (it is not even listed on the Albanian archive website) and the sole directing effort of Albania’s leading film scholar, Abaz Hoxha.
Made during the violent civil unrest that rocked Albania in the 1990s, directors Nova and Faja have handcrafted a searing vision in which a demonic appearance brings chaos to a quiet hamlet.
In the film "Composition" the plot is not classically constructed but from a subjective emotional state of the filmmaker himself, a condition that includes memories and scenes of our everyday life that follow us in the form of a mix between poetry, humor and nostalgia. The Balkan atmosphere dominates but it all turns into a universal message of love where the man and everything dear around him merge into one.
Lake Fierza, high mountains on both sides and a small boat that breaks the silence of this small part of the world. Some movements can be seen. From a distance, the boat looks at people coming down from the top of the mountains and patiently waiting for the only transport that connects them with the rest of the world, almost unknown to them.
Can heartbeats be “reactionary”? Yes, if they are the only sonic element on a montage-heavy documentary about the war dead. Made just before Enver Hoxha’s cultural purges in 1974, Dhimitër Anagnosti’s formalist, wonderfully edited affair will finally premiere in a restored version after its completion forty-two years ago.
This movie is set at the start of World War II, with little shepherds on the green slopes of an Albanian mountain range featured as intrigued, distant observers of the Italian army and their prey, the partisan fighters who are hiding in the homes of the villagers. Even the Albanian police who are supposed to be helping the Italians do not betray the resistance fighters when they see them. The children watch as the hunter and hunted play out their drama below, not understanding that the scenes are more real than their own hunt for the five-legged rabbit that is supposed to be living in these hills. As the tragedies of war mount, the children start to become more involved - at one point they steal the weapons from some drunken Italian soldiers, nearly leading to a disaster on their part. Time and events rapidly unfold, and it soon becomes apparent that their innocence will not last for long because their own existence is threatened in a way they are just beginning to understand.
A girl and the peculiar interaction with her doll.
A young man in his late teens uses his sway in the family to cover for his cousin.
Vlora, an acting student, is chosen for the lead role in Sophocles’ play Antigona. The premiere receives significant attention, but less for Vlora’s portrayal of her character as for her undressing on stage. Vlora’s father is ashamed and forbids her from continuing with the play. Living in a conservative society the only person who supports Vlora is her younger brother. Vlora finds herself caught between her career and her family, and as she fights to defend her acting role, she learns she is fighting for her future.
A story about life of Sureya Imami - the first Albanian music teacher in Macedonia.
Short animated film created in Akademia e Animacionit - Gen 7 (2024)
When his car breaks down in a desolate rural area, Noir, an emotionally lost actor, accidentally meets Anna, an enigmatic girl who walks through the landscape as if he doesn't exist. Following her, he is drawn into a strange and poetic journey, where Anna's pauses and the landscape awaken hazy memories of a lost love. As reality and memory intertwine, Anna leads Noir to an old cemetery, where he discovers that she is long dead. Confronting her grave becomes his moment of awakening, realizing that the journey was a spur to accept the pain and restore meaning to his life.
The story of some girls in a colossal moment
