Meşhur Kimden Czech Republic

This movie was made by antifascists who have already chosen their attitude to the topic. We wont persuade you that the movie is objective in the usual sense. But we see its value in something else - the fact that we have been an active part of the events and that we were effectively shaping them. The movie of the Antifascist Action (AFA) monitors more than twenty years of the struggle against neo-Nazis, fascists and racists. The historic cross-section shows the multiple rises and falls of neo-Nazis and racists. You will witness the power as well as limited potential of the antifascist movement that doesnt deal just with neo-Nazis, but also with the repression of the state and the public opinion.

Prague, summer of 1938: The armies of the Little Entente (Czechoslovakia, Romania, Yugoslavia) come together to demonstrate their defense readiness.

1992 Czech experimental short by Petr Skala

1988 Czech experimental short by Petr Skala

1984 Czech experimental short by Petr Skala

1984 Czech experimental short by Petr Skala

1984 Czech experimental short by Petr Skala

1980 Czech experimental short by Petr Skala

1980 Czech experimental short by Petr Skala

1980 Czech experimental short by Petr Skala

1979 Czech experimental short by Petr Skala

Holidaymakers at a public pool on the river at the Černošice summer resort. The film was produced by Illusion, a company established at the beginning of World War I in Prague. In addition to film news and documentary films, it also produced film dramas. Most of its production is considered lost.

Swifts spend their entire lives in the air. They sleep while flying and are among the fastest birds in the world. The camera captures what their great speed makes impossible to see with the naked eye, the space-time of the swift's flight in the form of stages of flight, trajectories and curves. Swifts as a form of joy in the air as a form of home.

The generation conflict present in the daily disputes of a grandmother and granddaughter, the film director, lead to her decision to leave; the compact images of the gradual moving out of the house, bound by place and time, and the long, agonizing dialogues become a basis for the cruelly intimate documentary within private reality, where feelings mingle with reproach; and where, despite mutual blame, nobody is guilty, as the captured situation is accompanied by nothing but misunderstanding.