Meşhur Kimden Lebanon

Hussain Shariff's first film, a documentary centred on a traditional fertility rite of the Ingessana people in the southern Blue Nile State, celebrating ashes, the sun and good harvests.

Kegham Djeghlian, an Armenian photographer who moved from Jerusalem to Gaza in 1945, opened his first photography studio there, called "Kegham Studio". We get to know him and Gaza from his diverse archive, his family, his students, and photography experts, to discover the city through his free lens for the first time and with a perspective other than that of the British occupation.

A Captive Childhood is a documentary film that focuses on the holding of Jerusalemite children captive in their homes at the hands of the Israeli occupation, depriving them of their freedom.

A Bedoui and a Jeddawi friends explore the desert together.

Fahd has an exam in biology, so what problem will Fahd face during his study?

In 2016, a group of young men headed out on a short fishing trip around Farasan Island, off the coast from Jazan. Intending to be away for only an hour, they were soon driven off course in thick fog, heading unknowingly towards the war-torn Yemeni border. As they realized where they were and tried to head back, their boat ran out of fuel. For 90 hours, they drifted without food or water, constantly at risk from passing pirates or being shot from the shore. There were many moments when they despaired of surviving; then came a glimmer of hope.

Following a washed out actor who is desperate to get back to the theatre scene, and what would happen if a simple yet pressing matter might ruin his big night.

This short video was shot in the urgency of the Israeli war against Lebanon in July 2006. It sheds light on how the Lebanese would go about their daily lives during and right after the war. Far from the bombastic frenzy of media broadcast, the tragedy of war is recorded with compassion, simplicity, and even humor.

The film captures the Palestinian workers commuting from their homes to workplaces in Israel. For work permit holders, the day starts with long hours of waiting in line, humiliating body searches with sniffer dogs, and the risk of suffocation at densely crowded checkpoints. Workers unable to obtain work permits, in contrast, must sneak into Israel with the help of smugglers - a dangerous gamble to earn a living. We accompany workers on their respective routes and capture hair-raising risks, random stops, daily threats, and the looming spectre of Covid with no guarantee of getting home again or of receiving proper medication. The film also highlights the leadership and courage of Palestinian women attempting to compensate for a husband’s long absence from home: The challenges of pursuing alternative sources of income and keeping vigil over the roads while the men sneak out to reach their jobs.

Filmed over a period of ten years, Dance with a Bullet is about the personal story of a 27-year old Iraqi male dancer named Anmar Taha, his survival after being shot in Baghdad by Muslim extremists in 2006 and the new life he built up for himself after fleeing to Sweden. Anmar's close friend - the filmmaker - narrates.

A film director, facing a creative block, follows a woman through her day, only to find himself entangled in a deeper mystery.

A young artist reach out to a producer, switch to a dealer and kills his own producer and becomes a different person.

Meshmesh Effendi (1936) The first animated film made in Egypt is about the character Meshmesh Effendi, who loves music, works in one of the clubs, and loves Bahia, the beautiful dancer who works with him in the same club.

A farce, discussing many Jordanian political issues, and the suffering of the people with increasing taxes, so many resort to selling everything they own to provide for the necessities of life

A young woman living out of the city goes on two crucial road trips, one with her father, and the other with her fiancé to his parents house in the city. Upon arriving, she comes to question everything she thought she knew about him, and herself. "Does It Hurt Too Bad to Look at Me?" invites audiences to reflect on the fragility of relationships, the influence of parents on our choices, and self exploration.

Remembering home is an attempt to understand the notion of how do we remember things and the complex nature of memory, told through nature, people and traces.

A critical satirical play that deals with the state of the popular and social situation, the street movement, daily events, and is presented in the form of café talk, what is happening on the ground, how the simple citizen thinks, and how governments think in their own way.