Meşhur Kimden Lebanon

The film reviews a human rights struggle between a man and a woman by raising three thorny marriage issues that no one knows the solution for it but Allah.

October 2011, nine months after the Tunisian Revolution of January 14, Tunisian women are running for the elections of the Constituent Assembly, some are from political parties, some are complete novices, some are activists of the early hours who joined parties to be part of the lists in the running and others are running as independents. They are in campaign, they criss-cross the Tunisian cities and villages, do meetings, door-to-door, enter the cafes "men", stick themselves their posters and distribute their leaflets. Who are they, what path has brought them to the political arena, what are their motivations and their weapons to lead such an unprecedented battle?

A short documentary that tells the stories of Masrou’ Leila, a Lebanese rock band with an outspoken gay singer, and Sarah Hegazy, an Egyptian activist. Both parties have experienced oppression because of their sexual orientation and beliefs. The film shows what it’s like for the LGBTQIA+ community to be oppressed and threatened by the governments in the Middle East.

Enya's journey trying to make it as a dancer is hindered as her behaviors drag her downhill.

Nazem al-Ghazali

Faiza Ahmad

Nnuba, meaning “each in turn” in the Tamazight language, is the name of a long-standing women’s self-help organisation. Its objective is for each to take their turn in grazing the village cattle. Songs, confidences, poems, life stories, laughter and tears run through and accompany this pastoral activity.

After the death of his father, Mahmoud Abu Bakr sets out on a journey to penetrate into diabetes, in which he discovers the most important symptoms and risks facing the patient, in addition to their psychological state.

Murder For Beginners is Egyptian Short Film

A short and personal documentary attempts to understand broader meanings of life, attitude, emotions, and the environment by raising questions and exploring the notion of movement inside cars, inviting audiences to view their surroundings with a different point of view and an interesting angle.

A girl is chased by a demon, so her friends desperately search for her.

In the Lebanese wintery wilderness, a mini-van arrives. Two men get off the van into the cold forest and set off on their quest. The tall trees and the grey sky are their witnesses. Armored with a shovel, a rope, and an axe, they soon arrive at their destination: a lonely verdant tree amid the naked forest.

HOURIA weaves together the stories of Hattab and his grandmother Yousra to reflect on fluid modes of belonging. Yousra was expelled from her village Jamaseen Al-Garbi by Zionist paramilitary groups in 1948, and she remains witness to the decline of Jaffa’s glory where she resettled after the Nakba. On the other hand, Hattab, presented as a hybrid mermaid and a symbol of the shores of Manshiyyeh (North of Tel Aviv), embodies both the liminality of those who were driven out of Palestine and the longing desire to belong to the Palestinian nation.

When the French authorities closed their borders, landed their planes, confined their citizens to their homes, spreading the police on the streets. I was in Paris. Without any planning, the memory coming from Palestine began to flow and merge with the diaries I live here, and the virus began to awaken other viruses, which made me spontaneously, as a Palestinian citizen, besieged in the most beautiful Parisian neighbourhood (Montmartre), busy documenting aspects of diaries and memories in a period of time that changed the face of the scientist.

A film by Zahid Jiwa.

Moroccan feature film tells the story of a grown man postman and his funny situations with his mother .