Meşhur Kimden Mexico

After an accident, a motorcycle racer falls into a coma, causing hopes and intrigues in those close to him.

A couple of teenage factory workers spend their afternoons consuming chemical substances in a self-constructed shack. The ecstatic trips and the visions they experiment make them forget for a moment about their noisy industrial city life. But when Alexandra disappears right before his eyes, Lucas must deal with a corrupted system. His visions decay, just like the monster that imprisons them.

Four nuns are raped by a group of lepers. Although they all turn out to be pregnant, their status is hidden from them in the convent.

Javier is Spanish and is married to Laura, who is Chilean. They have a six year old son, living in Chile and enjoy a prosperous economic position. The three are, at last, on vacation in Spain, because Laura seems to have overcome a problem of claustrophobia that prevented her from traveling. The family moved to a camp, near the home of Javier's parents. There they meet Ignacio, a handsome young man, a friendly neighbor. But not everything is as nice as it seems at first sight.

Mexican feature film

A handsome newcomer in a village marries a local girl. A year or so later an abandoned baby is left on the couple's doorstep, a baby the man had with another woman. They decide to raise the kid along with the one they had together.

In the late nineteenth century, Miguel Velasco, the son of a wealthy Spanish immigrant established in Mexico, comes to Madrid, where he falls in love with Celia, a chorus girl working at the Apollo theater.

Claudio is a skilled con artist desperate for money. In a misguided attempt to claim insurance on his truck, he tries to destroy it, only to discover the lifeless body of the son of a powerful crime boss hidden inside. Arrested and taken to Torreón, Claudio is seen by the prosecutor as a cunning criminal in disguise. To escape his predicament, he must turn the tables and act as bait to lure out the ruthless leader, El Rojo, plunging him deeper into a dangerous game of deception and survival.

Martín is a 35-year-old banker obsessed with his career. Having a child is not a priority for him and for his wife it is. Lucía will then appear with an eight-year-old son, the product of a fleeting relationship with Martín, who will resist accepting paternity outside of his plan.

Ximena is an illiterate woman in her fifties, who has learned to live on her own to keep her illiteracy as a secret. Jackeline, is a young unemployed elementary school teacher, who tries to convince Ximena to take reading classes. Persuading her proves to be an almost impossible task, till one day, Jackeline finds something Ximena has been keeping as her only treasure since she was a child: a letter Ximena's father left when he abandoned her many years before. Thus, the two women embark on a learning journey where they discover that there are many ways of being illiterate, and that not knowing how to read is just one of them.

A documentary maker, a team of researchers in dead languages ​​and rites, a priest and a cameraman enter a factory that has been abandoned since 2001, when an employee murdered 16 work colleagues and subsequently, in the face of police persecution, killed himself. The police concealed evidence and closed the case as mass murder, but several testimonies, forensic photographs and other studies showed that the killer had practiced Enochian magic.

After a third character appears in his declining relationship with his girlfriend, a 20 year old deals with old ghosts from the past.

After meeting at a party, Luciana and Pedro... embark on a spur of the moment journey together that takes them to the forest. Asthey explore the beauty in the nature that surrounds them, they camp out under the stars, go on hikes, indulge in the passions of their encounter, and discuss their personal beliefs surrounding love, obligations, and attraction. Lensed in lush black-and-white cinematography amidst the gorgeous backdrop of the Costa Rican forest, an honest and genuine relationship story unfolds, lending a feeling of realism to their storybook romance in a refreshing and youthful way.

Julio is an experienced terrorist. Now he is putting together a new team for the assassination of the prime minister.

A single mother struggles to raise her children on the poor outskirts of Santo Domingo. Tired of hustling in the streets, she decides to leave it all behind and illegally immigrate to Puerto Rico on an overcrowded wooden vessel.

40 years ago in Mexico, a group of women filmmakers gathered to make films dealing with taboo subjects, gender violence, rape, feminicide, clandestine abortion, labor discrimination. They called themselves “Cine Mujer” and were active as a collective for over 10 years. Today they reflect on violence against women and their continuous struggles, which are still prevalent in modern society.

Mexican feature film

La tempestad is a Mexican telenovela produced by Salvador Mejía Alejandre for Televisa. It is loosely based on the Colombian telenovela La Tormenta, produced by RTI Colombia for Telemundo and Caracol TV. William Levy and Ximena Navarrete star as the protagonists, while Iván Sanchez, Laura Carmine, Mariana Seoane, Cesar Evora, and Manuel Ojeda star as the antagonists. Daniela Romo is also confirmed to star. Previously, Jessica Coch and Adriana Louvier were originally confirmed to star as the antagonist.

Mirada de mujer: El regreso is a Mexican telenovela, which was produced by and broadcast on TV Azteca in 2003. It is the sequel of Mirada de Mujer.

Pasión is the telenovela that began transmissions on September 17, 2007, in Mexico; Canal de las Estrellas. The novela is a production of Carla Estrada and the stars are Susana González, Fernando Colunga, Sebastián Rulli, and Daniela Castro.

La Mujer Del Vendaval is a 2012 Mexican telenovela produced by Mapat L. de Zatarain for Televisa. It is a remake of the Venezuelan telenovela Un Esposo para Estela. Ariadne Díaz and José Ron star as the main protagonists, while Chantal Andere, Marco Muñoz, Manuel Flaco Ibañez and Florencia del Saracho as the main antagonists.

La que no podía amar is a Mexican telenovela produced by José Alberto Castro for Televisa. Ximena Suarez wrote the script based on the original story by Delia Fiallo. The cast was headed by Ana Brenda Contreras, Jorge Salinas, and Jose Ron, while Susana González, Julián Gil, Mar Contreras and Ana Bertha Espin portrayed the villains.

Having to serve a sentence for a murder she did not commit but took the blame for, a woman gives her baby to her sister to be raised without knowing the truth. 20 years later she is freed and try to be once again part of her life. But things get complicated when the daugther, Rosalinda, and Fernando, the son of the man that was killed, become close.

In the village of San Andres, the rivalry between two families the Valdes and the Ramirez is centered on "El Manantial", a beautiful fountain of water that happens to bathe the small property of the Valdes and not the neighboring ranch, the rich and prosperous hacienda "Piedras Grandes", where the best cattle are raised and is property of the Ramirez. But the spring is not the real reason for the hatred between the families. Justo Ramirez, married to Margarita Insunza, had a relationship with Francisca Rivero, wife of his enemy and neighbor Rigoberto Valdes. This relationship, founded in the betrayal, will cause the utmost bitterness and the destruction between the two families. The Valdes have a beautiful daughter named Alfonsina, who was born in the same year as Alejandro, the son and heir of the Ramirez. Although they have grown separately with their souls full of prejudices against their respective families, the two cannot avoid feeling attracted to each other. Margarita will not permit this and so she tells her husband to make sure her son will never be together with Alfonsina so he could marry Barbara, her cousin's daughter. Justo rapes Alfonsina and she leaves along with her mom and her aunt. Five years later... Alfonsina is graduating from school and has a good life until her mother commits suicide because she found out she was deathly ill and could no longer live with the guilt of her lifestyle. Before dying, her mother confesses to Alfonsina that Justo Ramirez destroyed her life and after that Alfonsina vows revenge on the man who destroyed her family. She returns to San Andres and there she once again sees Alejandro who is now engaged to Barbara. Their love is still present in their hearts. They will have to fight for their love and see if they can be happy by the shores of El Manantial... El Manantial is a Mexican telenovela that first aired in 2001, starring Adela Noriega and Mauricio Islas. The telenovela received TVyNovelas Award for Best Telenovela, in 2002.

A story, between reality and fiction, that recreates everything Carlos 'El Pibe' Valderrama (Edgar Vittorino), Freddy Rincón (Antonio Jiménez), José René Higuita (Jhon Alex Castillo) and Faustino Hernán Asprilla (Omar Murillo) had to go through. . Learn through the lives of these historical and emblematic characters and players, the history of the best Colombian team of all time.

Luz Clarita is a Mexican telenovela produced by Televisa that aired on Canal de las Estrellas in 1996. The series, a remake of Andrea Celeste and Chispita, stars Verónica Merchant and César Évora, as well as child actors Daniela Luján and Ximena Sariñana. It has a dual storyline intended to attract both children and adults.

María Mercedes, a poor girl who sells lottery tickets, meets a rich man who hates his own family and sees in María Mercedes an opportunity to make their lives miserable.

After losing all her loved ones fifteen years ago and believing her babies were killed at the hands of the father of her first love, Leona Bravo embarks on a journey of justice against all those who hurt her. In this process, Leona discovers that her children are actually alive and is reunited with an old friend with whom she finds true love. As a result, she will be torn between her desire for justice and rebuilding her bond with her two children, as well as regaining her faith in love.

La Gata is an upcoming Mexican telenovela to be produced by Nathalie Lartilleux for Televisa. It is a remake of the Venezuelan telenovela La Gata, produced in 1968 and Mexican telenovela Rosa Salvaje produced in 1987.

Karyme Lozano, Cristian de la Fuente and Adriana Louvier will star as the protagonists, while Diana Bracho, Flavio Medina and Salvador Zerboni will star as the antagonists, and with the stellar participations of Alejandra Barros, José Elías Moreno and Olivia Bucio.

Over a road trip, triplets Ana Laura, Ana Leticia, and Ana Lucía, along with their parents, suffer a dramatic accident crashing by the side of a river. The consequences of this event are catastrophic: Both parents die, Ana Laura loses one leg, and Ana Lucía, unconscious, is dragged by the river’s flow. Only Ana Leticia, who actually caused the accident, emerges unscathed. Soledad, a woman who was seriously hurt after her daughter’s death, helps Ana Lucía, whom she finds agonizing. Although Soledad discovers who the girl is, she takes advantage of her memory loss regarding the accident and her family and decides to keep her, making her believe she is her mother. Despite everyone declares Ana Lucía is death, Ernestina, the triplets' grandmother, and Ramiro, their uncle, don’t give up and do everything they can to find Ana Lucía. But years go by, the same as their wishful

The story of four girls: Elena Olivares, Isabel Flores, Leticia Hernández and Monica Sánchez Zuñiga. The villain is Federico Cantú, a psycho killer who will stop at nothing until he gets Guillermo's fortune.

Duelo de Pasiones is a Mexican telenovela. It premiered in 2006 in Mexico and in the USA on January 15, taking the place of Heridas de Amor at 7PM/6C. It is a production of Juan Osorio Ortiz and the protagonists are Ludwika Paleta and Pablo Montero.