Meşhur Kimden Mexico

Viri is a trendy bar waitress, Lissa works in a supermarket and sings hip-hop, Valeria veterinary studies, Yvonne tries to find a place in the world of music and Lourdes does tattoos on the premises of his brother Pogo. The idea of forming a pop group. When the group finally consolidates, an internal problem threatens to dissolve before the debut. But girls are not the same: the time spent together taught them that despite the differences there is none can separate because they are united by something that goes beyond the simple desire to sing.

Love confusion between a girl and her benefactors.

The elderly heir of a formerly wealthy and respected Chilean family, Andres, suffers from decadence and solitude. He hires young Estela in order to look after his tiranic and almost crazy grandmother. The differences in class and age don't stop Andres from courting Estela, whose fiancé Mario tries to make some money with the passions of his well-off rival. The suffocating atmosphere of the run-down mansion in the outskirts of Santiago represents the deterioration of the bourgeoisie, and sets the scene for the total collapse of Andres.

A woman takes revenge in the family of her lover.

In a house hidden in the middle of the jungle, a clairvoyant is visited by three strangers who ask for her help in invoking an ancestor at a séance. This unwanted encounter soon turns into a nightmare.

An elderly homeless man is welcomed into an Old Folks' Home and becomes acquainted with the dramas of several of his companions.

A foreigner arrives to Floresta and stays in a shared house.

To avoid imprisonment, a woman pretends to be crazy after killing the man who blackmailed her sister.

A serial killer goes on a gory killing spree in this low-budget Mexican slasher.

By a dissociated Santiago de Chile the old figure of Bareta transits in search of Carranza, who was once his partner and now his enemy. Bareta, a man who knows the invisible faces of the city, moves from place to place and from fantasy to fantasy tried to conclude all his affairs, while Carranza waits for him in his dark office, since both know that inevitably this will be the last day of both.

Ernesto is a young man who is about to kill himself. The only thing that stops him from death is a simple jump, but he has his last doubts.

The film spans 30 years in Julieta’s life from a nostalgic 1985 where everything seems hopeful, to 2015 where her life appears to be beyond repair and she is on the verge of madness.

It’s a dark and disturbing neo-noir tale cut. It’s a somber yet violent tale of Alan Massy, an old man who has decided to go to extreme and terrifying lengths to fulfill his daughter Terri’s dying wish – to track down her estranged grandchild while exacting revenge on her lover, leader of a right-wing community called Snowdevil.

A woman who comes to transform the city. Two friends now at odds forever. A man who invades apartments to film women from afar. A writer who plagiarizes books and a translator who discovers it. A UFO epidemic in an unbearable summer.

Martina is a liberal woman who arrives to a small town, with his godfather. Here, Martina will met with her secret love, a typical "macho-ranchero" man, demanding her hand in matrimony. But he rejects Martina, claiming that she's not virgin and will return her to the godfather. When the godfather dies, Martina finds herself alone, and she'll begin a sexual adventure with almost the last men in the town, even with the shy chaplain.

Francisquita secretly loves Fernando, but he is in love with the beautiful and fickle Aurora.

Mona picks up her first job tutoring two orphaned children living in a derelict house in the country. Her obsession with trying to educate these two nearly feral children blinds her to the fact they have other plans for her.

There's always someone who teaches us to break up.

Six women share a common 'friend': madness. It visits us all, pushes us to decide reality, to make daring decisions and to transform our lives.

Corazones al límite is a Mexican telenovela about a teenage girl named Diana who was emotionally neglected from her parents, and felt unwanted. After being expelled from her boarding school in Switzerland, Diana goes back to live with her parents.

Imperio de Cristal is a Mexican telenovela that aired on Televisa in 1994 with 124-episode from the plot to the main cast it was officially first launched on Monday, 29 August 1994 & ceased transmission on Friday, 17 February 1995 was aired runtime of 45-minutes with commercial on weekday at 21:00 to 22:00 CST/22:00 to 23:00 MST/23:00 to 00:00 PST.

Mujeres engañadas is a Mexican telenovela that was produced by Televisa and broadcast on El Canal de las Estrellas from October 25, 1999, to April 7, 2000. Produced by Emilio Larrosa, the novela stars Laura León and Andrés García as well as an ensemble cast and tells the story of four couples who live in the same apartment building.

Huracán is a Mexican telenovela shown in Mexico from October 13, 1997 to March 27, 1998, starring with the late Jorge Russek, Fernando Balzaretti, and Eduardo Palomo.

When clues to his brother's murder lead Poncho to a fire brigade, he joins it to investigate further and finds romance, family... and a serial killer.

Por Ti is a Mexican telenovela that aired in 2002 on TV Azteca's Azteca 13. It starred Leonardo Garcia and Ana de la Reguera as protagonists.

When a birthday party takes a tragic turn, its ripples shatter a close-knit community — tearing families, friendships and hearts apart.

Tino is a single father, full of debt, and faces tough challenges in raising his two children. Aidé is a great businesswoman and mother of two teenagers, she seems to have it all, at least on the surface. One day, Tino discovers that he is the father of Aidé's children, and together, they decide to build a new family, even if, at first, it is for their interests. However, they will realize that things are not as easy as they thought. Since their house has become a battlefield, they must overcome several obstacles to find love and achieve happiness.

Mariana de la Noche is a Mexican telenovela from 2003. Written by Delia Fiallo and produced by Salvador Mejia, it starred Angélica Rivera, Jorge Salinas, Alejandra Barros and César Évora.

Por Ella Soy Eva is a Mexican soap opera produced by Rosy Ocampo for Televisa based on the Colombian soap opera En los tacones de Eva. Jaime Camil and Lucero starred as main protagonists, while Mariana Seoane and Marcelo Córdoba starred as the main antagonists. "The Best Telenovela of the Year 2013."

Native American girl Maria Isabel makes friends with Graciela, a rich white girl, despite Graciela's father's opposition; their friendship lasts into their adulthood.

Tormenta en el Paraíso is a telenovela that was made by Televisa. This telenovela has a blend of new talents and with figures of extense experience in the television, and it began filming scenes in locations in the states of Quintana Roo and Veracruz on September 20, 2007. The telenovela is a production of Juan Osorio, premiered November 12 of 2007 in El Canal de las Estrellas.

Mañana es para siempre is a Mexican telenovela that began airing on October 20, 2008 on XEW-TV, also known as Canal de las Estrellas. It is produced by the Televisa television network and is a production of Nicandro Díaz González. It stars Silvia Navarro as "Fernanda Elizalde", Fernando Colunga as "Franco Santoro and Eduardo Juarez" and Lucero as "Bárbara Greco" the main villain of the story. Its was one of the most popular soap operas in the history of Univision, its finale having been watched by over 11 million viewers, faring well against US mainstream shows. It is a remake of the 2007–2008 Colombian telenovela by RCN Pura Sangre, which starred Rafael Novoa, Marcela Mar and Kathy Saenz in the antagonic role.

Doña Caridad and Don Tranquilino are cared for by their only daughter, a woman in the middle of menopause who lives with her unfaithful husband.

The experiences of a group of young people interned at the Life Institute of Knowledge and Evolution (LIKE), a prestigious and cosmopolitan educational institution, with a supposedly modern and open educational system, but in reality it is deeply traditional and schematic.

Oscar Leal is an irresponsible taxi driver who does not like compromises but a lover of parties. Oscar's life changes when he wins the lottery, going to live in a luxurious apartment where he meets Tatiana, an attractive business executive.