Meşhur Kimden Romania

Two boys find a kernel of corn.

At a crossroads in a village, an old water pump stands as a testament to the passage of time.

Two characters separated by a deep gulf strive to build a solid bridge between the two sides.

A modern parable about the man who learns to build walls and houses.

Nela, Vic, Bogdănel and Mihai go through a series of adventures with the innocence of childhood.

Cafeneaua viitorului preserves an ephemeral episode in the history of the internet, today a phenomenon difficult to dissociate from everyday experience, then a novelty that barely captured the attention of a diverse audience.

The film confronts the reality of cultural displacement and the search for identity, framed by my family’s own longing for the Romanian culture, absent in American surroundings. There Are No Fir Trees Here is a story about the spaces we inhabit and the yearning for a place that feels like home.

A small part of Ion Tarara's photographic archive is put in sentimental order by his daughter, on which occasion she rethinks the poetics of archivism.

A couple past their prime have to adapt to the new capitalist times. They both work as caretakers of the capital's Carol Park and lead a relatively quiet life, divided between the bean soup the woman cooks and the lunches the man takes in the mausoleum where some of the most important figures in Romanian politics of the last century sleep their final resting place. Everything falls apart when Trident chewing gum appears in their lives, in the guise of young girls who are intensely promoting a competition organized by the distributing company.