.Yl 1971 - 250

16mm film, color, sound.

Things (and their treatment) are shown repeatedly - a loaf of bread, a sausage, an egg cracked open on the rim of a cup: everyday actions with irreversible, one might say vitally destructive consequences. In the second part, the actions are directed at people, and the anxiety changes because the situations are created deliberately and uncritically. Part three, which could be read as a sober protocol of a relationship, loses the proximity to actionism and performance. Images of a man and a woman alternate with images of windows, mirrors, sofas, and the interior.

A description of two nude bodies.

A Silvestre Byrón experimental short film.

Shot over a period of 15 months from April 1969 to July 1970, Motoshinkakarannu captures a tumultuous time in Okinawa’s occupation, offering an unflinching snapshot of Okinawan society that captures the daily lives of sex workers, yakuza, tourists and G.I.s in Koza City.

Animated film parody of Western / Cowboy movies.

A man, his garden of flowers and a salesman.

Florida Keys, FL, 1971.

In this small town “epic,” the people of Whitesburg, KY speak directly to the camera about unemployment, student unrest, and the Vietnam War. The down-home candor of the exchanges presents a revolutionary alternative to the voice-over narration then common in commercial productions. Stripped to the basics, the documentary has an energy and immediacy only possible in a film made by the participants themselves.

Ahmad Agha Shahr-e Farangi is facing a market slump. The existence of cinema and television has greatly reduced his customers. In order to earn a living, he goes to an unfamiliar village at the beginning of the protected area of Semnan province, which is not far from Tehran. Upon arrival, he encounters extreme poverty and sad stories in the village. The behavior of village’s children is not predictable for Ahmad Agha. Their fear of this stranger and his strange device does not prevent them from approaching it to arouse curiosity….

A chance meeting with contemporary dancer Ishi Kamamoto during a visit to London led to the filmmaker shooting the performer’s improvised dance in natural light alongside a canal which Crawford later edited when he returned to San Francisco. “With Window Dance I explored how any image contains aspects of a “surface” to look at and a “window” to look through.”

On the first and third Saturday of each month, Master Choy Kam-man has a club meeting with all of his students who have completed at least one course in Tai Chi Chuan. Together, the students practice their form and Master Choy helps them to correct their movements….

The Great Reaper pays a visit to an old lady, but she is too busy to deal with her visitor.

Magic glasses allow kids to see the world up close

An animated painting, duh.

The executioner binds a prisoner at the stake. He lights a match and the prisoner spits on it and puts it out. But the fire is lit with the second match. The prisoner puts his hands together and prays for the rain. Rain begins to fall. Falling, falling, falling, and water drowned the convict — good luck, bad luck — they all come quickly.

Starting with a symbolic presentation of man's curiosity and his constant search of the mysteries of the unplumbed space, the film presents various scientists connected with the organised space research activities in Indian National Committee for Space Research (INCOSPAR) personally introducing their fields of research activities.

A televised film of Peter Stein's landmark 1971 production of Henrik Ibsen's Peer Gynt, staged at the Schaubühne. The staging, produced for broadcast by NDR Fernsehen, saw five actors (including Bruno Ganz) portraying Gynt over the two-evening, five-hour performance.