.Yl 1981 - 265

The series is a picture of the formation of the Zakopane community and the entire Podhale region, seen through the prism of historical and socio-economic changes over the years 1825-1918. The plot of the episodes shows: events of social and historical importance on the symbolic example of a highlander family - the Gąsienica family; and "human" matters - the great ones, such as love, death, murder, and the ordinary, everyday ones, such as work, struggle for existence, entertainment and fun.

In a humourous and bittersweet fashion, New Freedom takes a critical look at how television and the news media in general continue to project a stereotypical image of women in relationships.

The first entry in the Ecosystem series. - "In Alvileo, Fomalhaut, Eusthenopteron and this Ecosystem-1, I tried to create a collage-box of universe by collecting and rearranging a great quantity of ordinary and electronic microscopic photographs of creatures, minerals, outer space, marine lives etc. posted in scientific journals. The attempt for these video works became the driving force to produce Ecosystem-5- A Tremulous Stone which was the starting point of later Ecosystem series."

Surrounded by the police, the bandit is holding a little girl hostage.

Experimental animation techniques give an impressionistic view of a day's weather in Atlantic Canada.

Omar Khorshid And His Group .. live in Australia

Brazilian singer Mônica Passos on stage in Paris. In her small apartment she prepares a meal. In the studio she records the song "Itaipu". She speaks of her rebellion against the power plant, that harms nature. In a park, he sings "Itaipu". His powerful voice reproduces bird sounds. She throws stones into the water, creating a visual analogy with sound waves. With her guitarist husband she walks, playfully, away from the camera.

At the start of the 1980's, executives and business managers are being sent to sensitivity courses, to become more creative in their leadership.

Made by Oomera (Coral) Edwards on Super 8mm film as a training exercise at the (then) Australian Institute of Aboriginal Studies in Canberra. The film surveys the New South Wales policy of taking Aboriginal children from their families and putting them in institutions run by the Aborigines Welfare Board. From 1883 to 1969, this policy deprived generations of children of their Aboriginal identity. Oomera was one of these children, and she discusses her own struggle to regain her Aboriginality.

Davidovich searches in vain for the meaning of "avant garde." The artist travels to Iowa City, where he conducts a series of "man on the street" interviews with artist Michael Smith, painter and critic Walter Robinson, University of Iowa professor of art history W.J. Tomasini, a security guard at the University of Iowa Museum of Art, an art school secretary, and strangers on the street.

A walk in Paris in 1981 with one of the first thermographic cameras detecting different levels of heat. A whole different perception of the urban environment. In color and b&w.

Short documentary about the mexican parastatal textile industry

Life and work of the popular painter Bajado, interviews with Gilberto Freyre and João Câmara, scenes of daily life in the city that always inspired him.

3 projectors/screens, color, silent

"... plays alongside Toney Merritt's arch and elliptical humor, (CONQUEST PIECE & ASIAM, moving from enigma to impishness to silent farce)." - Calvin Ahlgren, San Francisco Examiner

A very early example of fractal-generated terrain.

A film by Haydée Caillot.

A seven-minute look at what does on at the Davie Rodeo Arena.

Consequences of the collapse of a new realty.