Where does the feeling of guilt come from? Starting from the account of a medical condition, Farah Hasanbegović resorts to animation to search for the origin of those sensations that accompany us throughout our life, whether we want them to or not. Through eloquent pencil strokes, Ribs is a sensorial meditation on the material dimension of our feelings.
The existence of small Bosnian and Croatian communities is threatened by the impending arrival of a nuclear waste dump.
A journey retracing my sisters’ 1992–93 displacement from Sarajevo through Bosnia and Croatia, guided by a childhood war diary.
Documentary film "Dino Merlin: We- Behind the Scenes" shows the background of Dino Merlin's recent concerts in Zagreb and Belgrade, including exclusive footage from the regional tour.
In 1921, with spite, enthusiasm and the abundance of poverty, the workers of the Railways built their football club, and then the stadium where both war and peace were officially declared in Sarajevo in the 1990s. Built, demolished, and again, rebuilt - by the love of his fans. The Valley of Jars - more than a stadium.
After 7 years since “Tokyo-Morava”, Moku and Bekim were filming at Brčko. Based on “Tvoj sin Huckleberry Finn”.
A kung-fu tale from Bosnia and Herzegovina, spiced up with motifs, dialogues and action mas if it hails fro a Chinese movie of the kind about an unknown hero who saves the village.
The author uses his home movies and photographs taken at significant moments of his life that had shaped him into the man he is today. The film presents his innocent childhood, his love for his profession, his first encounters with camera and his experiences during the war that forced him out of his home. The war turned a boy into a soldier and left victims in its wake - both death and alive - as well as memories that provoke tears and anger, but also laughter. The war also defined his take on life and almost destroyed his dreams.
Captain comes back from war only to find his beloved in hospital, suffering from syphilis.
The first post-war feature film for children in BiH "The Secret of the School Basement", by Prijedor academic painter Zoran Radonjic, which signed the script, directed and camera, premiered at the Prijedor Theater. The story of the film, which defines the line between good and evil, begins the moment when students discover the secret of a school fireman, a self-proclaimed alchemist searching for a magic stone.
A documentary film shot in the occasion of the third anniversary of Bosnian Army.
The third part of the “Mujo Is Looking at Pretty Nizama” franchise.
It tells about the stopping of Yugoslav National Army tanks in Polog on May 7, 1991, and depicts the events of May 7, 8, and 9, 1991. The complexity of the situation is presented. Through the interview with the actual participants, one can see the full spectrum of problems, conflicts with superiors, with ordinary protesters who, under the great rush of adrenaline, were prepared to give their lives under tank tracks.
It’s a beautiful winter day. Four children are playing on the bridge, but fifth actor enters the game... The sniper.
Shot in two abandoned villages near Visoko (Bosnia), which offered enough locations for the mid-19th century story. It shows the culture and customs of long-forgotten times. The story is related to the bey’s families, their children. How people lived and worked at that time.
During a chaotic cleaning of their apartment because of impending guests, mom Esma is berating her daughter Ena for not cleaning the “proper” way. Ena is sent to buy groceries, but on the way from the market, she gets whisked away into a magical world as she searches for the origin of a mysterious sound.
Upon returning home, Biba and her son Žrle accidentally switch bags. Biba goes into the kitchen to make tres leches because she is expecting guests. Žrle goes to his room to try heroin. However, Biba adds heroin from the bag into the mixture, while Žrle tries to make heroin but fails repeatedly.
In the world of Bosnian bullfighting, women are rarely seen in the audience, let alone in the arena. Martina Batista is a 17-year-old girl who decided to take on the burden of her family tradition and step into the arena herself. She made that decision when she was 12 years old and has been a regular winner with three of her bulls. We follow her daily routine and learn about the reasons behind her decision to take that path and her attitude towards this sport. Through one of the fights in the arena, we see how this very male-dominated culture treats a young girl.
