María Rosa 1908
María Rosa is a Spanish silent film directed by Juan María Codina.
María Rosa is a Spanish silent film directed by Juan María Codina.
A poor family, suffering from a lack of food, plan to sell their dog to gain some extra income. Before they act on their plan, the dog discovers some buried jewels. These turn out to be stolen, and the family are given a £100 reward.
Into a photography studio full of large fantastic machines steps an elderly couple. The bearded proprietor explains the equipment and gives them a demonstration: he starts machines whirring, and projects a painting of three women onto a large screen; suddenly the women begin to move. The customers are impressed. First the women sits in the special seat: she's projected onto the screen, and her good nature comes out in the laughing image. Then it's the man's turn, but the machine discloses a vastly different nature in him. Will his reaction threaten our proprietor's inventions?
M. Rasta, a high society con man, is accused of a crime he didn't commit.
A mythological scene with the most beautiful effect.
Two feuding houses are united with the marriage and eventual death of their children.
A band of musicians stage a fake murder as a practical joke for their grumpy, curious neighbor.
Female magicians turn people into origami roosters and vice versa.
An excellent reproduction of the world-famed riders of Russia in their various stunts and acrobatic feats while on their thoroughbred horses.
Silent French short film by Georges Méliès, based on the character from Alphonse Daudet's novel of the same name. The film is presumed to be lost.
A fraudster is at work in his laboratory, where he pretends to make synthetic diamonds.
The Baseball Fan is a Comedy short.
The mishaps of a man who steps into the street wearing his brand-new white suit, and who instantly encounters every conceivable insult to his suit's integrity: a coalman bumps into him, a waiter spills food on him, a painter walks into him.
A family tries to eat dinner, but the table vanishes and reappears, changes shape and location, all in the usual manner laid down by Melies, but here copied by Segundo de Chomón.
A woman attorney is seen in her apartment with her poor henpecked husband, who is more like her man servant than her better half. She is so taken up with her studies in law that she finds no time to bother with household duties, thus putting the burden on her husband who is compelled to take care of the baby, clean the house, do the cooking and be on hand, ready to answer whenever the wife calls on him to attend to her wants. Things do not run very smoothly, however, which is not at all surprising, so she finally decides to take a hand in the domestic affairs herself. (Moving Picture World)
If a violin was actually broken here we don't get to see it. Sadly this is one of many Georges Melies films that are only available in a fragment. Hopefully one day a complete print will turn up but until then at least we have this. The film starts off in some sort of bakery as the boss starts giving orders and then a bit later we see a young man pull out a violin he has been hiding and start to play it. The film then flashes to another location but this is where it cuts off so I'm not certain where the story went from here.
A drunkard has a vision of everything turning into bottles.
In this simple melodrama, a boy loses his beloved girl, hence dying of a broken heart. The film presents advanced techniques in several fields.