Year 1925 - 60

A wealthy man who acquires a mind-reading machine is soon horrified to discover what people are really thinking.

Bobby Austin is sent to Madrid on a diplomatic mission. He is followed by Lady Sylvia Hutton, a society adventuress who is infatuated with him. She takes him on a yachting trip to Monte Carlo where he meets Kathleen Lawrence, a notorious "kept" woman, who tries to save him from the ruin that Lady Sylvia bears in her wake.

The story for this film was derived from the Bawla murder case. The maharaja of Holkar fell in love with a dancing girl named Mumtaz (Moti) who spurned his advances because she loved another man. In fact, the maharaja had the man kidnapped in full public view and killed.

Felix's master, a magician, plays tricks on Felix with magic. Felix tricks him into transforming into a mouse, then knocks him out and steals his book of magic. After practicing some tricks, Felix winds up being transported into a painting, where he fights a lion, a stork and a hippo.

An Aesop’s Film Fables short.

A silent amateur film directed by Nena Lavello. It is preserved as a 2K DCP (1'31" at 16 fps) from a 9.5mm reversal print without intertitles, held by Fondazione Home Movies – Archivio Nazionale del Film di Famiglia in Bologna. According to Michele Manzolini in the 44th Pordenone Silent Film Festival catalogue, the film was likely shot in Lavagna, where the Lavello family spent extended stays at their country house, Villa Rocca. The footage captures leisure activities of Nena Lavello and her group of friends, known locally as the “robustine” for their energetic and athletic lifestyle. Scenes include beach outings, sailing, and games. The Pathé Baby camera used for filming was purchased in April 1925 by her father Arturo Lavello, possibly for travel or as a gift. The film reflects moments of youthful recreation along the Ligurian coast

Sir Hargrave Wendever learns that his days on this earth are numbered. When she hears that the Lord has canceled his order for a portrait, Betty Oliver, the fiancée of the artist, Robert Hewitt, who is sick, goes to him and begs for a loan. Touched by the situation, the Lord decides to use his fortune to brighten the days of the two unlucky souls and takes them to Monte Carlo. But Wendever's enemies try to make Robert jealous.

With a little-known director and second-string cast, the two-reel Moonlight Nights is typical of these low-budget independent productions. The comedy’s plot is not much: Told by his exasperated father to find a job, a klutzy rich kid named Art (Joe Moore) follows a bevy of dancers to their nightclub, where he tricks the maître d' into hiring him as a waiter. No guest proves safe from Art’s clumsy antics, but the shapely cabaret performers, led by Mademoiselle Fifi (Gloria Joy), dance on in the ensuing chaos.

A Ko-Ko Song Car-Tunes short

An elderly Franz Liszt (1811-1886), living in a monastery, recalls his lost, unrequited love on his birthday.

A 1925 silent Western.

Animated cartoon spoof of the Topical Budget newsreel - "Having received many complaints from canine cinema-goers that their viewpoint is not considered, Bonzo offers this topical Bonzette". Features openings, events and sports.

A slapstick comedy short directed by Jules White starring Phil Dunham.

Bonzo borrows a scout's hat and does a series of disastrous good turns.

A 1925 currently lost film.

The bandit El Tempranillo falls in love with a gypsy and the daughter of the Mayor of Seville.

A brief amateur silent film (1'54", DCP from 9.5mm reversal, 16 fps) without intertitles, sourced from Fondazione Home Movies – Archivio Nazionale del Film di Famiglia, Bologna. It forms part of a larger group of 27 amateur 9.5mm films attributed to Nena Lavello, who was 16 years old at the time of filming. Shot during the spring and summer of 1925, the collection documents a range of domestic and travel scenes, including visits to Sicily, Campania, and northern Italy. This particular film captures moments of leisure and companionship on the beach at Lavagna, reflecting the filmmaker’s early engagement with light, composition, and movement. As noted by Michele Manzolin in the 2025 Pordenone Silent Film Festival catalogue, the footage serves as a visual record of youthful play and friendship, offering insight into the personal and expressive potential of early amateur filmmaking.

Using several camera tricks, the movie shows what the Our Gang kids want to be when they grow up.

Based on a Japanese legend, this animated short tells the story of a farmer who attempts to hide his mother from the wrath of a Lord who forces all people 60 and older from his village.